John Lescroart - The Motive

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In the latest installment of the Glitsky-Hardy crime-solving series (The 13th Juror; The Second Chair; etc.), San Francisco-based Lescroart again demonstrates his mastery of how things work in the city by the bay. Arson investigators at a Victorian townhouse fire do not call in Abe Glitsky or Dismas Hardy when they discover two bodies believed to be the remains of influential businessman Paul Hanover and his girlfriend, Missy D'Amiens. Glitsky, now deputy chief of inspectors, doesn't handle individual cases, and attorney Dismas Hardy has long since left the police force. Sgt. Dan Cuneo takes charge, quickly jumping to conclusions and slowly rekindling his grudge against the detecting duo. Unhappy with Cuneo's approach, the mayor puts Glitsky on the job, while Hardy is hired by Hanover's daughter-in-law, who was also Hardy's college sweetheart and is now a murder defendant with no alibi but plenty of motive. Parallel inquiries uncover contradictory evidence as well as loose ends: at the time of his death, Hanover was up for a federal appointment, his company was up for a city contract and his girlfriend has a mysterious past. Lescroart draws the reader in with a step-by-step description of the fire, mesmerizes with an account of the intricacies of the auto-towing business and winds up with a disturbing parable of intrigue abroad, adding the wistful touch of a new baby in the Glitsky household. Lescroart may be testing the waters for fiction with an international flavor. For now, the winningly ironic author remains more credible on urban and legal ground than spy craft, but his authentic voice, methodical presentation and ability to juggle red herrings until all pieces fall into place will keep fans following wherever his cop-lawyer friends-heroes lead.

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"She," Glitsky said. "And she's dead."

From the other room. "Hey, Horace! You playing or what?"

"I'm what is what. Keep your pants on." He shook his head in displeasure at his opponent's impatience, then came back to Glitsky. "Welp"-a deep breath-"so what do you want with the car?"

"I just want to look at it. See if she left anything in it that might identify her killer." He left the doorway of the smaller room and got close enough to Horace where he could see the screen. "Does it say where you picked it up?"

"Sure. Two hundred block of Eleventh Avenue." "That's where she lived."

"There you go." Horace leaned back, ran a hand around his florid face. "There's nothing in it-that don't mean nobody stole nothin'. Means there wasn't nothing in it when it got here."

"Okay," Glitsky said. "Could I trouble you to print out a copy of the record for me?"

"Sure. Take two seconds."

For whatever good it would do, Glitsky thought. Already today, he had added sixty-some pages of Bank of America records to the D'Amiens folder he'd been developing. Just being thorough. But it would be foolish to abandon the practice now.

Horace pulled the page from the printer by the counter and handed it over. Taking Glitsky's measure one last time and seemingly satisfied, he walked with great effort all the way back across the outer office, to a large white panel, about six feet on a side, that swung out to reveal a numbered grid of eye-hooks, most of which held sets of keys. He picked the one off of N-49, walked back and handed it to Glitsky.

"You've got the keys?" Glitsky asked. "She left her keys in the car?"

"No. Car sits in the lot this long unclaimed, generally it's going to auction, so we need keys. We used to have a couple of locksmiths on staff, even, but those days are gone now. Still"-he pointed-"those ought to open the thing up. It's inside, about two-thirds of the way back. They're numbered. You can't miss it. I'll flick on the lights for you. Bring the key back when you're done. I'm off at five thirty, so before then. Or come back tomorrow."

Glitsky looked at his watch. He had forty-five minutes. "Today ought to do it," he said. "Thanks."

"What if he doesn't call her as a witness?" Glitsky, referring to Theresa Hanover, was in Hardy's office throwing his darts. Hardy, weary but still rushing with adrenaline and elation-he thought he'd basically kicked ass with all of the eyewitnesses-sat crossways on the love seat perpendicular to his desk.

"He's got to call her. She's the motive. The jury's got to hear how badly Catherine wanted the money, and from her own sweet reluctant mother-in-law. It ought to break hearts."

"And then what?"

"And then I introduce our alternate theory on cross. Theresa's own motive, every bit as good as Catherine's, her own lack of alibi, her attendance at the fire itself, the ring and paying the cash for the car, plus whatever Wes might be finding out even as we speak."

"And the judge will let you do all that?"

