Åke Edwardson - Never End

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Never End: краткое содержание, описание и аннотация

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Where SUN AND SHADOW took place in the cold of winter, NEVER END takes the seasonally diametrically opposite milieu of a summer heatwave, making the book perfect beach holiday reading. The inappropriately named Chief Inspector Erik Winter is called in to investigate an attack on a teenage girl returning home after enjoying the weather at the local beauty spot. The girl seems reluctant to reveal much about her ordeal, only reporting it to the police after destroying vital evidence.
After a second, more serious attack, Winter realises the crimes are similar to an unsolved case from years ago in which a girl was killed, which has always haunted him. He has kept in touch with the parents of the girl over the years, so he enlists their support in the new cases. He remains frustrated, however, at the lack of progress and the strange reluctance of the victims, their families and friends from assisting to find the perpetrator(s).
The book also covers domestic events in the lives of the investigating police. Winter and his girlfriend Anna have had their baby, Elsa. The relationship of this trio provides part of the background to events, as Winter's devotion to his job gradually erodes the rather fragile trust between him and Anna (who has not quite forgiven him for his behaviour in the previous book) and leads him to question his commitment to his young family. This commitment is pretty serious, because Winter is about to take a year's parental leave (this being Sweden) to look after Elsa. How he will adjust to this radical change of pace will be an interesting topic for a future book.
Winter's colleague Fredrick Halders suffers a personal tragedy when his ex-wife is killed in a freak road accident. The accounts of Halders' attempts to cope with this disaster and connect with his young children are one of the best parts of this book, ably translated by the ever-dependable Laurie Thompson.
The middle part of the narrative drags somewhat, as the investigators are stuck for leads and resort to re-interviewing everyone and rehashing the events surrounding the crimes many times. Eventually, by sheer persistence, some clues are uncovered (one challenge is to identify an indoor brick wall that features in a photograph of one of the girls) and eventually Winter gets his criminal – after a rather cliched "policeman in peril" climax featuring the bereaved Halders.
Despite its longeurs and lack of real tension, I enjoyed this book and very much look forward to the next outing for Winter – will it be autumn or spring next time? – but I do hope the next episode will be slightly more tautly written.

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"I don't know."

"Who took it up?"

"Beatrice."

"When?"

"A long time ago, Erik." Wägner looked out of the window at the shadows under the trees. "It's a long time since she died." He turned back to look at Winter. "It might have been that same… summer. After she finished school." He looked back at the shadows outside. "As if something had come to an end. She'd kept lots of stuff from the time when she was… growing up. And then that was all… in the past." The sun was shining in from the left and reflected in Wägner's eyes, full of tears. "Time for something new," he said, still gazing out of the window.

Winter carefully cut open the envelope. Without touching it with his fingers, he tipped the contents into the plastic bag he'd put on the desk.

There were two photographs.

Winter recognized the location immediately. Beatrice was sitting at a table with plates and glasses in front of an exposed brick wall. There was a shadow up to the left. It was the same place, the same camera angle. A different young woman, though.

"Don't show this to Lisen," Bengt Wägner said.

"Have you ever seen this photo before?"

"No. And promise you won't show it to Lisen," he said again.

"I might have to."

"OK. But wait a little while."

"Do you recognize where this might have been taken?"

"No."

"Not even somewhere that could be a little bit similar? Vaguely familiar?"

"That wall is pretty distinctive. I'd have remembered if I'd ever been there. Wherever it is."

"Angelika Hansson, the most recent victim, had been there as well."

"Really?"

"I have a photograph. Same camera angle. Same lighting. Same wall."

"Let me see."

Winter produced the photographs of Angelika. There was no doubt. No doubt at all.

"Good Lord," said Wägner. "What does this mean?"

"I don't know yet."

"You'll have to find this place."

"Yes."

"I hope it's here in Gothenburg." Wägner looked at Winter. "I mean, she did go on a few trips with friends."

"I know."

"Maybe the other girl did as well. Angelika."

"Yes."

"So it might be there," said Wägner. " Cyprus, or Rhodes."

"We'll see."

"Why had she hidden the envelope?"

"Is that how you see it? That it was hidden?"

"That's what it looks like, yes."

"But she hadn't thrown the pictures away."

"Why should she want to do that?" Wägner said.

"I don't know either."

"Can there really be a link between this and… the girls, I mean… With… their deaths?"

"That's what I'm trying to find out," said Winter. "Or trying to exclude."

