Stephen Hunter - The 47th samurai

I should mention my professional colleagues as well, all of whom were enthusiastic and supportive throughout: Michael Korda and David Rosenthal of Simon & Schuster, and my agent, Esther Newberg, of ICM.

Let me broadly thank the Japanese themselves for being so damned interesting. I must make special mention of my three muses, Sakura Sakarada, Yui Seto, and Shiho. The dedication page expresses my profound gratitude to the artists of the theory and practice of samurai on the screen. I should say, also, that in a certain way those movies saved my mind. The origin of this book, for anyone interested, was a personal depression in my life as a professional film critic, when American movies seemed to have reached a new low. In this morass of mediocrity, I saw Yoji Yamada’s great Twilight Samurai and was instantly reborn. That set me off on a two-year samurai movie rampage (interrupted by American Gunfight) and the obsession took its final form in the idea of writing a samurai novel set in the era of warring clans. Being smart enough to realize that a novel set then by a gaijin who’d seen too many movies wasn’t the soundest of ideas-what would you call it, Memoirs of a Samurai?-so I tried to figure out a way to fuse samurai issues and fighting styles with a traditional American thriller. The result you hold in your hand.

Finally, I must thank my wife, Jean Marbella, the world’s greatest trouper. She’s lived patiently for a year among swords, samurai movies, books on sword fighting, sword making, sword polishing, and sword collecting, all in piles spread randomly throughout the house and seldom policed. Never complained, never whined, and even pretended to be interested in sword fighting and yakuza. What a gal.

STEPHEN HUNTER is the author of thirteen novels. He is the chief film critic of the Washington Post and won the 2003 Pulitzer Prize for Criticism. He is also the author of one nonfiction book and two collections of film criticism. He lives in Baltimore, Maryland.