Robert Parker - Gunman's Rhapsody

Здесь есть возможность читать онлайн «Robert Parker - Gunman's Rhapsody» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Gunman's Rhapsody: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Gunman's Rhapsody»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The Barnes Noble Review
Much of Robert B. Parker's fiction – his recent Spenser novel, Potshot, is a notable example – has straddled the boundary between two traditional forms: the private-eye novel and the Western. Parker's latest, the spare, evocative Gunman's Rhapsody, represents his first attempt at a pure, unadulterated Western, moving from Boston and environs to Tombstone, Arizona and focusing on one of Spenser's true spiritual forebears: Wyatt Earp.
Gunman's Rhapsody begins in 1879. Wyatt, whose exploits have already found their way into the dime novels of the period, has just arrived in Tombstone, accompanied by several of his brothers and his common-law wife, Mattie Blaylock. The Tombstone of this era is a semi-lawless boomtown located in the heart of the silver mine district. It also serves as a kind of crossroads, a meeting place for some of the iconic figures of the Old West, figures such as Johnny Ringo, Bat Masterson, Ike Clanton, Katie Elder, and the drunken, slightly demented gunfighter, Doc Holliday.
A single romantic encounter dominates this rambling, almost plotless narrative: Wyatt's discovery of the love of his life: beautiful showgirl Josie Marcus, who happens to be engaged to Johnny Behan, the shady, politically connected Sheriff of Tombstone. Wyatt's affair with Josie – which takes on an obsessive, almost mythical dimension – forms the central element in an interlocking series of personal rivalries and political enmities that will culminate in the gunfight at the OK Corral, and in its bloody, extended aftermath.
Parker's clean elegant style and essentially romantic sensibility prove perfectly suited to the peculiar material of this novel. Without a false note or wasted word, Parker recreates the ambiance of the West, bringing its saloons, jails, and gambling halls and its endless, wide-open vistas, to immediate, palpable life. He brings that same effortless authority to bear in describing the lives and motivations of violent, hard-edged men who live – and sometimes die – according to highly developed codes of personal behavior. The result is a fascinating historical digression that illuminates a piece of the American past while simultaneously illuminating the central concerns of Parker's large, constantly evolving body of work. (Bill Sheehan)

Gunman's Rhapsody — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Gunman's Rhapsody», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“Where are they?” Doc said.

“Dexter’s Corral,” Virgil answered. “Look.”

The cowboys came out of Dexter’s and crossed the street and entered the O.K. Corral. As they disappeared into the livery area, J. L. Phonic walked up Fourth Street and stopped in front of Virgil. The collar of his long black coat was turned up against the wind. His smallish townsman’s hat was pulled down hard on his head.

“You need them, I can deliver ten men with Winchesters right now,” Phonic said.

“Don’t expect to need them,” Virgil said. “Those boys stay in the O.K. Corral, we won’t bother them.”

“Why those boys down on Fremont Street right now, near your rooming house, Doc?”

“Looking for me, probably,” Doc said.

“They’re heeled,” Virgil said.

“Sure,” Phonic said.

“Well, I guess we better go down there and disarm them,” Virgil said.

He handed the shotgun to Doc.

“Keep that under your coat, Doc. Don’t want people getting the wrong idea and going off too quick.”

Doc gave his cane to Virgil and stowed the shotgun, holding it inside his coat with his left hand.

“Here we go,” Virgil said.

Things at large were going very fast now, but the small details were getting steadily slower. Everything Wyatt looked at seemed leisurely and somehow stately. The wind had stopped. The movement of his brothers and Doc as they began the walk down Fourth Street was timeless and made no sound. Johnny Behan appeared and spoke to them and was brushed aside. A two-horse hitch moved past them going silently in the opposite direction, moving as if it had wound down, the big draft horses nearly balletic in their slow elegance. He could feel the steady rhythm of his pulse, the easy flow of his blood. There was nothing on the periphery anymore. The buildings along Fourth Street disappeared as he walked, and he felt Virgil and Morgan and Doc to his left. They walked abreast, Wyatt on the far right. He knew there was coldness and the smell of snow. Now and then a random and singular snowflake would drift in front of him. He felt the weight of the six-shooter in his belt. Everything seemed to be happening soundlessly at the bottom of a clear lake. They were at Fremont Street. It had taken no time at all, and yet it had moved more slowly than it seemed possible to move. Wyatt didn’t want it hurried. If Josie were with him here in this crystalline moment there could be no heaven to match it. As it was, he felt as if his life had compacted into a density that no harm could penetrate. He opened his hands wide and let them relax and stretched them again for the sheer physical surge of it. Everything was profoundly intense, nearly magical. Ike was there with Billy Clanton and the McLaurys, clustered in the alley together beside Fly’s. Virgil’s voice came from beyond a vast emptiness. Something about “Throw up your hands…” and then, “Hold on, I don’t mean that…” and then gunfire. His big Army Colt ahead of him, an extension of himself, the hammer thumbed back, bucking slightly as the hammer fell. Around him, barely penetrating his focus, other guns were firing as if at a great distance. Frank is hit, and Billy Clanton, and his brother Morgan. Ike closes with him for a moment. Wyatt tosses him aside. Ike runs. Tom shoots from behind his frightened horse. More shots. Hammer back. Pull the trigger. Again. The bullets seem to surge from his deepest self in a leisurely way. Doc staggers and curses and fires again. Clinging to his horse, firing over him, Frank takes a few steps into Third Street and falls. The horse shies off, his reins trailing, and trots down Third Street. Tom is down in the alley. Billy Clanton is on the ground, his back against the wall of Fly’s, still cocking and firing. Another shot. Billy slumps. Then vast silence. As if time had stopped. Virgil was limping, a bullet through the calf. Morgan was in pain, a bullet in his shoulder. Billy Clanton was dead. Tom McLaury was dead. Frank was dead. In the utter stillness the smell of cordite was thick in the narrow alley. Wyatt still held the gun with its hammer back, moving the gun slowly before him back and forth, scanning the silence. Part of the silence, at one with it, as the occasional snowflake spiraled down, and the clean desert air that filled his lungs began to clarify the gun smoke.

