Stephen Hunter - The 47th samurai

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In The 47th Samurai, Bob Lee Swagger, the gritty hero of Stephen Hunter's bestselling novels Point of Impact and Time to Hunt, returns in Hunter's most intense and exotic thriller to date.
Bob Lee Swagger and Philip Yano are bound together by a single moment at Iwo Jima, 1945, when their fathers, two brave fighters on opposite sides, met in the bloody and chaotic battle for the island. Only Earl Swagger survived.
More than sixty years later, Yano comes to America to honor the legacy of his heroic father by recovering the sword he used in the battle. His search has led him to Crazy Horse, Idaho, where Bob Lee, ex-marine and Vietnam veteran, has settled into a restless retirement and immediately pledges himself to Yano's quest.
Bob Lee finds the sword and delivers it to Yano in Tokyo. On inspection, they discover that it is not a standard WWII blade, but a legendary shin-shinto katana, an artifact of the nation. It is priceless but worth killing for. Suddenly Bob is at the center of a series of terrible crimes he barely understands but vows to avenge. And to do so, he throws himself into the world of the samurai, Tokyo 's dark, criminal yakuza underworld, and the unwritten rules of Japanese culture.
Swagger's allies, hard-as-nails, American-born Susan Okada and the brave, cocaine-dealing tabloid journalist Nick Yamamoto, help him move through this strange, glittering, and ominous world from the shady bosses of the seamy Kabukicho district to officials in the highest echelons of the Japanese government, but in the end, he is on his own and will succeed only if he can learn that to survive samurai, you must become samurai.
As the plot races and the violence escalates, it becomes clear that a ruthless conspiracy is in place, and the only thing that can be taken for granted is that money, power, and sex can drive men of all nationalities to gruesome extremes. If Swagger hopes to stop them, he must be willing not only to die but also to kill.

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“Sir, it’s priceless.”

“Take it. Use it. Fight with it. Possibly it gives you a slight edge. My son will recognize it. He will know its power. It is one thing that may give him pause. It is your only chance. He had a superb natural skill set, and if he’s worked hard for the past twenty years, he is indeed transcendent.”

“I couldn’t risk losing it.”

“Swagger-san, it was built for this purpose and no other. It is fulfilling its destiny. Were it sentient, it would petition for permission to defend you. Think nothing of its value. Think nothing of its rarity. Think only of it as your weapon.”

“Yes, sir. A Muramasa, I take it?”

“It is indeed. The ‘evil’ swordsmith. His was the blade-maybe even that one-in the stream in the famous story about Masamune. The leaves and twigs avoided the great Masamune’s. Muramasa’s attracted them, and it cut them flawlessly. Muramasa took pride in this when he should have felt shame. Thus his blades had a reputation for blood. They yearned to cut. They also had a penchant for seeking out members of the shogun’s family, and killing or maiming them. They were banned, rounded up, and destroyed by the shogunate, which is why they are so rare today, and that is one of the survivors. My son will know this, and know that he works for a kind of shogun. That will cloud his mind. Again, a small thing, but victory is won on small things.”

“I thank you. I will return-”

“No. If you kill him, then the sword will have served its purpose. Maybe that is why it came to me so many years ago. Destroy it, that’s all. Get it off the earth. Send it to hell. It came from hell, it represents hell. Use it and destroy it without a second thought.”

“I will, Dr. Otowa.”

“That sword is my blessing. Now please go. I wish to be alone.”

40

THE BIG SHOTS

“You’re sure,” said the Shogun.

“As sure as I can be. I told you, Lord, this is a determined and creative adversary. But now we have him.”

“I worry that at the park, it will be difficult to control. It will spill into a mess, and the news stations and the-”

“I will have ten men concealed. They are experts at camouflage. Ninja, almost. Not really, but close. I myself will be there. It’s early, we control access to the park. No one will interfere. Certain suggestions have been made to the police to stay away. It’s very, very early, barely dawn. We control the terrain. He has no choice but to come, if he loves the child, and he loves the child. I saw it in his eyes. At a signal I can get forty more men in the park almost instantly. He has some skill, I admit. But not enough to overcome me and certainly not enough to overcome fifty men. That only happens in movies.”

