Laura Lippman - Another Thing to Fall

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Another Thing to Fall: краткое содержание, описание и аннотация

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The California dream weavers have invaded Charm City with their cameras, their stars, and their controversy…
When private investigator Tess Monaghan literally runs into the crew of the fledgling TV series Mann of Steel while sculling, she expects sharp words and evil looks, not an assignment. But the company has been plagued by a series of disturbing incidents since its arrival on location in Baltimore: bad press, union threats, and small, costly on-set “accidents” that have wreaked havoc with its shooting schedule. As a result, Mann’s creator, Flip Tumulty, the son of a Hollywood legend, is worried for the safety of his young female lead, Selene Waites, and asks Tess to serve as her bodyguard/babysitter. Tumulty’s concern may be well founded. Not long ago a Baltimore man was discovered dead in his own home, surrounded by photos of the beautiful, difficult superstar-in-the-making.
In the past, Tess has had enough trouble guarding her own body. Keeping a spoiled movie princess under wraps may be more than she can handle – even with the help of Tess’s icily unflappable friend Whitney – since Selene is not as naive as everyone seems to think, and far more devious than she initially appears to be. This is not Tess’s world. And these are not her kind of people, with their vanities, their self-serving agendas and invented personas, and their remarkably skewed visions of reality – from the series’ aging, shallow, former pretty-boy leading man to its resentful, always-on-the-make cowriter to the officious young assistant who may be too hungry for her own good.
But the fish-out-of-water P.I. is abruptly pulled back in by an occurrence she’s all too familiar with – murder. Suddenly the wall of secrets around Mann of Steel is in danger of toppling, leaving shattered dreams, careers, and lives scattered among the ruins – a catastrophe that threatens the people Tess cares about… and the city she loves.

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“A movie doesn’t have to be successful to be plagiarized. Zervitz, a local man, said he gave Barry Levinson’s assistant a two-page treatment for a college basketball film. Later, Levinson’s literary agent happened to be one of the producers on The Air Up There, along with her husband. They never proved that anyone saw Zervitz’s treatment, other than Levinson’s assistant, who swore she didn’t pass it along. The credited writer even produced notebooks that purportedly showed he started working on the idea before any of this happened. But a local jury awarded the guy a million bucks, and the Hollywood Pictures people decided not to appeal it.”

“So they did steal it,” Tess said.

“Don’t be unsophisticated, Tess. No one will ever know exactly what happened to that two-page treatment, and the defendants may have decided it was cheaper, in the end, to pay the guy off. The plaintiff had expert witnesses saying it was too similar, it had to be stolen. But there also is a school of thought that writers, working independently, can produce strikingly similar stories, especially if they’re working in a conventional vein.”

“‘Nuns are often found in proximity to priests,’” Tess said, quoting from the document she had found last night.

“Yes, the list you saw was part of the defense, taken from the case file, a side-by-side comparison of the two projects.”

Tess was now in sync with Tyner, her mind speeding along a parallel track. “Wilbur R. Grace showed the list to someone – presumably Greer – because he thought he had a similar claim against Mann of Steel. But he mentioned a letter that he had to have as well. Greer had the letter that Grace wanted, but instead of giving it to him, she used it to leverage her position in the production. This is what Ben has been looking for, but who else? Who else wants that letter, now that Grace is dead? And where is it?”

“Maybe Greer was playing more than one person. Aren’t there a lot of people who would be upset to see Mann of Steel undone by a legal claim?”

Tess thought about that. Flip and Ben would be devastated, of course. They believed this was their chance to have a commercial success. Lottie, too, would be disappointed. The local crews wanted the show as well, in hopes that it would provide steady work.

And then there was one person who would be thrilled to see it all fall apart – Selene. But Selene didn’t have the power to give Greer anything she wanted.

“Thanks, unc,” she said, raising her shell over her head, preparatory to putting it away. She used the nickname because she knew he found it doubly infuriating. Tyner didn’t want to be called uncle, and he found “unc” loathsome. “You’re a gem.”

“I can’t believe that you think that was even an adequate washing,” he said. “You know better than that, Tess. Why bother to hose it off at all if you’re not going to do the job right?”

