Laura Lippman - In A Strange City

“To keep your secret.”

“Yes.”

“I don’t know your name, only your face. I can infer you once taught high school and you live in North Baltimore, but that’s about it.”

“That’s more than anyone else knows. Besides, you could follow me when I leave here. Or you could take out your gun and demand my wallet, in order to examine my driver’s license.”

“Do you really think I would do that?”

He smiled. “No. No, I don’t. But now that you know what you know, do you think-could you be tempted…”

It took her a moment to figure out what he was asking. “To take your place? I think not. It’s too much of a commitment, year in and year out.”

“Yes. I wish I had understood that when I started. Well, so it goes. Eventually, I’ll find someone. Now that young man I’ve seen with you, he seems-”

“No!” Tess said. Crow would be all too happy to be recruited into this secret club. She saw an eternity of January nineteenths stretching out before them, saw Westminster Hall as the fixed point in their lives, saw Crow buying roses and cognac until he was as old as the man before her. “No.”

“Well, then, I’ll have to find someone else.” He checked his scarf, patted his pockets as if looking for car keys. “I’m off. I trust you to turn those things in to the proper authorities. I’ll let you be the judge of who they might be. I hope”-his voice was suddenly wistful-“I hope they end up somewhere I might see them again, every now and then.”

“I’ll do my best.”

He made his way down the hill. He had a slight wobble to his walk, an unsteadiness that suggested his age, whatever it was, might be catching up to him. Tess willed herself not to watch him go. She didn’t want to know what kind of car he drove or in which direction he might head. She knew so much more than she wanted to. About Poe. About people and the things of which they were capable. One of Poe’s favorite themes, actually.

She looked at the bug, which was clearly of great value, if only for its gold and sapphires, and tucked it into the breast pocket of her coat. She opened the locket. To touch something Poe might have touched, an item he would have cherished above all others-what did it mean?

It meant nothing. It meant far too much. She wanted to be immune to the sickness that had seized all these men-Clary, Pitts, Ensor, Hayes, even Bobby-but she knew she was susceptible as well. Most of us are. We might not kill for things, but we make other concessions to materialism. We rack up debt, we marry rich, we stay in jobs we hate. “The sickness that is living,” Poe had written, but Tess would change that to “The sickness that is acquiring.” Which was not living at all but a kind of walking death, pharaohs so intent on perfecting their tombs that they never knew life at all.

She would stop by her office, put these items in her wall safe, and figure out what to do with them later.

And then-why, then she was going to go to Nouveau on Charles Street and splurge on those cunning little drawer pulls, the ones shaped like starfish. The maple cabinets in her kitchen were finally finished, and Crow had started regrouting the bathtub just that morning. He thought green tile for the floor, but she preferred the old-fashioned black-and-white pattern, the style used in the house where she had grown up, a house now lost to the ages.

Baltimore (AP)-An anonymous donor has bequeathed two pieces of possible Edgar Allan Poe memorabilia to the Maryland Mu-sheum, a little-known institution even here in its hometown.

The articles in question are a “mourning” locket, or memento mori, believed to contain the hair of Virginia Clemm, Poe’s cousin and child bride, and a one-of-a-kind gold bug stickpin, alleged to be a gift to Poe from a female admirer.

One theory holds that Poe had these items with him when he died in Baltimore on October 19, 1849.

Serious Poe scholars attacked this idea almost immediately pointing out there is no evidence linking the jewelry to Poe. Neither item is mentioned in Poe’s correspondence, nor in the letters of Marie Clemm, Virginia ’s mother. And, although the items are consistent with jewelry design of the early- to mid-nineteenth century even open-minded scholars concede their authenticity will never be established. If Poe had jewelry on him at the time of his death, it was most likely a wedding ring for Elmira Shelton, whom he hoped to marry.

“I don’t care if they can’t be authenticated,” said Mary Yerkes, who runs the Maryland Mu-sheum. “I am delighted to own them and will even abide by the donor’s conditions, although they are not legally binding.”

The anonymous donor not only requested that the items be placed on permanent display-with the exception of loans to other museums-but also stipulated that the Mu-sheum must change its name, according to the computer-generated note that accompanied the items, “to anything else, absolutely anything, as long as it doesn’t have a pun in it.”