Robert Parker - Gunman's Rhapsody

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The Barnes Noble Review
Much of Robert B. Parker's fiction – his recent Spenser novel, Potshot, is a notable example – has straddled the boundary between two traditional forms: the private-eye novel and the Western. Parker's latest, the spare, evocative Gunman's Rhapsody, represents his first attempt at a pure, unadulterated Western, moving from Boston and environs to Tombstone, Arizona and focusing on one of Spenser's true spiritual forebears: Wyatt Earp.
Gunman's Rhapsody begins in 1879. Wyatt, whose exploits have already found their way into the dime novels of the period, has just arrived in Tombstone, accompanied by several of his brothers and his common-law wife, Mattie Blaylock. The Tombstone of this era is a semi-lawless boomtown located in the heart of the silver mine district. It also serves as a kind of crossroads, a meeting place for some of the iconic figures of the Old West, figures such as Johnny Ringo, Bat Masterson, Ike Clanton, Katie Elder, and the drunken, slightly demented gunfighter, Doc Holliday.
A single romantic encounter dominates this rambling, almost plotless narrative: Wyatt's discovery of the love of his life: beautiful showgirl Josie Marcus, who happens to be engaged to Johnny Behan, the shady, politically connected Sheriff of Tombstone. Wyatt's affair with Josie – which takes on an obsessive, almost mythical dimension – forms the central element in an interlocking series of personal rivalries and political enmities that will culminate in the gunfight at the OK Corral, and in its bloody, extended aftermath.
Parker's clean elegant style and essentially romantic sensibility prove perfectly suited to the peculiar material of this novel. Without a false note or wasted word, Parker recreates the ambiance of the West, bringing its saloons, jails, and gambling halls and its endless, wide-open vistas, to immediate, palpable life. He brings that same effortless authority to bear in describing the lives and motivations of violent, hard-edged men who live – and sometimes die – according to highly developed codes of personal behavior. The result is a fascinating historical digression that illuminates a piece of the American past while simultaneously illuminating the central concerns of Parker's large, constantly evolving body of work. (Bill Sheehan)

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Thirty-nine

Just before noon Katie Elder was looking at some of Camillus Fly’s photographs in the gallery Fly kept next to his rooming house. Fly came in.

“Ike Clanton’s out there with a rifle and a side arm,” Fly said. “He is looking for Mr. Holliday.”

“Why?” Kate said.

“He says he is going to kill him,” Fly said.

“Doc’ll be interested to hear that,” Kate said.

She went next door into the boardinghouse and up to their room and woke Doc up.

“Ike Clanton’s looking to kill you,” Kate said. “He’s got a rifle.”

Doc rolled out of bed and began to put on his pants.

“ ’Less I die on the way,” Doc said, “he’ll get his chance.”

The air smelled of impending snow when Wyatt met Virgil and Morgan on Fremont Street. It was cold for October. All three men wore mackinaws; the hem of Wyatt’s was tucked up above the walnut handle of his gun.

“Harry Jones tells me Ike is after us with a Winchester and a six-shooter,” Wyatt said.

Virgil nodded.

“He was down at Hafford’s, too,” Morgan said, “with a rifle. Says he was insulted last night when he wasn’t fixed right. Says he’s heeled now and ready and wants to fight.”

“Lynch told me the same thing,” Virgil said. “Says Ike’s planning to kill us on sight.”

“And the sonova bitch been telling people we was supposed to meet him at noon and welshed out on it,” Morgan said. “It ain’t even noon yet.”

“Five of,” Wyatt said.

“Seems to me,” Virgil said, “we ought to find him and settle him down a bit.”

“Maybe we should settle him down for good,” Morgan said. “Ike’s starting to make me awful tired.”

“We’ll disarm him, arrest him if we can,” Virgil said.

“I’ll go up to Allen Street,” Wyatt said. “See if I can find him, see what he wants.”

Morgan and Virgil began to look for Ike along Fremont. Wyatt walked up Fourth Street toward Allen. He could smell snow in the air. He shrugged himself a little deeper inside the mackinaw and put his hands into his coat pockets. Wouldn’t want them stiff with cold if he was going to have to shoot Ike Clanton.

Behind him Ike came out of the Capitol Saloon. He looked toward Wyatt. Virgil, with Morgan beside him, came around the corner of Fremont and took hold of Ike’s rifle barrel with his left hand. Wyatt turned.

Virgil said, “Are you hunting for me?”

“I am, goddamn you, and if I seen you a second sooner you’d be dead.”

Wyatt began to walk back toward them. Ike went for the six-shooter he wore stuck into his waistband. Virgil hit Ike on the side of his head with the big Colt revolver he was carrying. Ike grunted and sank to his knees. He stayed down for a moment, shaking his head, and then looked up into the barrel of Morgan’s six-shooter. Ike could see that it was cocked.

