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John Lescroart: The Motive

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John Lescroart The Motive

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In the latest installment of the Glitsky-Hardy crime-solving series (The 13th Juror; The Second Chair; etc.), San Francisco-based Lescroart again demonstrates his mastery of how things work in the city by the bay. Arson investigators at a Victorian townhouse fire do not call in Abe Glitsky or Dismas Hardy when they discover two bodies believed to be the remains of influential businessman Paul Hanover and his girlfriend, Missy D'Amiens. Glitsky, now deputy chief of inspectors, doesn't handle individual cases, and attorney Dismas Hardy has long since left the police force. Sgt. Dan Cuneo takes charge, quickly jumping to conclusions and slowly rekindling his grudge against the detecting duo. Unhappy with Cuneo's approach, the mayor puts Glitsky on the job, while Hardy is hired by Hanover's daughter-in-law, who was also Hardy's college sweetheart and is now a murder defendant with no alibi but plenty of motive. Parallel inquiries uncover contradictory evidence as well as loose ends: at the time of his death, Hanover was up for a federal appointment, his company was up for a city contract and his girlfriend has a mysterious past. Lescroart draws the reader in with a step-by-step description of the fire, mesmerizes with an account of the intricacies of the auto-towing business and winds up with a disturbing parable of intrigue abroad, adding the wistful touch of a new baby in the Glitsky household. Lescroart may be testing the waters for fiction with an international flavor. For now, the winningly ironic author remains more credible on urban and legal ground than spy craft, but his authentic voice, methodical presentation and ability to juggle red herrings until all pieces fall into place will keep fans following wherever his cop-lawyer friends-heroes lead.

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It wasn't really a request. West seemed about as tired as a hummingbird, as old as a schoolgirl. Glitsky had no choice. He gave her a salute. "It would be my pleasure," he said.

As a deputy chief, Glitsky had a city car and a driver- Sergeant Tom Paganucci-assigned to him for his personal use. Paganucci, humorless, taciturn and loyal, suited Glitsky well. He did not make suggestions or offer opinions, and only asked questions related to his work, though he would answer them on other topics if Glitsky asked him directly. He started no conversations at all, but waited for orders that, once given, he obeyed with what seemed to be a complete commitment of his body and soul.

He was forty-three years old, heavily built, cleanshaven, prematurely gray. Because he'd asked on their first day together, Glitsky knew that his driver was married and childless, but that was the extent of his knowledge of Paganucci's personal life, except he was reasonably certain that he didn't do stand-up comedy on his nights off.

Paganucci had kept the car running where he'd left his boss off a half hour before, out in the street in front of City Hall, and now Glitsky slid into the backseat. He closed the door after him and leaned back for an instant into the comfortable black leather. He looked at his watch-11:50. "Do you think the chief's in, Tom?"

Paganucci reached for his intercom. "I'll call."

"No, wait. What am I going to say to him anyway?" Glitsky didn't want an answer from Paganucci and wasn't going to get one in any event. He let out an audible breath. "All right," he said, "let's go."

"Yes, sir. Where to?"

"Alamo Square."

Paganucci put the car in gear and they started to roll.

"He was here 'til they bagged the bodies, sir," Becker said. "Then I guess he went home to get some sleep." They were standing outside on the concrete steps, where Becker had come out in response to Glitsky's hail.

"What about you?" Glitsky asked.

"What about me?"

"And sleep."

The firefighter chortled. "Not a priority. Not 'til I'm satisfied here anyway."

"And you're not?"

"I've got a pretty good basic idea, but I'd be more comfortable if I had more answers." "Like what?"

Becker shrugged. "Like multiple flash sights. The place went up so quick and thorough, it looks like somebody knew exactly what they were doing." He motioned behind him at the charred remains of the house. "But we've only got the one spot. You want to go in, take a look?" Without waiting for an answer, he led the way through the still-standing front doorway. Some of the ceiling above the lobby was intact, but with the fog burned off, the day was bright with sunshine and there was sufficient natural light to see clearly.

Glitsky squatted over an area of rug that appeared less scorched than its surroundings. There was another, similar spot about eight feet farther into the lobby, at the entrance to what might once have been a hallway. "This is where you found them?"

