Christopher Fowler - Personal Demons

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British Fantasy Society (nominee)
A hotel offers a taboo service for its troubled clients, a vampire library attacks its readers, and a young man discovers the cutlery of the Marquis de Sade. Incarceration, incantations, romance, revenge and the end of the world occur in this collection of gothic tales.

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'I'm sorry, sir?'

'Mr Bridger. Have you seen him?'

'Oh yes, sir. He was sitting with the Archduke's ladies, out by the bandstand.'

Mr Satardoo flickered a smile of grim satisfaction and headed outside. His eagerness to please had caused a betrayal of the General's trust, and now it was up to him to win back his reputation.

The lounge contained a dark-mirrored cocktail cabinet better stocked than the American Bar at the Savoy. Malcolm poured himself a small whisky, swilling it around the tumbler as he conducted his investigation. From the window he could see the distant bandstand and the silk dresses of the slumbering concubines. He failed to notice that the weather was changing out to sea, however, and that the yachts were reluctantly returning to their harbour. Allowing the malt liquid to spill around his tongue, he wandered from room to room, his journalist's eye searching for the slightest hint of something untoward.

There was nothing unusual in the bathroom, if one ignored the fact that it was carved from lazurite the colour of a night sky. The bedrooms of the Archduke's courtesans were painted in delicate yellow-green shades of topaz, a gemstone that hung in heavy pendants from the lamps on their writing tables. The master bedroom was similarly opulent, if more alarming. The bed itself was carved in the shape of an enormous black swan, perhaps twelve feet long and as many wide, the mattress covered with a glittering onyx bedspread. It was more like a Stygian vessel than a couch of temporary repose. Frowning, he drew closer.

It was while he was examining this particular item of furniture that he discovered the brass-lined holes, ten of them on either side of the base, and another six set in the headboard of the bed. They were evenly spaced along the wood, none of them more than half an inch across.

What on earth, he wondered, could they be for? He touched them lightly with his forefinger and tried to reason; these rooms were only available to the few clients who met certain criteria demanded by the hotel. Nobody spoke of the situation, but everyone knew it to be true. Why did no-one probe deeper? If something wrong, something bad was going on, why wasn't it exposed?

What was the Imperial Rex trying to hide?'

Elise insists she saw him get out of the lift on the seventh floor, Mr Mack.'

'I don't see how that's possible. He's not in possession of a key.'

'She says she saw one in his hand, sir, not more than ten minutes ago. She didn't think nothing of it, until she saw him searching the door numbers. Was going to ask him what his game was, not being allowed on the floor and all, but he got back in the lift just as she went up to him.'

As Mr Mack listened to the girl, his eyes widened.

Malcolm Bridger racked his brains. What was it about the Archduke that set him aside from other men? Was his stately mantle of melancholia simply an attitude donned with his status? Or was there a deeper purpose that drove him here to the gilt mirrored halls of the world's most luxurious hotel?

Pondering the question, he climbed up upon the great black swan and lay back on the bed, his hands resting lightly on the ebony coverlet. Gulls wheeled past the great curved windows, driven inland by the changing weather. The room grew darker with his thoughts. Lying here, Malcolm found that there was something conducive to introspection. The pulsation of lightwaves on the ceiling, the dull glitter of gold mosaics in the Gustav Klimt murals, the gentle harmonies of musical instruments as delicate as celestial windchimes, the mingled scents of fresh-cut grass and ozone, of a woman's perfume lingering on a warm pale neck…

Women. No more women in my life, he thought, remembering the wife who had left him, the child she would not allow him to see. He asked himself why he had refused to let her into his heart, questioned the path that had finally brought him here. How, he asked himself, did I ever come to be so alone?

And when he raised his head at the noise, he found them all looking at him, Mr Satardoo, Mr Mack, Mrs Opie and the General himself, their faces a mixture of pity, kindness and infinite patience.

'I assume you understand now?' Mr Mack gently asked. Mrs Opie appeared by his side and wiped his eyes with a white linen handkerchief.

'I… I'm not sure.'

'These suites are only for those who are sure,' said Mr Mack as the others quietly left the room, pulling the doors shut behind them. 'They are reserved for guests who have definitely decided. Perhaps you have decided, and don't realise it yet. You are all alone in the world, aren't you? Try to tell me how you feel.'

Malcolm tried to marshal his thoughts. 'I'm tired,' he said finally.

'Then you have come to the right place,' smiled Mr Mack. 'Our lives begin in such high spirits, but once we see the world for what it is, it fatigues us. Disappointment is a tiring emotion, Malcolm. Where we had hoped for understanding, we find only cynicism, where there once was love is only selfishness. Our lives empty out with the passing years, until sometimes there is nothing left but our corporeal form. It is in this state that our special guests arrive, and here find final peace. Just as you shall.'

He walked around to the side of the bed and pressed a switch recessed in the headboard. His voice was a monotone as soothing as a calm sea. 'It is important for you to relax, Malcolm, to find serenity at the end, just as the Archduke will when he is ready, just as hundreds of others have.'

He's right, thought Malcolm, his eyes welling with tears. He felt the pinpricks brush his skin, and his body began to lose its tension. From the ten holes on either side of the bed, and the six in the headboard, the steel filaments had snaked out, piercing his clothes and entering the flesh of his neck, his arms, his torso, his legs, nipping into his veins, pumping fluid in, draining away his fears and doubts, filling his head with visions of tranquillity.

'No more unhappiness, Malcolm, no more uncertainty, and you have the General to thank. He wanted to provide a haven for those who wished to end their lives. He is shocked by the sordid, disordered way too many people reach their final moments. You come into this world in peace and warmth and love. Why is there no provision for leaving it in the same manner? Well, there is, Malcolm, but of course people aren't allowed to decide such things for themselves, and such a wonderful service is deemed not to be in society's best interests. Why not, Malcolm, answer me that? Where is the harm?'

Malcolm was numb. His mind was alert, but all panic had ceased. He realised that from the moment he had lain on the bed, the very air above him had changed. Tiny jets had been triggered by the pressure of his body on the mattress. He remembered his childhood, running in the park with a blue paper kite, being lifted in the air by his father, endless summer days, storms over the downs, the deaths of his parents, the loss of his faith, his wife at the door with her son in her arms, the grey days that had replaced his hopes, and nothing mattered any more. Nothing.

His memories faded into sleep, and the sleep deepened into death.

Mr Mack studied the departed biographer with a sad sigh. He walked to the telephone and rang Mrs Opie. 'Tell the Archduke we're still cleaning his room,' he said, his voice filled with reverence for the departed. 'Have Mr Bridger's bill made up and lose it in the Archduke's dining expenses. And see what you can get for his luggage from the usual source.'

'One hundred and fifty rooms, of which forty-seven are themed suites of unrivalled opulence' reads the new brochure for the Imperial Rex. 'So many guests have found peace with us.'

MIDAS TOUCH

(Author's Note: In the process of developing the character of Judy Merrigan for a new multiple-plot novel called 'Soho Black', I wrote her part out as a short story. If you're planning to read the novel, you may wish to delay reading this tale, although the two versions are substantially different.)

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