Gary Braver - Elixir

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Elixir: краткое содержание, описание и аннотация

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When biologist Chris Bacon headed for the unspoiled rainforests of Papua New Guinea in search of medicinal plants, he had no idea that he would bring home a rare flower rumored by a tribal shaman to prevent human aging. Driven by fountain-of-youth dreams, he plans to turn the flower into an elixir of youth and health.
But as Chris begins tampering with the ultimate secret of nature, he unleashes forces that not only threaten his own family, but expose the world to unimaginably horrific consequences.
***
"Elixir has something smart to say, and combines the best of the thriller genre to say it: engrossing story, hot science, interesting characters, stylish prose, and runaway pacing."
– Robert B. Parker, New York Times
bestselling author of the Spenser novels
"Elixir is stylish, finely tuned and terrifying-the best thriller I've curled up with in a long while. If you need a good night's sleep, wait until morning to start this one."
– Michael Palmer, New York Times
bestselling author of Miracle Cure
"Exceeds in the art of storytelling… Taut, fast, bullet-sleek, with that hauntingly persistent question: How far would you be willing to go to obtain immortality, and what price are you willing to pay for it?"
– The Charleston Post Courier
"Fast paced and well-plotted… Braver's larger purpose is to explore the moral and ethical dilemmas proposed by anti-aging technologies. He does so with compelling plot twists, as well as down-to-earth writing that brings his characters to life as ordinary yet complex people. The drug itself may produce a fatal addiction, but the story behind its development makes for an intoxicating read."
– Publishers Weekly
"A roller-coaster ride… a fascinating story that leads to philosophical pondering as well."
– The Port St. Lucie News
"A fast-paced gem of a thriller."
– The Capital Times, Madison Wisconsin
"Gary Braver has produced a stimulating mixture of villainy, science and the philosophical and practical issues that underlie the new found ability to create 'immortality' or, at least, a major deferment of the aging process. Along the way, Mr. Braver introduces us to some of the scientific issues underlying the aging process, the role of telomerase and whether aging is in fact inevitable… Enough science to make the narrative plausible, but not too much to paralyze the narrative development… Once started, Elixir could not be easily put down. Elixir should be a deservedly popular read by scientists and non-scientists alike."
– Pharmaceutical News, Vol. 7, No. 4
"Elixir delivers all the suspense and excitement you could ask for, and asks a hard question, too: What would you do if you found that you could live forever? Read Elixir and find out."
– William Martin, New York Times
bestselling author of Cap Cod and Annapolis
"Among the best of recent contributions to its genre because of its engaging plot and the issues it addresses, this is an outstanding addition to all fiction collections."
– Library Journal
"A terrifying novel… fast-paced, filled with action, twists and turns."
– Midwest Book Review
"Engaging prose and plausible character development… Braver's background in physics and his extensive knowledge of the mechanisms of aging, make much of the technical aspects of Elixir ring true."
– The Arlington Advocate
"A first-rate biotech thriller that explores the ethical and moral dilemma projected by anti-aging technologies… This is an excellent [book] with a lot of important ideas about the real-life rush to strip the rainforest to find botanical cures, and the agonizing decisions we face as to who should control the finds."
– Sullivan County Democrat
"Elixir [is the] new, heady literary thriller by Arlington author Gary Braver… Braver has taped into an American obsession and come up with a relentless page-turner that manages to deal with technical, scientific and medical material while still being entertaining, witty and very unnevering."
– Watertown Tab Press
"In Gary Braver's page-turning thriller Elixir, a biologist stumbles across an anti-aging drug that works. Once the secret is out in the open, everyone gets into the act, from the drug lords to corporate management to the FBI… Can biologist Christopher Bacon resist the drug, even if it means that he'll stay young and vibrant while his family ages? Wouldn't want to spoil the fun."
– The Herald (WA)
"This novel has some winning twists and even a nostalgic visit with Ronald Reagan… Elixir is really bad science but awfully good fiction."
– Tampa Tribune Times
"If you're tired of the Grisham legal drama and the Clancy spy novel, and if you're looking for an exciting, fun, read, pick up Elixir. It is wonderfully written… The characters are beautifully realized… Lots of drama; lots of suspense. This is a great thriller!"
– Entertainment Tomorrow
"A fantastic thriller and an intriguing ethical study… A thrilling cascade of drama and paranoia."
– The Northeastern News
"A novel of commendable skill and literary craftsmanship."
– The Armenian Mirror Spectator
"Braver makes sure that every twist and turn makes sense… He is a master craftsman when it comes to creating characters. There is not a single character major or minor, that feels as if they are two-dimensional, put on the pages as if to serve a purpose… Elixir has all the makings of a great movie… I expect to see it on the silver screen."
– Shelflife
"I found myself thinking about this book every time I put it down. And it was very hard to put down. It races to a heart-stopping conclusion but lingers with you long after the last page. This is a great book for that long plane ride or a day at the beach."
– Kate's Mystery Books Newsletter
"[Braver] has tapped into an American obsession and come up with a relentless page-turner that manages to deal with technical, scientific, and medical material while still being entertaining, witty, and very unnerving."
– Metrowest and Community Newspapers
"Gary Braver's plot is informed by a real-world sensibility in which the heroes may be smart, but are given to blindness and ambition-and the bad guys, while evil, are far from stupid. A breathtaking series of moves and countermoves propels the story toward unforeseeable, tragic consequences, but at its heart the book remains a meditation on the nature of life and its need for family. This is one terrific thriller."
– Wigglefish.com
"A fasten-your-seatbelt thriller… with never an obvious or cliched moment… Elixir not only gives us a complex story but also features characters who are complex and richly textured, and who act in ways that surprise but make perfect sense given what we come to know about their personalities… While he has produced an unabashedly commercial page-turner, Braver has also probed, in a profound and often disturbing fashion, some fundamental questions about the ever-expanding role of biotechnology in modern life… Perhaps Elixir is not only entertaining and provocative, but prophetic as well."
– Northeastern University Magazine

