Laura Lippman - Another Thing to Fall

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The California dream weavers have invaded Charm City with their cameras, their stars, and their controversy…
When private investigator Tess Monaghan literally runs into the crew of the fledgling TV series Mann of Steel while sculling, she expects sharp words and evil looks, not an assignment. But the company has been plagued by a series of disturbing incidents since its arrival on location in Baltimore: bad press, union threats, and small, costly on-set “accidents” that have wreaked havoc with its shooting schedule. As a result, Mann’s creator, Flip Tumulty, the son of a Hollywood legend, is worried for the safety of his young female lead, Selene Waites, and asks Tess to serve as her bodyguard/babysitter. Tumulty’s concern may be well founded. Not long ago a Baltimore man was discovered dead in his own home, surrounded by photos of the beautiful, difficult superstar-in-the-making.
In the past, Tess has had enough trouble guarding her own body. Keeping a spoiled movie princess under wraps may be more than she can handle – even with the help of Tess’s icily unflappable friend Whitney – since Selene is not as naive as everyone seems to think, and far more devious than she initially appears to be. This is not Tess’s world. And these are not her kind of people, with their vanities, their self-serving agendas and invented personas, and their remarkably skewed visions of reality – from the series’ aging, shallow, former pretty-boy leading man to its resentful, always-on-the-make cowriter to the officious young assistant who may be too hungry for her own good.
But the fish-out-of-water P.I. is abruptly pulled back in by an occurrence she’s all too familiar with – murder. Suddenly the wall of secrets around Mann of Steel is in danger of toppling, leaving shattered dreams, careers, and lives scattered among the ruins – a catastrophe that threatens the people Tess cares about… and the city she loves.

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Johnny had left The Boom Boom Room at the height of his popularity to pursue the movie offers that were pouring in. Of course, he hadn’t known it was the height, far from it. He thought there was still plenty of sky over his head. Separated from the part that had made him a household name, he seemed to lose whatever charisma he had. On television, he was handsome, in an interesting way. On a movie screen – he just disappeared, couldn’t hold the frame. “It’s kind of like Samson,” his agent had said. “When he cut his hair.” Which was confusing, because Johnny hadn’t cut his hair. He hadn’t changed at all, and that seemed to be the problem. It was as if the rules of the universe had been subverted, as if all the physical laws, such as gravity, had reversed when he wasn’t looking. Hot was cold. Up was down – and out. That’s when he started reading science fiction.

There was an envelope propped up in front of his mirror, addressed to him in care of the set’s street address, which few people knew. Inside was a recent tabloid, with a paper clip attached helpfully, pointing him to an article headlined: WHO SAYS MEN AGE WELL? There were photographs of Mel Gibson, Alec Baldwin, and, shit, him, circled with a big red pen mark, just in case he couldn’t find his own fat mug on the page. The photograph was at least six months old, when he was thirty pounds heavier. So unfair. He was – he looked in the mirror, lifted his chin, lifted it higher. There was the old jawline. Sort of.

Suddenly, it seemed as if the mirror was the only place to look, there was no angle in the trailer where he couldn’t see himself. He charged back to where the crew was eating, eager to show Ben the magazine. Selene gave him a triumphant little look, her eyes flicking to the rolled-up tabloid in his fist. He ignored her and, when he couldn’t find Ben, turned his attention on the icy blonde who had been lingering around set all day, Selene’s babysitter or bodyguard, take your pick. She looked to be in her early thirties, which was his demographic. She would have been in high school about the time he was playing high school senior Trip Winters on Boom Boom .

“Johnny Tampa,” he said.

“Really?”

“Really,” he said, with an aw-shucks grin, waiting to hear how much she had loved him when she was in high school, how his posters had covered her room.

“I mean, that’s your real name? Or did you change it from something?”

That question was so tired that he had long ago developed a standard answer. “I was born Johnny St. Petersburg, had to shorten it when I went into show business.”

After a small delay, as if she needed time to process the fact that he had actually said something clever, she laughed. It was a rather metallic, rat-a-tat sound, but it seemed genuine enough. She had a hard, almost scary edge to her. He liked it.

“Whitney Talbot,” she said. “I’m here to-”

“I know. You follow her everywhere? To the bathroom and stuff?”

“I let her have her bathroom breaks in privacy.”

