Len Deighton - Spy Sinker

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The third novel in Deighton's "Hook, Line and Sinker" trilogy. Spanning a ten year period (1977-87), Deighton solves the mystery of Fiona's defection – was she a Soviet spy or wasn't she? He also retells some of the events from the "Game, Set and Match" trilogy from Fiona's point of view.

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'I won't change my mind, Bret.'

He looked up at her and nodded with an affectionate, paternal indifference.

'Bret! I won't change my mind. I can't go.'

'It's the build-up,' he said. 'That's what makes it so stressful, this long time of preparation.'

'Bret. Don't think you can just let it go and that I'll reconsider it and eventually it will all be on again.'

'Ummm.' He looked at her and nodded. 'Maybe a big glass of champagne is what I need too.' He poured more for himself. It gave him something to do while she fretted. 'Every agent goes through this crisis, Fiona. It's not any failure of nerve, everyone gets the jitters sometime or other.' He reached across and touched the back of her hand. His fingers were icy cold from holding the champagne bottle and she shivered as he touched her. 'Just hang on: it will be all right. I promise you: it will be all right.'

It was anger that restored to her the calm she required to answer him. 'Don't patronize me, Bret. I'm not frightened. I am not on the verge of a nervous break-down, neither am I suffering from premenstrual tension or any other weakness you may believe that women are prey to.' She stopped.

'Get mad! Better you blow a valve than a gasket,' said Bret, smiling in that condescending way he had. 'Let me have it. Say what you have to say.'

'I've worked in the Department a long time, Bret. I know the score. The reason that I'm not going ahead with the plan – your plan I suppose I should say – is that I no longer feel ready to sacrifice my husband and my children in order to make a name for myself.'

'I never, for one moment, thought you might be motivated by the prospect of making a name for yourself, Fiona.'

The way he maintained his gentle and conciliatory tone moderated her anger. 'I suppose not,' she said.

'I knew it to be a matter of patriotism.'

'No,' she said.

'No? Is this the same woman who told me,

"There is but one task for all -

One life for each to give.

Who stands if Freedom fall?

Who dies if England live?"? '

She wet her lips. A favourite quote from Kipling was not going to divert her from what she had to say. 'You talk of a year or two. My children are very young. I love them: I need them and they need me. You are asking too much. How long will I be away? What will happen to the children? What will happen to Bernard? And my marriage? Use someone without a family. It's madness for me to go.'

She had kept her voice low but the expression on his face, as he feigned interest and sympathy, made her want to scream at him. Who stands if Freedom fall? Yes, Bret's words had scored a point with her and she was shaken by being suddenly brought face to face with the resolute young woman she'd been not so long ago. Was it marriage and motherhood that had made her so damnably bovine?

'It is madness. And that is exactly what will make you so secure. Bernard will be distraught and the Soviets will give you their trust.'

'I simply can't cope, Bret. I need a rest.'

'Or you could look at it another way,' said Bret amiably. 'A couple of years over there might be just the sort of challenge you need.'

'The last thing I need right now is another challenge,' she said feelingly.

'Sometimes relationships come to an end and there is nothing to be done but formally recognize what has happened.'

'What do you mean?'

'That's the way it was with me and Nikki,' he said, his voice low and sincere. 'She said she needed to find herself again. Looking back on it, our marriage had diminished to a point where it was nothing but a sham.'

'My marriage isn't a sham.'

'Maybe not; but sometimes you have to look closely in order to see. That's the way it was for me.'

'I love Bernard and he loves me. And we have two adorable children. We are a happy family.'

'Maybe you think it's none of my business,' said Bret, 'but this sudden instability – this ring down the curtain and send the orchestra home, I can't go on, nonsense – hasn't resulted from your work but from your personal life. So you need to take a look at your personal affairs to find the answer.'

Bret's words acted upon her like an emetic. She closed her eyes in case the sight of the plate of food caused her to vomit. When finally she opened her eyes she looked at Bret, seeking in his face an indication of what he was thinking. Failing to find anything there but his contrived warmth, she said, 'My personal affairs are personal, Bret.'

'Not when I find you in an emotional state and you tell me to abandon the most important operation the Department has ever contemplated.'

'Can you never see anything except from your own viewpoint?'

Bret touched his shirt cuff, fingering the cuff-link as if to be sure it was still there. But Fiona recognized in the gesture, and in the set of his shoulders and the tilt of his head, something more. It was that preparation for something special seen in the nervous circular movement of the pen before a vital document is signed, or the quick Umbering up movements of an athlete before the start of a record-breaking contest. 'You are not in a position to accuse anyone of selfishness, Fiona.'

She bit her lip. It was a direct challenge: to let it go without responding would be to admit guilt. And yet to react might bring down upon her the grim avalanche that loomed over her in nightmares. 'Am I selfish?' she asked as timorously as possible, and hoped he'd laugh it off.

'Fiona, you've got to keep to the arrangements. There's a hell of a lot riding on this operation. You'll do something for your country the equal of which few men or women ever get a chance at. In just a year or two over there, you could provide London Central with something that in historical terms might be compared with a military victory, a mighty victory.'

'A mighty victory?' she said mechanically.

'I told you before; the economic projections suggest that we could make them knock the Wall down, Fiona. A revolution without bloodshed. That would go into the history books. Literally, into the history books. Our personal affairs count for nothing against that.'

He knew everything she wanted to hide; she could see it in his eyes. 'Are you blackmailing me, Bret?'

'You are not yourself tonight, Fiona.' He feigned concern but without putting his heart into it.

'Are you?'

'I can't think what you mean. What is there to blackmail you about?'

'I don't respond to threats; I never have.'

'Are you going to tell me what I'm supposed to be threatening you about? Or do I have to start guessing?' Fiona could see he was loving it; what a sadist he was. She hated him and yet for the first time ever she saw within him some resolute determination that in other circumstances might make a woman love him. He would fight like this on her behalf too; there was no doubt about that. It was his nature.

'Answer one question, Bret: are you having me followed?'

He put down his fork, leaned back in his chair, clasped his hands with interlocked fingers, and stared at her. 'We are all subject to surveillance, Fiona. It's a part of the job.'

He smiled. She took her glass of champagne and tossed it full into his face.

'Jesus Christ!' He leapt to his feet spluttering and fluttering and dancing about to dab his face and shirt-front with the napkin. 'Have you gone ape?'

She looked at him with horror. He went across the room to get more napkins from a side table. He dabbed his suit and the chair and as his anger subsided he sat down again.

She hadn't moved. She hated to lose control of herself, and rather than look at him she picked up her fork and used it to follow a blob of souffle across her plate. 'But Bernard doesn't know?' she said without looking up. She didn't eat the piece of souffle: the idea of eating was repugnant now.

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