Forty-three

Behan never looked quite comfortable, Wyatt thought, as the sheriff walked toward him. He was always a little too dressed up. When he wore a gun, it didn’t hang quite right. On horseback he looked awkward, as if he’d be happier on foot. On foot, he looked as if he’d be easier sitting.

“I need to talk with you,” Behan said, his voice distant, and surprising in the sulfurous quiet.

There was no one else to talk to but Wyatt. Ike had run. The McLaurys were dead, and Billy Clanton. Dr. Goodfellow was probing the wound in Virgil’s calf. Morgan, in pain from his shoulder wound, was being loaded into a hack. Doc had retreated to Fly’s boardinghouse with a bullet burn creasing his hip.

“I won’t be arrested,” Wyatt said. His own voice seemed to come from somewhere else.

“I’m the sheriff, Wyatt. I got to arrest you.”

“If you were God, Johnny, I wouldn’t let you arrest me. I’m not going away. I’ll be around for the inquest.”

“I warned you,” Behan said.

“You fed us bullshit,” Wyatt said. “You told us you’d disarmed them.”

The hack with Morgan in it moved past them and Wyatt watched it as it went. The street was filled with people now, many of them men, many of them armed.

“I told you I would disarm them,” Behan said.

Wyatt turned back from looking at the hack.

“Johnny,” Wyatt said. “This is your fault. You couldn’t come at me direct, so you rigged this.”

“Wyatt, so help me, God…”

Wyatt shook his head.

“Don’t talk to me now, Johnny. I can’t talk to you. You got to get away from me.”

Behan tried to hold Wyatt’s eyes and couldn’t and hesitated another moment and turned and walked away. Wyatt watched him go as he headed east on Fremont Street until he turned the corner by the post office at Fourth Street disappeared. He realized he was still holding his revolver. He could tell by the weight that it was empty. He opened the cylinder, ejected the shell casings, fished absently into his left-hand coat pocket and came out with a handful of fresh bullets. As he fed them one at a time into the cylinder, the coroner’s people were gathering up the three dead men and loading them onto the back of a wagon. Wyatt snapped the cylinder shut and put the gun in his right-hand pocket. Another hack, carrying Virgil, moved slowly past him.

“They find the slug?” Wyatt asked.

“It went on through,” Virgil said.

“Good,” Wyatt said and the hack moved on.

Fremont Street in front of the alley was crowded now. To Wyatt the crowd was a phantasmagoria, as intangible as the projections of a magic lantern. It was what followed reality, trailing in the absolute fact of the gunfight, like the wisps of gun smoke that had already disappeared, dispersed by the fresh fall air. The coroner’s wagon began to move away with the corpses of the McLaurys and Billy Clanton, and when it was gone Wyatt was the only embodiment of the facts that had transpired, alone in the insubstantial crowd of miners and cowboys that meaninglessly milled and chattered around him. People may have spoken to him. If they did he didn’t hear them. He put the leftover shells back in his left-hand coat pocket, and put the newly loaded revolver in his right-hand coat pocket. Then he turned and went to find Josie.

Forty-four

They were in her room, sitting together on the bed. Josie’s face was a white oval in the cold last light of the November day that came in through the window. A wood stove warmed the room.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Gunman's Rhapsody»

Представляем Вашему вниманию похожие книги на «Gunman's Rhapsody» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Robert Parker - Night Passage
Robert Parker
Robert Parker - Family Honor
Robert Parker
Robert Parker - Ironhorse
Robert Parker
Robert Parker - Snow Storm
Robert Parker
Robert Parker - Blue-Eyed Devil
Robert Parker
Robert Parker - Hundred Dollar Baby
Robert Parker
Robert Parker - The Professional
Robert Parker
Robert Parker - Brimstone
Robert Parker
ROBERT PARKER - Appaloosa
ROBERT PARKER
Robert Parker - The Widening Gyre
Robert Parker
Роберт Паркер - Robert B. Parker's Revelation
Роберт Паркер
Отзывы о книге «Gunman's Rhapsody»

Обсуждение, отзывы о книге «Gunman's Rhapsody» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x