Christopher Fowler - Personal Demons

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British Fantasy Society (nominee)
A hotel offers a taboo service for its troubled clients, a vampire library attacks its readers, and a young man discovers the cutlery of the Marquis de Sade. Incarceration, incantations, romance, revenge and the end of the world occur in this collection of gothic tales.

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The spirit of London sinks from a powerful roar of flame to a single glowing ember, and soon that too will be extinguished. For cities, like people, must eventually grow old and die. Even a city as ancient as this…

Scotland Yard, named after the palace where the kings of Scotland lodged when visiting London, is founded on the site of an unsolved murder. Mutilated portions of a woman's body were secreted on the building site in the 1880s, and the officers of the CID were never able to discover the identity of the murderer or his victim.

Jonathan turned on the desk light and tilted back the green glass shade, then unfolded the photostat across the cleared surface of his desk. Marrick was planning to inspect the vacated premises with him tomorrow. After that it was simply a matter of sorting out the paperwork and waiting for the demolition order to be cleared. He withdrew a magnifying glass and checked each of the rooms and staircases in turn. Something about the map bothered him. Or rather, something about the way it matched the experience of actually visiting the property. He checked the specifications of each of the buildings against the photographs he had taken, but the anomaly eluded him. Why couldn't he see it? Something was wrong, something at the heart of the land itself. He removed his reading glasses and massaged the bridge of his nose. Perhaps the answer would come to him tomorrow. He refolded the map, switched off the desk-lamp and wearily headed for bed.'

I don't know why they had to turn the fucking lights off,' moaned Marrick as he and Jonathan passed beneath the cracked AIKO sign and entered the ground floor of the building. 'Look at it out there, ten in the morning and you'd think it was fucking midnight. Did you bring a torch?'

'Yes. The main staircase is to the rear of this room.' Jonathan clicked on the flashlight and raised its beam. The showroom had been stripped to a few piles of mildewed carpet tiles and some battered old shelf units. It smelled bad – damp and sickly. From far above them came the drone of heavy rain and the warble of sheltering pigeons. They reached the foot of the stairs and started up.

'I wanna make sure they cleared everything out. Barney couldn't get here this morning, his wife's sick or something.' Barney was an ex-bouncer and former prison warden whose aggressive temperament perfectly qualified him for his position as Marrick's site manager. Unpleasant things happened in Marrick's company that Jonathan did not know about, that he could not allow himself to discover. Not if he wanted to keep his job and his sanity.

Although Marrick was young, he was considerably overweight; the stairs were already defeating him. He reached the second-floor landing and looked up through the centre of the stairwell, catching his breath. 'You can check out the top two floors, Jon, make sure we ain't got any squatters in. Fucking hell, it stinks in here.'

Jonathan stopped on the staircase and stared out of the rain-streaked window into the centre of the block, where the backs of the buildings met.

Rooms. Something odd about the rooms. He studied the brick walls of the courtyard formed by the other properties. He felt as if he had a cold coming on. Getting his jacket so wet hadn't helped matters. He should have bought himself a new umbrella. He sneezed hard, wiped his nose on a tissue. Spots of dark blood, a crimson constellation. He looked from the window again. The bricks. That's what it was. The bricks to the right of the window. They were in the wrong place. There should have been an empty space there. It was marked on the map, but not there from the window.

There was one room too many.

'Adrian, come and look at this a minute.' He beckoned Marrick down and pointed from the glass. 'There shouldn't be another room in the centre-well. The old wall to the right, do you see?'

'Yeah, so?'

'It's not on the plans.'

'Why would that be?'

The brickwork was ancient, and the spaces between the blackened bricks were filled with bedraggled weeds. Near the top of the wall was a tiny window less than a foot long. There was no glass in it, just a single iron bar running across the gap. Jonathan frowned, trying to understand. 'The 1933 plans were drawn over much older ones, but when they traced the new buildings in, they didn't add the existing layout.'

'So what was there before?'

'I don't know. The original drawings have been lost, misfiled somewhere.'

Marrick looked at him as if he was going senile. 'I'm not following you, Jon.'

'There was another building already here at the centre of the site, or at least part of one. A very old one. Look at the bricks. There must be an entrance to it.'

'Wait, before you go off on a fucking treasure hunt, how about we finish what we came here to do?'

'This building has been cleared.' Jonathan scrubbed his fist across the filthy pane.

'We have to find a way into that room.'

'Why?' It was useless to assume that Marrick had a natural sense of curiosity, so Jonathan appealed to his greed. 'It could have been sealed off for years. There might be something of value in there.'

'If there was, it was probably nicked years ago. Someone's bound to have been in there already.'

'I think that's unlikely. There's no immediate access, and it looks like it belongs to part of another building. It's hard to even see.'

'Hmm. You have a point there.' They both started looking for a doorway. There was nothing on any of the landings, or on the second floor. At the bottom of the stairs they found a door leading to a basement, but it was locked and there was no key. Marrick picked up a chunk of discarded pipe and smashed at the lock until the damp wood around it splintered and fell away.

'Fucking hell! What died?' Marrick waved a hand in front of his nose. 'Shine your torch down there. These steps look rotten.' The beam rippled back at them. The whole of the basement was under an inch of filthy water. On the far side was an arched passage. Jonathan instinctively knew that this was the way to the room at the centre of the building. He'd seen this type of layout in old architectural books. 'We have to go over there.' He pointed at the arch.

'You're joking. These shoes cost a fucking fortune. I'm not going down there.'

Jonathan's torch caught a stack of planks piled under the stairs. It was a simple matter to lay them like duckboards across the basement. The ceiling was low, and Marrick swore spectacularly as he banged his head. They arrived at the far side of the room, and Jonathan reached out to touch the heavy oak door set before them. He could hear running water. The torch illuminated the source through a crack in the wood; a brick channel filled with sluggishly moving liquid, cut through an arched tunnel that led off to an iron grate in the wall. 'The Fleet,' said Jonathan excitedly, 'it's a tributary of the Fleet.'

'What the fuck is that, a river?'

'Certainly a river. It was used as a rubbish dump for centuries. Runs from Hampstead down to Holborn and right across London.'

'What do you mean "runs"? It's still there?'

'It was finally channelled underground at the end of the eighteenth century, but the main part is still used as a sewer. There's a whole network of tributaries attached to it, and this looks like one of them. A lot of basements used to have access to the city's sewer system.' Marrick had lost interest. He pulled at the edge of the door, and it shifted inwards.

'Doesn't look like it's being used any more,' said Jonathan. 'The water's clean.' He shone his torch further along the channel and found another, much smaller door. This one was painted black and studded with iron bolts. 'That has to be the way to the centre-well.'

They carefully stepped across the open water-pipe and examined the door. It was set two feet from the ground, presumably to keep the area behind it dry and avoid the danger of flooding.

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