Christopher Hibbert - Wellington - A Personal History

COPYRIGHT

William The 4th

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First published in Great Britain by HarperCollins Publishers 1997

Copyright © Christopher Hibbert 1997

Christopher Hibbert asserts the moral right to be identified as the author of this work

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Source ISBN: 9780586091098

Ebook Edition © OCTOBER 2010 ISBN: 9780007406944

Version: 2016-09-08

DEDICATION

For Pam Carpenter

With Love

CONTENTS

Cover

Title Page

Copyright

Dedication

List of Illustrations

Author’s Note and Acknowledgements

Maps

PART I • 1769–1815

1 Eton, Dublin and Angers, 1769–87

2 An Officer in the 33rd, 1787–93

3 The First Campaign, 1794–5

4 A Voyage to India, 1796–8

5 The Tiger of Mysore, 1799

6 The Governor of Mysore, 1799

7 The Sultan’s Palace, 1800–1

8 Assaye, 1802–5

9 Return to London, 1805–6

10 Kitty Pakenham, 1790–1806

11 Ireland and Denmark, 1806–7

12 Portugal, 1808

13 Board of Enquiry, 1808

14 Across the Douro, 1809

15 ‘A Whole Host of Marshals’, 1809–10

16 From Bussaco to El Bodon, 1810–11

17 Life at Headquarters, 1810–12

18 Badajoz, Salamanca and Madrid, 1812

19 Retreat to Portugal, 1812

20 From Vitoria to the Frontier, 1812–13

21 St Jean de Luz, 1813

22 In London Again, 1814

23 Paris and Vienna, 1814–15

24 Brussels, 1815

25 Waterloo, 1815

PART II • 1815–52

26 The Ambassador, 1815

27 Cambrai and Vitry, 1815–18

28 Stratfield Saye, 1818–20

29 King George IV and Queen Caroline, 1820–1

30 Husband and Wife, 1821

31 Vienna and Verona, 1822–4

32 St Petersburg and the Northern Counties, 1825–7

33 The Prime Minister, 1828–9

34 Battersea Fields and Scotland Yard, 1829

35 The Death of the King, 1829–30

36 Riots and Repression, 1830–2

37 A Bogy to the Mob, 1832

38 Oxford University and Apsley House, 1832–4

39 Lady Friends, 1834

40 The Foreign Secretary, 1834–6

41 Portraits and Painters, 1830–50

42 Life at Walmer Castle, 1830–50

43 The Young Queen, 1837–9

44 Grand Old Man, 1839–50

45 The Horse Guards and the House of Lords, 1842–50

46 Hyde Park Comer, 1845–6

47 Disturbers of the Peace, 1846–51

48 Growing Old, 1850–1

49 Last Days, 1851–2

50 The Way to St Paul’s, 1852

Footnote

Keep Reading

References

Sources

Index

Photo Section

About the Author

Praise

Also by the Author

About the Publisher

ILLUSTRATIONS

BLACK AND WHITE

Lieutenant-Colonel the Hon. Arthur Wellesley. Portrait by John Hoppner. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.

Anne, Countess of Mornington. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.

The Hon. William Wellesley-Pole. Portrait by John Hoppner. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.

The Rev. the Hon. Gerald Valerian Wellesley. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.

Richard Colley, Marquess Wellesley. Photograph Mary Evans Picture Library.

The Hon. Henry Wellesley. Portrait by John Hoppner. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.

Caricature of soldiers on the march, by Thomas Rowlandson. Copyright British Museum.

‘Blücher the Brave’: caricature by Thomas Rowlandson. Guildhall Library, Corporation of London. Photograph Bridgeman Art Library, London.

The Duke of Wellington and Marshall Blücher. Photograph Mansell Collection.

Caricature by Isaac Cruikshank. Copyright British Museum.

The Duchess of Wellington, in a drawing by John Hayter. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.

Lord Castlereagh. National Portrait Gallery, London. Photograph Mansell Collection.

Harriet Arbuthnot. Photograph Mary Evans Picture Library.

Charles Arbuthnot. Reproduced courtesy of the National Portrait Gallery, London.

Frances Mary Gascoyne-Cecil, second Marchioness of Salisbury. Portrait by Sir Thomas Lawrence. Hatfield House. Reproduced courtesy of Lord Salisbury and National Portrait Gallery, London.

Apsley House, No. i London. Reproduced courtesy of the Board of Trustees of the Wellington Museum, Apsley House.

View of the proposed Waterloo Palace. Reproduced courtesy of the Duke of Wellington KG; photograph Courtauld Institute of Art.

Charles Greville. Photograph Mary Evans Picture Library.

Lady Charlotte Greville. Copyright British Museum.

Oil sketch of the Duke, by Sir Thomas Lawrence. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.

‘Achilles in the Sulks’: caricature by Thomas Howell Jones. Copyright British Museum .

Repose , a lithograph by H.B. (John Doyle). Copyright Museum of London .

Punch drawing of the Duke’s statue. Pub. Vol. II, July-December 1846, p. 150. © Punch Ltd.

Walmer Castle. Photograph Mary Evans Picture Library.

‘The Field of Battersea’: caricature by William Heath. Reproduced courtesy of the Board of Trustees of the Wellington Museum, Apsley House.

Sketch by Benjamin Robert Haydon for his Wellington Musing on the Field of Waterloo. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art .

Wellington Musing on the Field of Waterloo , by Haydon. Reproduced courtesy of the Board of Trustees of the National Museums and Galleries on Merseyside (Walker Art Gallery).

Queen Victoria’s first Privy Council meeting, by Sir David Wilkie. The Royal Collection © Her Majesty The Queen.

Miniature engraving of the Duke aged seventy-five. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.

Franz Xaver Winterhalter’s portrait of the Duke with Sir Robert Peel. The Royal Collection © Her Majesty The Queen.

Baroness Burdett-Coutts, by Sir William Charles Ross. Reproduced courtesy of the National Portrait Gallery, London.