“Maybe you shouldn’t.”

“What?”

“I mean, this soundstage, it’s a big space. And it might seem secure, but who knows? I mean, you’re here to protect her, right?”

“Right,” she said, after a beat.

“If I were you, I’d never let her out of my sight. You never know what she’s going to be up to.” He turned his head to the side, in case his profile jogged her memory. Pride vanquished, he said: “The Boom Boom Room?”

She looked puzzled. “Is that one of the strip clubs still operating on the Block?”

“No, it was a television show, about kids put in a school-within-a-school on special detention, kind of like The Breakfast Club – oh never mind. A lot of people watched it, back in the day.”

“I didn’t watch a lot of television, growing up. I was kind of outdoorsy.” She said it nicely, apologetically, not in the snobby way some people had. He almost believed her, except he didn’t believe anyone who claimed not to watch television. Who didn’t watch television? It was like… not brushing your teeth, or refusing to shower, odd to the point of being uncivilized. Everybody watched television. There had been a time, around season four of Boom Boom, when he couldn’t go anywhere or do anything without being recognized. He hadn’t always enjoyed the attention, but he hadn’t been stupid enough to wish it away, and he had been genuinely surprised when it stopped. Since then, it was as if he couldn’t get quite enough oxygen in his blood, as if he were living at 75 percent. He had plenty of money, he had been smart that way, but his financial stability was scant comfort. He wanted another success in this business, and to get that, he had to pretend to be in love with some twenty-year-old twat. He hated her. He needed her. Well, that’s why they called it acting.

Dinner was wrapping up. He couldn’t help noticing there was a lot of leftover pizza. He wondered if he should take it home. No, it wouldn’t be any less fattening at breakfast tomorrow, only colder. He wondered if he should try to take the blonde home, but he supposed she had to stick close to Selene. Besides, she hadn’t seemed terribly interested. No, he would just go home and get into bed, read a few pages of the latest Robert Harris. He had tried to get Flip and Ben to read Harris, engage them in the rules of alterna-history, but to no avail. They seemed to think that because Napoleon had, in the end, forced the divorce between his brother and Betsy Patterson, they could remove her from history with no real effect. But what about Betsy’s son? You couldn’t just eliminate people from history. That was a kind of murder.

The PAs were calling them back to work, but Johnny spotted Lottie huddled with the director and showed her the magazine.

“Look what was in my trailer.”

Lottie glanced at the photos. “It’s not so bad, Johnny. Besides, it can’t hurt to be considered in the same class as Mel Gibson and Alec Baldwin.”

“That’s not the point. Someone sent it to me, to unnerve me.”

“You’ve got to start locking your door,” Lottie said. “I thought, after the Nair-”

“It came in the mail. And it proves the Nair wasn’t an isolated incident. You know who’s behind this. Why don’t you do something about it?”

“Selene’s got a bodyguard now,” Lottie said. “She can’t go anywhere without being seen.”

“Well, maybe the bodyguard is in on it, then. Someone’s doing her dirty work. We can’t go on like this. She doesn’t want to be here. I hate working with her. How are we going to get through this season, much less another one if we’re lucky enough to get picked up?”

“Johnny.” She sighed, weary as his mother, although she was several years younger and barely came to his collarbone. “Let’s just get this scene and let everyone go home, okay?”

The stand-ins had cleared the set, and he and Selene took their places. In this scene, Mann had brought Betsy to his home in twenty-first-century Baltimore – although, damn Flip and Ben, he still didn’t know how – to persuade her that he really was from the future, that it was possible for him to know her fate. Tomorrow, they would go on location in Green Mount Cemetery, and he would show Betsy her own tombstone. He wasn’t crazy about that scene, which seemed unduly influenced by the graveside scene in A Christmas Carol – and the Mr. Magoo version at that. But that was Ben and Flip for you. They hadn’t read Dickens, but they knew their Mr. Magoo. Today, however, they were in the Mann family rowhouse, and Betsy was supposed to be overwhelmed by the modern ingenuity of the La-Z-Boy recliner. Was this stuff really as sly and ironic as everyone else seemed to think? Or was it stupid and vapid? You couldn’t tell everything from the words on the page. So much depended on the editing, the look. And the performances, although Ben and Flip seemed to have lost sight of that as well.

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