“Love you!” she called out from under the shell. One half-assed wash job wouldn’t destroy her scull, and she was keen to talk to Ben, find out what he knew about Wilbur R. Grace.

Ben wasn’t at the office when Tess arrived at nine, but almost everyone else was – including several Baltimore detectives. Tess, who had told Lloyd to let her keep the Emmy for now, worried that its absence had already been noted, prompting Lottie or Flip to report a burglary to the police. Tess should have remembered how jumpy everyone was about any breach of security at the production office.

“Is this about Flip’s Emmy?” she asked. “Because I have it, but there’s a reason-”

“Flip’s Emmy?” Lottie asked blankly. “No – God, no. I wish, it’s just-” And with that, tough little Lottie broke down and began to cry, while Flip tried to comfort her, although Flip’s idea of comforting someone seemed to consist of soft punches to the shoulder.

“Johnny Tampa,” Lloyd said. “He was kidnapped.”

“Kidnapped?”

“Grabbed right out in front of his condo this morning,” Flip said. “His driver saw the whole thing as he was arriving. Two guys came out of nowhere, dragged him into a car.”

“Has there been a ransom demand?”

Flip shook his head. “Not yet.”

“And Selene?”

“Safe and sound. Thanks to your detail, no one can get close to her. We told her to stay in the condo until we hear something. We’ve had to suspend shooting, of course. When the West Coast wakes up, they’re going to ream me about this.”

Tess turned to the nearest detective. “How are you handling this? Do you have to call the feds in because it’s a kidnapping?”

“We’re keeping them out of it for now. This happened only an hour ago, and there’s been no communication. It seems that Tampa went to a bar last night and flirted with a local, pissed off her husband. This could be related. But that makes it more of a mobile beat-down than a kidnapping.”

This didn’t sound like the Johnny Tampa whom Tess had observed over the past week. Lottie, too, looked surprised, but Flip was nodding.

“I was there. He invited me out last night, after we finished, and I thought I should go, in the interest of, you know, male bonding. We went to this place in Fells Point, near where he lives, and he was chatting up a woman in there, and it clearly bugged the guy she was with.”

It was bugging Tess, too – but not for the same reasons. “Flip, I think we should both go check on Selene. You know how high-strung she is. You don’t want her flaking out because she feels vulnerable. Let’s go over there and assure her that everything is being done to find Johnny, and that we’re ready to order extra security for her.”

“God, the budget-” Lottie began, then caught Tess’s gaze. In that moment, Tess could tell, Lottie decided she could trust her, that Tess was not another local trying to shake her down at every opportunity. She also seemed to get that Tess had an insight into this that no one else had. “No, you’re right, of course. I’ll stay here, wait for updates. You go take care of Selene.”

Flip didn’t speak a word on the short drive to Selene’s condo, just sat in the front seat of Tess’s car, twisting the brim of his Natty Boh hat. He broke his silence only after Tess parked.

“Maybe this project is cursed,” he said. “Maybe I’ve been stupid not to heed the warnings. A murder, and now a kidnapping. What next?”

“Flip, you’ve got problems we haven’t even discussed yet, but I think Johnny Tampa’s disappearance is the least of them.”

In her living room, Selene was stretched out on the sofa, watching television and toying with her iPhone, a kid enjoying an unexpected snow day. Whitney was in Selene’s closet, a walk-in the size of the guest bedroom at Tess’s house, going through Selene’s clothes.

“Hey, I got your voice mail about what’s going on. I’m sorting,” she said, pointing to the various piles around her. “Dirty and clean – Miss Waites seems a little confused about how laundry works. Then, we further subdivide into ‘whore’ and ‘not whore.’ Yes, in case you’re wondering – I’m bored out of my mind. I’d be cataloging her books – if she owned more than two.”

“Well, if we’re lucky, Miss Talbot’s Boarding School for Spoiled Actresses may be able to close down today.”

“I don’t see how-” Flip began.

“Trust us,” Tess said, leading him back to the living room, Whitney trailing. Selene was smiling at something on her phone’s screen, although the smile disappeared when Whitney snatched the phone away from her. In fact, this time Selene actually dared to grab for the phone, but Whitney swatted her away. Selene then tried to climb Whitney, reaching for the phone the whole time, but Whitney simply tossed the iPhone to Tess.

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