Robert Parker - Gunman's Rhapsody

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The Barnes Noble Review
Much of Robert B. Parker's fiction – his recent Spenser novel, Potshot, is a notable example – has straddled the boundary between two traditional forms: the private-eye novel and the Western. Parker's latest, the spare, evocative Gunman's Rhapsody, represents his first attempt at a pure, unadulterated Western, moving from Boston and environs to Tombstone, Arizona and focusing on one of Spenser's true spiritual forebears: Wyatt Earp.
Gunman's Rhapsody begins in 1879. Wyatt, whose exploits have already found their way into the dime novels of the period, has just arrived in Tombstone, accompanied by several of his brothers and his common-law wife, Mattie Blaylock. The Tombstone of this era is a semi-lawless boomtown located in the heart of the silver mine district. It also serves as a kind of crossroads, a meeting place for some of the iconic figures of the Old West, figures such as Johnny Ringo, Bat Masterson, Ike Clanton, Katie Elder, and the drunken, slightly demented gunfighter, Doc Holliday.
A single romantic encounter dominates this rambling, almost plotless narrative: Wyatt's discovery of the love of his life: beautiful showgirl Josie Marcus, who happens to be engaged to Johnny Behan, the shady, politically connected Sheriff of Tombstone. Wyatt's affair with Josie – which takes on an obsessive, almost mythical dimension – forms the central element in an interlocking series of personal rivalries and political enmities that will culminate in the gunfight at the OK Corral, and in its bloody, extended aftermath.
Parker's clean elegant style and essentially romantic sensibility prove perfectly suited to the peculiar material of this novel. Without a false note or wasted word, Parker recreates the ambiance of the West, bringing its saloons, jails, and gambling halls and its endless, wide-open vistas, to immediate, palpable life. He brings that same effortless authority to bear in describing the lives and motivations of violent, hard-edged men who live – and sometimes die – according to highly developed codes of personal behavior. The result is a fascinating historical digression that illuminates a piece of the American past while simultaneously illuminating the central concerns of Parker's large, constantly evolving body of work. (Bill Sheehan)

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“So it’s over?” Josie said.

“Hearing’s over,” Wyatt said. “You want to hear what Spicer ruled?”

“Of course.”

Wyatt’s coat hung on a chair near the bed. He reached over and took paper from his inside coat pocket and unfolded it.

The evidence taken before me in this case, ” Wyatt read, “ would not, in my judgment, warrant a conviction of the defendants by a trial jury of any offense whatever.

“Of course, he’s right,” Josie said. “No one could have ruled differently.”

Wyatt smiled a little. He put the paper back inside his coat.

“Maybe if Behan were running the hearing…” Wyatt said.

“Thank God he’s not,” she said.

Josie put her head against Wyatt’s shoulder. He held her hand. They were quiet together in the still-moonlit room.

“Do you think Johnny put them up to it?” Josie said.

“Yes.”

“Is it about me?” Josie said finally.

Wyatt thought about her question.

“It’s about you and me,” he said after a time. “There’s been a lot of push and shove between us and the cowboys. And it’d be hard to get along with both sides. Johnny tried, but after you and me turned out to be what we are, it was pretty easy for him to slide over to the cowboys. I think he stirred them up, Ike especially, because Ike’s pretty much a fool drunk and easy to stir up.”

“Is he through trying?” Josie said.

“Not likely,” Wyatt said.

“What do you think Johnny will do?” Josie said.

“He’s got the rest of the cowboys to rile. Brocius, and John Ringo, for instance, are a little different than Ike and the McLaurys.”

“Are you afraid of them?”

Wyatt shrugged.

“Thinking about that doesn’t do me much good one way or the other,” he said.

“And you have friends,” Josie said.

“I do,” Wyatt said and smiled. “And my brother Warren came in from California. He’s planning to stay awhile.”

“Is he like you?” Josie said.

“He’s more like Morgan.”

“Kind of likes trouble?” Josie said.

“Kind of.”

“If only Johnny would just come out in the open,” she said.

Wyatt shook his head.

“It’s not Johnny’s way,” Wyatt said.

“I don’t know what to wish,” Josie said. “I can’t wish that we hadn’t met.”

“No, you can’t wish that,” Wyatt said. “Whatever comes of all this, we are worth whatever it costs.”

“Then I wish someone would kill Johnny.”

“Someone would have to murder him,” Wyatt said. “He won’t come at you straight on.”

“Could you murder him?”

“No.”

“You’ve shot men before.”

“It’s not just what you do, it’s how you do it,” Wyatt said. “And I think I promised you I wouldn’t.”