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It had begun thirteen days ago. They had trekked out from the Tifalmin village gathering flora samples to take back to the States. Chris was a medicinal chemist working for Darby Pharmaceuticals, a Boston laboratory pioneering the synthesis of folk medicines. With the discovery that alkaloids from Catharantus roseus shrunk tumors from Hodgkin's disease, Darby had entered a race with other commercial labs, convinced that miracle drugs grew on trees. Specifically, Chris was testing for plant steroids capable of conversion to animal steroids for contraceptive purposes. Darby's goal was to produce the world's first male birth-control pill-a goal that, once realized, would rocket company stock to high heaven.

Chris Bacon was the Darby point man because he was their premier researcher and because he knew the Papuan bush. The son of the American ambassador to Australia in the late 1950s, Chris had attended Boys' Royal Academy in Port Moresby where at age fourteen he met Iwati, one of the few highland youths to attend the Academy. In 1943, Iwati's village had helped Australian-American forces build the airstrip near Tifalmin village, giving the Allies an interior foothold and access to the chincona tree whose bark was used to produce quinine, the most effective treatment for malaria. It was the Tifalmin's first contact with men with white skin and steel-a contact that resulted in Iwati growing up speaking English. And because he was bright, an Australian missionary group sponsored his education. Both diabetics, they met at the school's infirmary to have their blood sugar monitored and to receive insulin. Over the four years Chris and Iwati became friends-a relationship cemented forever during their last summer when Chris saved Iwati's life. Ironically, the boy was raised on the banks of the Sepik River but had never learned to swim-a fact Chris discovered when another boy pushed him into the deep end of a pool. Iwati went down like a rock and would have drowned had it not been for Chris.

Like his father before him, Iwati was the Tifalmin medicine man. In spite of the juju trinkets and mumbo-jumbo, he was thoroughly westernized, wearing Bermuda shorts, a Harvard T-shirt, and a new Bulova watch Chris had brought, while his men trudged through the bush naked but for penis gourds. Like his father, Iwati had a genius for telling which plants healed and which killed-a genius that brought Chris halfway around the globe. Iwati had a plant for every ailment-fevers, toothaches, ulcers, snakebites, lesions, malaria, and syphilis. And they pointed to the future of western world medicine.

For the third time in two years, Darby had sent Chris packing. But this time he managed to bring company money to build a school in the Tifalmin village. A long-term investment in shaman magic. And now it was to end in spears and arrows.

Chris cocked the gun and held his breath.

