Gary Braver - Elixir

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Elixir: краткое содержание, описание и аннотация

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When biologist Chris Bacon headed for the unspoiled rainforests of Papua New Guinea in search of medicinal plants, he had no idea that he would bring home a rare flower rumored by a tribal shaman to prevent human aging. Driven by fountain-of-youth dreams, he plans to turn the flower into an elixir of youth and health.
But as Chris begins tampering with the ultimate secret of nature, he unleashes forces that not only threaten his own family, but expose the world to unimaginably horrific consequences.
***
"Elixir has something smart to say, and combines the best of the thriller genre to say it: engrossing story, hot science, interesting characters, stylish prose, and runaway pacing."
– Robert B. Parker, New York Times
bestselling author of the Spenser novels
"Elixir is stylish, finely tuned and terrifying-the best thriller I've curled up with in a long while. If you need a good night's sleep, wait until morning to start this one."
– Michael Palmer, New York Times
bestselling author of Miracle Cure
"Exceeds in the art of storytelling… Taut, fast, bullet-sleek, with that hauntingly persistent question: How far would you be willing to go to obtain immortality, and what price are you willing to pay for it?"
– The Charleston Post Courier
"Fast paced and well-plotted… Braver's larger purpose is to explore the moral and ethical dilemmas proposed by anti-aging technologies. He does so with compelling plot twists, as well as down-to-earth writing that brings his characters to life as ordinary yet complex people. The drug itself may produce a fatal addiction, but the story behind its development makes for an intoxicating read."
– Publishers Weekly
"A roller-coaster ride… a fascinating story that leads to philosophical pondering as well."
– The Port St. Lucie News
"A fast-paced gem of a thriller."
– The Capital Times, Madison Wisconsin
"Gary Braver has produced a stimulating mixture of villainy, science and the philosophical and practical issues that underlie the new found ability to create 'immortality' or, at least, a major deferment of the aging process. Along the way, Mr. Braver introduces us to some of the scientific issues underlying the aging process, the role of telomerase and whether aging is in fact inevitable… Enough science to make the narrative plausible, but not too much to paralyze the narrative development… Once started, Elixir could not be easily put down. Elixir should be a deservedly popular read by scientists and non-scientists alike."
– Pharmaceutical News, Vol. 7, No. 4
"Elixir delivers all the suspense and excitement you could ask for, and asks a hard question, too: What would you do if you found that you could live forever? Read Elixir and find out."
– William Martin, New York Times
bestselling author of Cap Cod and Annapolis
"Among the best of recent contributions to its genre because of its engaging plot and the issues it addresses, this is an outstanding addition to all fiction collections."
– Library Journal
"A terrifying novel… fast-paced, filled with action, twists and turns."
– Midwest Book Review
"Engaging prose and plausible character development… Braver's background in physics and his extensive knowledge of the mechanisms of aging, make much of the technical aspects of Elixir ring true."
– The Arlington Advocate
"A first-rate biotech thriller that explores the ethical and moral dilemma projected by anti-aging technologies… This is an excellent [book] with a lot of important ideas about the real-life rush to strip the rainforest to find botanical cures, and the agonizing decisions we face as to who should control the finds."
– Sullivan County Democrat
"Elixir [is the] new, heady literary thriller by Arlington author Gary Braver… Braver has taped into an American obsession and come up with a relentless page-turner that manages to deal with technical, scientific and medical material while still being entertaining, witty and very unnevering."
– Watertown Tab Press
"In Gary Braver's page-turning thriller Elixir, a biologist stumbles across an anti-aging drug that works. Once the secret is out in the open, everyone gets into the act, from the drug lords to corporate management to the FBI… Can biologist Christopher Bacon resist the drug, even if it means that he'll stay young and vibrant while his family ages? Wouldn't want to spoil the fun."
– The Herald (WA)
"This novel has some winning twists and even a nostalgic visit with Ronald Reagan… Elixir is really bad science but awfully good fiction."
– Tampa Tribune Times
"If you're tired of the Grisham legal drama and the Clancy spy novel, and if you're looking for an exciting, fun, read, pick up Elixir. It is wonderfully written… The characters are beautifully realized… Lots of drama; lots of suspense. This is a great thriller!"
– Entertainment Tomorrow
"A fantastic thriller and an intriguing ethical study… A thrilling cascade of drama and paranoia."
– The Northeastern News
"A novel of commendable skill and literary craftsmanship."
– The Armenian Mirror Spectator
"Braver makes sure that every twist and turn makes sense… He is a master craftsman when it comes to creating characters. There is not a single character major or minor, that feels as if they are two-dimensional, put on the pages as if to serve a purpose… Elixir has all the makings of a great movie… I expect to see it on the silver screen."
– Shelflife
"I found myself thinking about this book every time I put it down. And it was very hard to put down. It races to a heart-stopping conclusion but lingers with you long after the last page. This is a great book for that long plane ride or a day at the beach."
– Kate's Mystery Books Newsletter
"[Braver] has tapped into an American obsession and come up with a relentless page-turner that manages to deal with technical, scientific, and medical material while still being entertaining, witty, and very unnerving."
– Metrowest and Community Newspapers
"Gary Braver's plot is informed by a real-world sensibility in which the heroes may be smart, but are given to blindness and ambition-and the bad guys, while evil, are far from stupid. A breathtaking series of moves and countermoves propels the story toward unforeseeable, tragic consequences, but at its heart the book remains a meditation on the nature of life and its need for family. This is one terrific thriller."
– Wigglefish.com
"A fasten-your-seatbelt thriller… with never an obvious or cliched moment… Elixir not only gives us a complex story but also features characters who are complex and richly textured, and who act in ways that surprise but make perfect sense given what we come to know about their personalities… While he has produced an unabashedly commercial page-turner, Braver has also probed, in a profound and often disturbing fashion, some fundamental questions about the ever-expanding role of biotechnology in modern life… Perhaps Elixir is not only entertaining and provocative, but prophetic as well."
– Northeastern University Magazine