“Suppose he brings-”

“He can’t. He won’t have time. He cannot locate us until we call him. He will have to travel at extreme speed across Tokyo. We will be watching all the roads as he approaches and will know if he has allies. But he can’t get allies close enough in time. It’s a very solid plan.”

“The child-”

“The child must die. She’s seen too much. It is a small matter. It means nothing.”

“It’s just that I-”

“Lord, it means nothing.”

“Yes, Kondo-san.”

They sat in the living room of the mansion next to Kiyosumi Gardens. It was nearly midnight. Kondo had spent the day going over his preparations. He had his own trained men; he had his kobun Nii, his most trusted fellow, virtually connected by tether to the child; he had forty toughened soldiers from Boss Otani, ready to die for him. No, they weren’t the best and they preferred to fight with Kalashnikov and Makarov than katana and wakizashi, but they would still rather die than yield, and would kill at the drop of a hand. And, if necessary, he had plenty of Kalashnikovs and Makarovs.

Still, the Shogun was nervous, Kondo could tell. He sat there, licking his lips, his face glowing in the light of the fire, swallowing, twitching occasionally, trying to control his nerves. He wasn’t so brilliant at this kind of thing. The Shogun didn’t even need to be there, but he had insisted. Still, regret seemed to cloud his thought.

“I just wish all this hadn’t happened,” he said petulantly. “We are running out of time.”

Pornographer! thought Kondo. There was no point in explaining to him that what happens is what happens. Feelings about what is past are silly; they contribute nothing; one must only look at the now.

“Lord, I have made all the arrangements. The koshirae will be completed in record time. The hard part was the polishing. Getting that done-and I understand the old man did a superb job, maybe his best-was the key. You will have the sword in plenty of time to announce it, to enjoy the prestige and attention, to empower your plans. All the things you desire will be delivered to you, exactly as planned. This unforeseen business-a trouble, I admit-is unfortunate, but we have it under control.”

“The stroke of the child. It was brilliant. We went from losers to winners in that single instant.”

“Strategy is very important.”

“You are a genius, Kondo-san. You will be well rewarded.”

“My service is my reward. But I’ll still take that four million dollars. Tomorrow at this time I will have both my fortune and my opponent’s head. I think I’ll take a nice vacation.”

“Try Los Angeles. I’ll give you some numbers. Fuck some blond white women. Very enjoyable. Once you do, you’ll see why only certain Japanese should be allowed that pleasure. It would corrupt the general public and soon the concept of ‘Japanese’ would be gone! We must protect the sexual powers of our men, the submission of our women, and the purity of our-”

You had to stop him or he’d go on for hours and Kondo wanted a little sleep. “I look forward to it,” he said.

Miwa went to pour himself another Scotch. He watched the amber fluid splash across the ice cubes. Then he raised his eyes and peered out the window, where the many spotlights created an intense and impenetrable zone of illumination.

“Kondo-san,” he said, “look! It’s snowing.”

41

STAGING

An observer could be forgiven for thinking that indeed a kendo club had commandeered the banquet hall of the Kasaibashi Hotel on Kasaibashi Road a block from Kiyosumi Gardens in East Tokyo. The young men were husky, handsome, quiet, athletic, graceful, and all carried kendo bags, long enough to accommodate shinai, the bamboo sword of the sport. Other bagged gear surely contained the armor kendoists wore, and the appearance of medical technicians merely confirmed the impression, as kendo can be a rough encounter, leaving abrasions, bruises, sometimes even cuts. Their coaches, a few years older, were also husky, handsome, quiet, athletic, and graceful. All wore black jumpsuits under sweatshirts, all carried black watch caps wedged into their belts, all spoke only to friends if at all. So many young men-but they had to be a team because there was no joshing, no horsing around, no shoving or needling. Certainly, a big match loomed ahead.

The observer would have wondered about the gaijin who seemed to be some kind of consultant to them, for he enjoyed the confidence of the older fellows and soon took over the pep talk from the head coach. But what to make of the slim, beautiful woman in glasses, who also seemed to enjoy everyone’s confidence? Was she a kendoist? She was wearing blue jeans, New Balance sport shoes, and a black turtleneck, almost a kendoist’s outfit. And yet again, what of the final touch, the four Korean men, much squarer in face and blockier in build than their Japanese counterparts, who spoke to no one and hovered close to the woman? All in all, it was a very strange gathering.

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