No trick of the light. No paranoid delusion. A figure took form out of the clotted shadows in the vines.

"Come out, you son-of-a-bitch!" Chris said.

The figure stopped, and for a moment the jungle turned to still life.

Suddenly the silence shattered in shrieks from all directions as the figure came rushing down on Chris. On reflex he shot and didn't stop until all six chambers of the Colt were empty and he was clicking at a naked body tied at the feet by vines and twisting in the air.

From the shoulder scarification marks, he recognized Maku, one of the porters. His chest had been shot open by the bullets, but he was already dead. His head was missing.

In horror Chris watched the body swing until it came to rest just feet away. He tore bullets off his belt to reload when a dozen Okamolu warriors materialized from the shadows, forming a circle around him, and jabbing the air with spears. Before Chris could reload, a little wrinkled man came up to him. He was naked like the rest but for a long white plume through his nose, a neckband crescent, and a headdress of feathers. His face was striped with white paint. The juju man.

In his hand was a spear with Maku's head still dripping blood. He approached Chris, jabbering in a tongue he didn't recognize. Chris tried to concentrate on slipping rounds into the chambers, but the juju man pushed Maku's head into his face. Black flies swarmed around it. He could smell the blood. Dark warm fluids dripped onto his shoes, making his gorge rise.

The juju man's eyes were wild and his mouth was bright red from chewing betel nuts. Every few seconds he would spit thick wads of red, as if he'd removed the head with his teeth. With his free hand he touched Chris's face and arms as if testing for paint. He yelled something, and his men mumbled back like a chorus. One of them shouted something angry, and the others agreed. It sounded like a death warrant. At once they began to chant and jab the air with their weapons again. As the old man backed away for clear shots, a ululating howl stunned the spears in place.

From the bush stepped a large man wearing a skirt of laplap grass and an elaborate bird-of-paradise headdress. What gave him a particularly fearsome appearance was the bright yellow face paint and red circled eyes. Instead of the shaman necklace of shells he wore a cord studded with crocodile teeth and weighted by a shrunken human head.

In perfect English he said, "They won't harm you."

Iwati.

He walked past Chris to the juju man and said something in a clear, even voice. Chris didn't understand a word, but the effect was immediate. The old man mumbled something, and the warriors lowered their weapons. Then, incredibly, they bobbed their heads in supplication.

Chris quickly loaded his gun. "You won't need that," Iwati said.

"Christ, man, look what they did." Maku's carcass dangled just feet away, blood still pouring from the neck hole.

Iwati nodded. "They won't harm you."

It wasn't just his appearance that held Chris. It was the Okamolu's reaction. They looked more like frightened schoolboys than notorious flesh-eaters.

"How come they're so scared? They've seen white men before."

Iwati did not answer.

"What do they want?"

"Just curious." Then Iwati said something in bush tongue.

The juju man muttered something to his men. He was dismissing them, and they looked grateful to leave. They turned around, then filed back into the black tangle the way they came. Before disappearing, each one looked back. And Chris could swear that what he saw in their faces was raw fear.

They buried the remains of Maku in a clearing and built a fire on the site to keep away scavengers. While the porters were back at camp, Iwati led Chris to the lake. The water looked like black glass. Silhouetted against the afterglow of the sun was the ancient Omafeki cone. A refreshing breeze had picked up, relieving the air of the nauseating sweetness. From under some mats of palms Iwati pushed out a small log canoe.

"Where're we going?"

Iwati pointed over the water. In the dim light, Chris could see a small island, maybe a quarter mile off shore. "What's out there?" he asked. Iwati didn't answer.

Chris squatted in front while Iwati paddled toward the island, guided by the moonlight. The closer they got, the more intense the sickening odor became. They pulled up at a small clearing surrounded by trees festooned with long vines. Chris made a move to get out when Iwati stopped him. From his sack he removed the carcass of a small tree kangaroo and hurled it high toward shore. In the moonlight Chris watched it arch to where the flowers hung. A split second before it splashed down, something huge exploded from the depths and caught it. Some violent thrashing and the rolling flash of underbelly; then it disappeared into the black. A massive crocodile.

"He waits for birds," Iwati said.

The animal surfaced in the distance, its tail etching a sinuous wake in the moonlight as it glided away like some ancient sentinel having collected his fee.

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