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"They say that one should write from what one knows. Perhaps that is not always the best strategy. But, I suppose, all you famous authors are narcissists, no? Every tale is an autobiography of sorts. So impossible to escape the self or the longing to go home again." He looked around. "I must say that you described this to a T, as you Americans say."

"Who are you?" Roger asked.

He peered down at Roger with that same smug grin. "The shark in your fountain of youth, my friend."

"Fair Caribe," Roger said. "Fair Caribe. You're the guy from Apricot Cay."

"Maybe you should write the detective stories."

"You were going to blackmarket it," Roger continued. "Quentin's little dream of getting around the FDA-sell it to high rollers."

"So disrespectful to speak ill of the dead."

"Without him you'll have to find another lab. Or somebody who knows how to make it."

"You may be immortal, but you're not indispensable," the Frenchman said. "That's not our interest."

The American in the black jacket tapped his watch to end the foreplay.

"You're right," the Frenchman said and nodded for the second gunman to fetch the empty box for the jar.

But Roger blocked their move. "Then what is your interest?" All he could think of was stalling as long as possible for Brett to escape. His eye fell on the machine pistol.

"Are you really so concerned?" the Frenchman asked.

"Yeah."

The American clearly wanted to get it over with. "Antoine."

But Antoine disregarded him. "I have no care to capitalize on your little miracle, if that's what worries you. My life is full. I have all I can ask-all but more time to enjoy it. N'est-ce pas? Now I've got that."

This was how it would end, Roger thought. Shot to death in a remote cave by nameless gunmen. The perfect crime: Elixir gone, and Number One and Two fugitives mysteriously murdered.

"You have what you want. Just leave us be."

"It's not that simple, my friend. To live indefinitely, one must be invisible-as you well know."

"So?"

"You saw my face."

"You bastard," Laura said.

That made the American smile.

"You people killed Betsy Watkins," Roger said. "Then bombed the plane."

Antoine checked his watch. "Enough."

But Roger pushed. "You killed Betsy and blew up the plane."

"The box, please."

"Say it. Say it!" Roger shouted.

"I fucking heard enough of you," the American said, and rammed his gun to Roger's forehead.

Laura screamed, and Roger waited for his head to explode.

But Antoine stopped him. "Why is that so important I say these things?"

"You're going to kill us anyway."

Antoine made a what-the-hell shrug. "Yes, we are. And, yes that was us."

The silent gunman made a side glance to Antoine for the cue.

"Your name," Roger insisted. "What's your name?"