"Maybe not the cash for the car. But the rest, maybe, at least the beginning of it. I'll be subtle. Besides, I think her honor is beginning to thaw. The eyewitness testimony was Rosen's case and, if I do say so myself, it took a pretty good hit today. I'd hate to jinx my good fortune, but if I'm Rosen, I'm a worried man about now."

"And Theresa's his last witness?"

"She might be. Close to it, anyway. Which is why I'm going to need you around. You're next up after I call Catherine."

"For the defense. I love it." Glitsky threw the last dart in his round and was walking to the board. Halfway there, he stopped and faced his friend, his expression black. "Starting tomorrow? All day?"

Hardy nodded. "Most of it, anyway. But look at the bright side, like you always do. I ask you questions and the answers eviscerate Cuneo."

But Glitsky was shaking his head. "I don't like him any more than you do. More than that, between you and me, this whole conspiracy thing he's on about terrifies me. He's too close, and maybe he's got other people thinking. I go up on the stand against him, it's going to look personal, and he's going to itch to pay us both back personally if he can. Tell me you haven't considered this."

"Of course. As things now stand, he's a threat, I grant you."

"A big threat. And I'm not just talking careers."

"I get it, Abe, really. But what's the option? I've already creamed him on cross. He can't hate me worse than he already does. Or you, probably."

"But above all, he's a cop, Diz. Cops don't testify against cops, maybe you've heard. So you think Theresa's a reluctant witness? Wait'll you get me up there."

"You really don't want to go on? Get the son of a bitch?"

"I'd rather get the murderer." "And that's not Catherine."

Glitsky wasn't going to fight him on that. "All right," he said, "but I hope you're real aware that my friends in uniform are not going to double their love for me after I snitch out a cop on sexual harassment." Glitsky got to the dartboard and slowly, pensively, pulled his round from it.

Reading the body language, Hardy came around square on the love seat, sitting up. He spoke quietly, with some urgency. "All you'll be talking about is what Catherine said to you, Abe. That's not you accusing Cuneo of anything. Catherine will say what happened. You'll simply say she reported it before she got arrested."

Glitsky barked a bitter little laugh. "That distinction might not sing to the troops."

"It'll have to. I need the testimony."

"I know. I know. I just wish…"

"You'd found something else?"

A nod. "Almost anything. God knows I looked. I thought between the banking and the car something would have popped, but nothing."

"Really nothing? At all?"

Glitsky indicated the folder of D'Amiens's stuff he'd brought up with him. "You're welcome to look at all the fascinating details, but I wouldn't get my hopes up."

"I won't. But if it's any consolation, maybe I won't need it."

"For your client, maybe not. But there's still the murders. And whoever did them is still walking around on the street."

"Yeah, but there's a lot of that, Abe. It happens."

"Granted, but that's no reason to accept it." The words came out perhaps more harshly than he'd intended. "I don't mean…" Glitsky let the phrase hang, then laid Hardy's three darts on the polished surface of the desk. "I'm going home," he said. "I'm done in."

* * *

Hardy knew lawyers who couldn't get to sleep until nearly dawn for the duration of their trials, others who crashed after dinner and woke up at three thirty in the morning. The one constant seemed to be the disruption of sleep patterns. For his own edification and amusement, Hardy played it both ways, which tended to wreak havoc on his life and psyche. Two days ago, up at five a.m., asleep at one a.m. Then, this morning, Glitsky's call again around five. Now here he was at his office, no dinner inside him, eight p.m. He'd called home an hour ago and told them he would be late. Don't wait up.

Hardy had been going through the D'Amiens folder Glitsky had delivered. The precise relevance of all this continued to be elusive, although Hardy couldn't escape the same conclusion that Glitsky had reached. It may not have been what killed D'Amiens and Hanover, but some other intrigue was definitely going on in her life. Blackmail, extortion, money laundering. Something. He'd been surprised enough to learn about the siphoned money, but even the smaller details rankled. He hadn't known that she'd kept up her rent on the place on Eleventh Avenue, for example. Not that it mattered, but still… or why she would have lied about her employment. The fact that she'd written the Leymar checks out of her own account.

If any kind of significance came to attach itself to these details, and so far none did, he'd have to try to find out from Catherine. Maybe she knew how Missy and

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