“We’re arresting you, Ike, for carrying a concealed weapon,” Virgil said.

Wyatt was there now, standing beside Morgan. Virgil reached down and took Ike’s revolver and handed both guns to Morgan.

“You fucking Earps don’t give a man a chance,” Ike said.

“We didn’t shoot you,” Virgil said.

Forty

Recorder’s Court was across the street in one of Dick Gird’s block of buildings. Ike sat on one of the benches holding a handkerchief against the oozing cut on his head.

“I’m going to go find Judge Wallace,” Virgil said.

Morgan leaned against the wall holding Ike’s weapons. Wyatt sat on the bench next to Ike, turned so he could face him. The courtroom was crowded, and everyone in it stared at them.

“I’ll get even for this,” Ike said. “I had something to shoot with, I’d fight you all right now.”

Morgan smiled and held out a Henry Rifle, muzzle down. Ike stared at it. People around them in the courtroom scattered into the street.

“I’ll tell you what, Ike,” Morgan said. “I’ll pay your damn fine if you’ll fight us.”

Ike didn’t move.

“You thieving sonova bitch,” Wyatt said. “You’ve been threatening our lives, and you know it. I could shoot you right here and be justified.”

“Fight is my racket,” Ike said. “All I want is four feet of ground.”

Morgan continued to hold out the rifle. Ike continued not to take it.

“Okay, how about a six-gun too,” Morgan said and offered Ike the Colt he’d taken from him earlier.

Ike didn’t move. One of Behan’s deputies, a squat muscular man whom Wyatt didn’t know, stepped in front of Ike.

“No fuss now,” the deputy said, “I don’t want any fuss.”

Judge Wallace entered the room in back and walked toward the front. There was a big cast-iron stove near the bench. The judge took off his overcoat and hung it on a hook behind his bench. Then he sat down and looked at Clanton and the Earps. The onlookers, who had scattered when the rifle was offered, trailed back in behind the judge. The people close to the stove took off their coats. It was too hot to wear them on the side that faced the stove, though it was cold without a coat on the side away from the stove. The people farther from the stove kept their coats on.

“Nor do I want a fuss,” he said. “What are the charges?”

“Apprehended Ike Clanton carried a concealed weapon on Fremont Street,” Virgil said.

“Rather vigorously, I would say,” Judge Wallace said, looking at Ike’s bleeding head. “How do you plead?”

“Guilty, I guess… Your Honor.”

Judge Wallace nodded.

“Twenty-five dollars.”

Ike took money from his pocket and walked toward the judge with it. Wallace shook his head.

“Not me,” he said, “give it to Mr. Campbell.”

Ike looked embarrassed and veered to the clerk and handed him the money. The clerk wrote out a receipt and gave it to Ike.

“Next case,” Judge Wallace said.

“Where you want to pick up your hardware, Ike?” Virgil said.

“Anyplace you won’t be hitting my fucking head with your six-gun,” Ike said and walked out of the room.

Virgil looked at Morgan and shrugged.

“Drop them off with the bartender,” Virgil said, “over at the Grand.”

Morgan left. Virgil stood with Wyatt in the courtroom, where the spectators still jostled one another and the cast-iron stove reeked unevenly of heat.

“This ain’t gonna go away,” Virgil said.

“No it ain’t.”

“Ike’s a gasbag,” Virgil said.

“It ain’t just Ike,” Wyatt said. “The McLaurys are wound up too, and you know that it’s Behan did the winding.”

“Which means probably that Brocius will be in,” Virgil said.

“And Johnny Ringo.”

“Too bad,” Virgil said.

“Yes, I like him too.”

“Maybe I should settle this with Behan,” Wyatt said.

“Behan won’t fight you,” Virgil said. “He’s got Ike and the cowboys to do that.”

Wyatt didn’t say anything.

“Besides which, he’s the goddamned sheriff,” Virgil said.

Still, Wyatt was silent, watching the business of the courtroom slowly proceed.

“Maybe,” Wyatt said, “we ought to get to it instead of waiting around for one of them to back-shoot us.”

“I’m the city marshal, Wyatt.”

“I’m not,” Wyatt said.

“You shoot somebody down in the street,” Virgil said, “I’m going to have trouble covering that.”

“My guess is, they ain’t going to give us a choice.”

“If they don’t,” Virgil said, “they don’t. We’ll play the cards that turn up.”

Forty-one

Wyatt was glad to be outside. After the stove-tainted courthouse he liked the cold air, the smell of impending snow. The feel of a storm approaching was about right. He walked up Fourth Street, nodding to Bauer the butcher and another man whose name he did not know. Coming toward him from the corner of Allen was Tom McLaury. McLaury slowed for a moment as if he might turn and go another way. Then he seemed to right himself, and continued toward Wyatt. McLaury had the thumb of his right hand hooked into his belt.

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