“I know,” Josie said. “I know.”

“Shooting the sheriff is serious business. There’s some law out here now. Hell, I’m supposed to be part of it sometimes.”

“Maybe Doc,” Josie said.

“That’s up to Doc,” Wyatt said. “I won’t ask him to do my shooting for me… And I don’t want you asking him.”

She rubbed her cheek against his shoulder.

“You know me quite well, don’t you?” she said.

“I know you’re talking different than you did when you made me promise not to shoot him.”

“I didn’t know it would get down to you or him.”

“Things do,” Wyatt said.

“And you knew they would.”

“Yes.”

“And you promised me anyway.”

“I love you,” Wyatt said.

“God, I’m such a little girl.”

“You appear to me to be growing up fast,” Wyatt said.

“What if I talked to Johnny?” Josie said.

“I don’t like that, but even if I did, it don’t really matter anymore. Thing like this has got a life all its own. The balls been opened. It’ll run until it’s done running.”

“And we just wait for it to happen?”

“We can do a little better than that,” Wyatt said. “We can be ready for it.”

Forty-five

It was a Wednesday night, three days after Christmas. Wyatt and Virgil were at the bar in the Oriental. Virgil had a glass of beer. Wyatt was drinking coffee.

“Allie was wondering when Mattie was going to move into the hotel with the rest of us,” Virgil said.

“Allie’ll have to ask her direct,” Wyatt said. “Mattie ain’t got much to say to me.”

“You ask her to come with you?” Virgil said.

“I told her she could.”

“And she said no?”

“She didn’t say anything,” Wyatt said. “Mostly she just cries.”

“Nobody’ll bother her anyway,” Virgil said.

“I know,” Wyatt said.

“How about Josie?”

“Allie asking about her too?” Wyatt said.

“Nope, me.”

“Hell, Virgil, this whole thing is about Behan wanting her back,” Wyatt said. “He’s not going to kill her?”

“Be a way to get at you,” Virgil said.

“No, Johnny ain’t much. But he won’t hurt her.”

“I agree he ain’t much,” Virgil said. “But since the fight and the trial he got a lot of people on his side now. And some of them are much.”

“Curley Bill?”

“Yep, and John Ringo. Billy Breakenridge is a pretty good man. And Dave Neagle.”

“And none of them would hurt Josie,” Wyatt said.

“How ’bout Ike?” Virgil said. “Frank Stilwell? Pete Spence?”

Wyatt nodded.

“Okay. Maybe they would,” he said.

“So whyn’t you send her to San Francisco, let her father look after her, until we clean this up?”

Wyatt drank some of his coffee, holding it in both hands, looking over the rim through the ribbon of steam that rose from the cup. He put the cup down and grinned at Virgil.

“ ’Cause she won’t go,” Wyatt said.

Virgil grinned back at him.

“I understand that,” he said.

Virgil finished his beer.

“Well,” he said, “time to go home.”

“The Cosmopolitan Hotel is not home,” Wyatt said.

“No, but the perimeter’s a hell of a lot easier to secure.”

“Home sweet home,” Wyatt said.

Virgil said good night and turned and walked out of the front door of the Oriental.

Wyatt gestured at the bartender for more coffee, and watched as it was poured. From the street came the sound of gunshots. Wyatt thought there were four. Shotguns, he was pretty sure. Two guns, both barrels? He turned toward the door as Virgil pushed into the saloon. The left side of him was bloody.

“I’m hurt, Wyatt,” Virgil said.

He seemed calm enough, but Wyatt knew that the first shock of injury often left you calm. It hadn’t yet started to hurt like it was going to.

“Where?” Wyatt said.

He stepped to his brother’s side and put his left arm under Virgil’s right arm and held him upright. Wyatt held a Colt.45 in his right hand, pointing at the floor with the hammer thumbed back.

“Empty building across the street,” Virgil said.

“I meant, where are you hurt?”

“Left side, left arm,” Virgil said.

“Can you walk to the hotel?”

“Yes.”

Wyatt turned to Blonde Marie.

“Go across the street and get Goodfellow,” Wyatt said. “We’ll be at the Cosmopolitan.”

Without a word Blonde Marie ran from the saloon.

They moved slowly out of the saloon, crossed Fifth Street, and walked almost the length of the block to the Cosmopolitan Hotel. It took them longer than it took the news. When they reached the hotel lobby Sherman McMasters was there, and Doc, and Morgan, all armed. Warren, slighter and darker than his brothers, was at the top of the stairs with a shotgun. Allie stood beside him. Her eyes were big, her face was white. When she saw them she clattered down the stairs.

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