"Yeah. Plus, it's where the fire started. Get down and you can still smell the gasoline."

Glitsky leaned over and inhaled, but couldn't smell anything except fire. "You've probably gone through all this with Cuneo, but I'd be grateful if you ran it by me one more time. The mayor's personally interested. She was friends with Mr. Hanover. I'd like to sound reasonably intelligent when I brief her. I'm assuming it was Hanover?"

"That's the assumption, although Strout makes the formal call. But whoever it was-call him Hanover-he fell on his wallet so it didn't burn completely. It had Hanover's driver's license in it, so it looks good for him." "What about the other body?"

"No way to tell. Your man Cuneo seemed to think it was probably his girlfriend." "You don't agree?"

"I don't know. There was nothing to identify her. It could have been." Becker spoke with little inflection. He was assembling the facts and would share what he knew with any other investigating officials without any particular emphasis. "I can say it was probably a woman-we found what might be a bra strap under her-but that's all I'd be comfortable with for the time being. Again, Strout'll tell us soon enough."

"So what does it look like we have here? The news said murder/suicide."

Becker nodded. "Might have been."

"So you've seen this kind of thing before? Where somebody kills a partner, then himself, but before he does himself, he lights the place up?"

"Sure. It's not uncommon." He seemed to consider whether to say more for a moment, then shrugged as though apologizing. "The relationship goes bad, somebody wants to destroy every sign of it."

"Any sign that this relationship was going bad?"

Becker's eyes scanned the floor area. "You mean besides this? Maybe. Cuneo talked to Hanover's daughter-in-law."

"When did he do that?"

"She saw the fire on the news and came by here last night. Seems this Missy had just finished redecorating this place to the tune of maybe a million dollars of Hanover's money. Maybe he wanted to leave a message that it all meant nothing to him. But I will tell you one thing."

"What's that?"

"It wasn't her."

"What do you mean? What wasn't her?"

"She didn't do the killing. I told Cuneo, too. This might not be any kind of a proof that you could use in court, but if it's a relationship gone bad, there's two things here. First, if she does it, it goes down in the bedroom, maybe even in the bed."

"Why's that?"

"Because that's the center of the woman's life." He held up a hand. "I know, I know, it's not PC, and people will tell you it's bullshit, but you ask anybody who's spent time at this kind of scene, they'll tell you. If it's a crime of passion and it's not done in the bedroom, it's not the woman."

"Okay," Glitsky said. "What's the second thing?"

"I'm afraid it's another non-PC moment."

"I can handle it," Glitsky said. "What?"

"Women don't shoot themselves very often to begin with. And if they do, it's not in the head. They won't disfigure themselves. It just doesn't happen."

Suddenly Glitsky thought back to the suicide of Lo-retta Wager, the former senator from California who had been his lover and the mother of his daughter Elaine. She had shot herself in the heart. Becker was right, he thought. These were both indefensible sexist generalizations that no doubt would collapse under rigorous debate. That did not stop them, however, from being potentially-even probably-true.

"So you think it was Hanover?"

"I don't know. Cuneo seemed to take it as a working theory. The gun was kind of under him."

"What do you mean, kind of?"

"Well, here, you can see." Becker reached into his inside pocket and withdrew a stack of photographs. "My partner brought these over to the photo lab as soon as they opened. They made two copies and I gave Cuneo the other, but I've still got the negatives if you want a set." Shuffling through them, he got the one he wanted. "Here you go."

Glitsky studied the grainy picture-shadows in darkness. It was a close-up of something he couldn't recognize at first glance.

Becker helped him out, reaching over. "That's the body there along the top, and the end of the arm-the hand became disattached. But you can see there, up against the body, that's the gun."

"So not exactly under him?"

"No. Just like you see there. Kind of against the side and tucked in a little."

"And he was the one in the back here, by the hall? Beyond where the woman was?"

"Yeah," Becker said. "What are you thinking?" "I'm just wondering, if they had hoses going in here… "

"For a while."

"Okay. I'm just thinking maybe the gun was on the rug and the force of the hose hitting it pushed it back against him. Tucked under, as you say."

Becker didn't seem offended by the suggestion. "No, I don't suppose we can rule that out. But it's not the most obvious explanation for how the gun got there."

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