"Your last wish, my friend. A man about to die deserves to know his dispatcher. Antoine Ducharme, my friends. Something to take with you."

Then he turned to Laura. "Author Wendy, you know what my favorite line in your book is? No? Then I'll tell you. It's at the end when your Detective Kate Krueger captures the killer in his own bedroom. She says, 'People are like salmon, they go home to die.'"

The cue.

"No-o-o," Laura cried.

As the American raised the gun to her head, Roger grabbed the shovel and swung it like a baseball bat. The blade caught the jar at the midline in Antoine Ducharme's hands, shattering it instantly.

An uncontrollable gasp escaped the man's throat as fluid and glass shards sprayed him. Pathetically he tried to cup the Elixir which seeped through his fingers with his own blood and onto the dirt.

By reflex one of the men took aim at Roger's head, but thought twice and whipped him across the mouth.

"That was very stupid," the Ducharme said, looking at his fingers dripping red. "Very stupid."

He picked some glass out of his palm, still trying to save some mixture.

Roger spit some blood. "Now you have nothing but us."

"You have more," Ducharme said, trying to compose himself. "You have more. It would be insane to store it all in a jar."

Antoine muttered something in French, and the silent gunman dropped to his knees and put the barrel of the pistol to Laura's forehead.

"I am going to count to three, and when I do your wife's brains will be all over these walls. I will not fuck around any longer. Three seconds and she's dead."

Ducharme had no idea about the cabin. For all he knew, the two of them had camped out in the Subaru all night.

"One…"

Laura's face was shocked in terror.

"Two…"

Roger looked at the gun to Laura's head. "No! Don't. I'll take you."

"Then do so quickly. I'm cold."

The gunman pulled back.

"There's a cottage about a mile from here," Roger began. But he never finished.

Out of the shadows, a figure flew at the gunman.

Brett.

He seized the man in a headlock from behind and pulled him to the ground, all the while with his free hand yanking away the pistol. It had happened so fast, the man was stunned.

In the flurry of movement, Laura butted the American in the genitals with her head. With a pained grunt, he folded in the middle but not before taking aim at Laura. Roger leaped to block her, when an explosion rocked the cave.

The American fell face-forward.

Brett had shot him with one hand, his other still in a chokehold on the first man.

Brett jumped to his feet with the pistol raised. The American was not dead. But his arm landed in the flames, and he rolled away yowling. The bullet had caught him on the elbow.

"Don't friggin' move," Brett screamed.

The American rolled in pain, but nobody else moved. Brett grabbed the machine pistol off the ground so that he had a weapon in each hand fanning Antoine and his men. He looked wild. He looked like he wanted them to make a false move so he could blast them to hamburger.

Laura pulled herself up and helped Roger to his feet. His lip was bleeding.

He got his own gun from the American's belt. "And you wanted basketball," he said to Brett.

But Brett did not laugh, nor did he regard Roger.

"Up! Up!" he shouted.

The American with the ruined elbow and smoking sleeve stumbled to his knees. When he hesitated, Brett kicked him in the butt.

"Fucking kid!"

Brett kicked him again.

He looked half-crazed. Days of fear and anger had come to a ballistic head.

Antoine muttered something vicious in French, and Brett sent the toe of his boot into Antoine's shin.

He would have filled him full of lead had Roger not pulled him back.

"Outside!" Brett yelled.

"Brett!" Roger said, holding his hand out for the guns.

But the boy would not respond to him. He was locked into marching the men outside himself.

What cut across Roger's mind like a shark fin was that Brett's mind had snapped. That the sheer horror of seeing his parents about to be executed had momentarily deranged him, and that once outside in the daylight he would line them up and blast them dead.

Laura tried to reason with him, but he stonewalled her too.

Brett stuck the nine-millimeter into his belt. The machine pistol he gripped in both hands like a movie cop. He then rammed the back of one men. "Hands high."

The man raised his hands.

He stabbed the man in the skull with the gun. "Higher!"

The man reached as high as he could. With one hand Brett reached around and tore the man's belt off his pants and tossed it to Roger to tie his hands. He then whipped the belts off the others and tossed them to Laura.

When the men were bound, Brett pushed them toward the entrance, still moving under that weird autopilot.

"Wait," Roger shouted. He picked up one of four notebooks. He looked at it for a moment, then opened it and tore out the pages and fed them to the fire.

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