"So you'll be looking for this place?" said Wägner.

"And the photographer," said Winter.

"I don't think they knew each other," said Wägner. "Beatrice and… Angela."

"Angelika."

"I don't think they knew each other. Beatrice would have mentioned her." He looked at the photograph of Angelika sitting in front of the brick wall. "I would have recognized her if I'd seen her before. There aren't that many black girls in Påvelund." He looked again at the picture of Beatrice. "It seems to be a nice place. She looks like she's having fun, at least."

"Do you think you can say when this picture was taken?"

"Not off the top of my head."

"Roughly."

"She looks just like she did… toward the end." Wägner turned to face Winter with a pained expression on his face. His voice sounded thick. "Did you hear what I just said, Inspector? She looks just like she did. It's a good thing Lisen isn't here."

Winter said nothing. Wägner's voice returned to normal.

"It could have been newly taken, if you see what I mean." He looked at Winter again. "I think we'd better talk to Lisen after all. She's better than I am at… details."

15

" I recognize the dress," Lisen Wagner said. Her face was heavy with sorrow as she studied the photographs. "She bought it a few weeks before… it happened."

"Are you sure about that?" her husband asked.

"Yes."

"Two weeks before?" asked Winter.

"About that." She seemed to feel the doubt coming from both men. "I can't forget it." She looked at her husband. "I've thought about it a lot. About that dress." She looked at Winter. "As if it were the last. Her last."

"It's been a few years," said Bengt Wägner.

"That makes no difference."

"In that case she must have picked up the pho-"

Winter was interrupted by Lisen Wägner: "Just before she was murdered."

Winter gazed at the window, avoided her eyes. He didn't want to use that word in there.

"There's a date on the back," said Bengt Wägner. He sounded surprised as he eyed the white surface.

Winter had seen the date. Beatrice had picked up the photographs the week before she died. If her mother remembered correctly, then, these photos couldn't have been taken more than a few days beforehand. But she must have had a full roll. There must be more pictures from that roll.

"Where do you usually have your film developed?" he asked.

"The photo shop at Mariaplan."

"Beatrice too?"

"I suppose so," Bengt Wägner said.

Lisen Wägner had sat down. Her tan was fading. Winter could see the daughter's features in the mother's face.

Winter looked at the photograph in his hand. Beatrice had been in a room where there was an exposed brick wall and tables and dishes. Probably a bar, or a restaurant.

She had been there a few days before she was murdered. She had saved the occasion as a secret souvenir.

Why?

Angelika Hansson had also been there. It must be the same place. When had Angelika been there? There was no date on her photograph. It must have been developed in another shop. Winter pictures. Not… hidden away. But it was the same background, the same place. He had found a link.

***

Winter sat in his office. It was still Saturday, still hot. Bergenhem was sitting opposite him, browner than before. Looking even stronger.

"So, she saw Angelika with a young man several times," said Winter as he read the document. "Cecilia, her friend."

"Twice," said Bergenhem. "Once at a café and once from a streetcar."

"And he still hasn't contacted the police," muttered Winter to himself.

"No. She's been shown a few pictures, but that hasn't helped." Bergenhem started rolling up his shirtsleeves. "I expect the kid must be abroad." He'd finished with his sleeves. "Otherwise he would've seen our appeals."

Perhaps he's dead, Winter thought. He knew Halders had wondered the same thing.

They needed a name and a face. Cecilia had tried to describe him. He was roughly the same age as Angelika. "He looked sort of pale. Dark, but pale. Kind of Southern European looking."

Winter picked up the photographs from the graduation party he'd found at the Hanssons.

There had been four people whom Lars-Olof Hansson didn't recognize. Three were men and one was a woman. Though one of the three men looked more Angelika's age.

1 He looked sort of pale.

Winter had felt his flesh creep when he first set eyes on the picture, and he felt it again now.

Something was happening.

He showed Bergenhem the photograph.

"I'll call her straight away," Bergenhem said, and did so.

***

"That's him," said Cecilia. She was wearing a thin blouse and khaki shorts, and had brought the sweet scent of sunscreen with her into Winter's office from the rocks she'd left when Bergenhem called her on her mobile. Her hair was stiff from the saltwater and the wind. "That's him," she said again.

"Take your time," said Winter.

"I don't need to."

"There's no rush."

"I've seen enough. There's no doubt. One hundred percent certain." She studied the photograph, the location, the balloons, as if she were looking for her own face. "I was there myself, but I'm not in this picture."

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