John Lescroart - The Motive

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In the latest installment of the Glitsky-Hardy crime-solving series (The 13th Juror; The Second Chair; etc.), San Francisco-based Lescroart again demonstrates his mastery of how things work in the city by the bay. Arson investigators at a Victorian townhouse fire do not call in Abe Glitsky or Dismas Hardy when they discover two bodies believed to be the remains of influential businessman Paul Hanover and his girlfriend, Missy D'Amiens. Glitsky, now deputy chief of inspectors, doesn't handle individual cases, and attorney Dismas Hardy has long since left the police force. Sgt. Dan Cuneo takes charge, quickly jumping to conclusions and slowly rekindling his grudge against the detecting duo. Unhappy with Cuneo's approach, the mayor puts Glitsky on the job, while Hardy is hired by Hanover's daughter-in-law, who was also Hardy's college sweetheart and is now a murder defendant with no alibi but plenty of motive. Parallel inquiries uncover contradictory evidence as well as loose ends: at the time of his death, Hanover was up for a federal appointment, his company was up for a city contract and his girlfriend has a mysterious past. Lescroart draws the reader in with a step-by-step description of the fire, mesmerizes with an account of the intricacies of the auto-towing business and winds up with a disturbing parable of intrigue abroad, adding the wistful touch of a new baby in the Glitsky household. Lescroart may be testing the waters for fiction with an international flavor. For now, the winningly ironic author remains more credible on urban and legal ground than spy craft, but his authentic voice, methodical presentation and ability to juggle red herrings until all pieces fall into place will keep fans following wherever his cop-lawyer friends-heroes lead.

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Glitsky gave him a startled look. Hardy looked back at him, shrugged, took the phone and said hello.

12

"Dismas?"

Hardy was moving with the phone on the steps toward his bedroom upstairs. His face took on a quizzical expression at this unknown woman's use of his first name. But he had no doubt that she was a potential client, and didn't even stop to consider the unusual familiarity. Still, there was a question in his voice. "This is Dismas Hardy, yes."

"Dismas," she said again. "It's Catherine Rusk." Halfway up the stairs, he stopped still. "Catherine…?" "Hanover. Now."

Hardy found that he couldn't frame a response. The two or three seconds before he could speak felt like a very long time. "Catherine," he said. "How are you?" Then, still struggling for something to say. "How have you been?"

He heard a throaty chuckle that vibrated in some distant region of his psyche. "You mean this last thirty-seven years? I've been okay, although right at this moment I'm not too good, I'm afraid. I hate to contact you for the first time under these conditions, but I didn't know who else to call. I've thought about it a lot over the years, you know, calling you, but always thought that maybe we'd just run into each other again somewhere. It's not that big a city."

"No, it isn't. You've lived here all along?"

"Mostly, after college and then a couple of years back in Boston. I know you've been living here. I've seen you in the papers." He heard her sigh. "Anyway. I called you because I think I need a lawyer. Apparently I'm some kind of a suspect in a murder case."

"Yes, I know that."

"You know) Already?"

"I mean, I'd heard about Catherine Hanover, the name, but I didn't know she was you." The next words slipped out before he could stop them. "I thought you weren't ever going to change your name."

"I wasn't, but it seemed important to Will, so I guess when push came to shove, I abandoned my high principles and sold out my old feminist beliefs. And how about you? I thought you weren't ever going to work nine to five."

"Touche," he said. "I'm sorry."

"It's all right. You sounded just like your old self."

"Well… I'm still sorry. I have no idea where that came from or why it came out."

"It's okay, really." Again he heard the oddly mnemonic throaty chuckle. "You're probably still feeling guilty about how you dumped me."

"Maybe," he admitted, and again before he could think added, "that could be it." He wasn't quite sure what he was saying, since he hadn't consciously thought of her in years.

Frannie appeared below him at the flight of the stairs, looking up with some concern, mouthed, "Is everything all right?"

Nodding, Hardy gave his wife a smile, then turned and started up the steps again. "But now you're in trouble?"

"I think I must be. The police came by this morning with a search warrant and looked through my house and my car."

Hardy sat down in the reading chair in his bedroom. This was a new development that hadn't yet made the news. If they'd already served a search warrant on her, the case had progressed far beyond a casual suspicion based on a possible motive. Somebody in the investigation was already into evidence and causality. And it was not Abe, who surely would have mentioned this to him either last night or downstairs just a few minutes ago. That left only Cuneo, and the realization made Hardy's stomach go tight. "So you've talked to the police?"

"Several times."

"Without a lawyer?"

"I didn't think I needed one. I didn't know I was a suspect. The first time was down at the fire…" "You were at the fire?"

"Yes." "Why?"

"Because it was my father-in-law's house and I saw it on the news and ran down to see what was happening and if I could help."

"And you talked to cops down there?"

"Yes, somebody Cuneo. And an arson inspector, too. And since then a deputy chief. Glitsky. But they just wanted to know about Paul. My father-in-law. Paul Hanover."

"I know that, too."

"How can you know all this?"

"It's a big case, Catherine. Everybody in town knows about it."

In the phone, her voice grew smaller. "That's right, of course. But are you saying I shouldn't have talked to the police? I was trying to cooperate."

Hardy, one hand rubbing his forehead, said, "No. Cooperation's okay. I'm just being a lawyer. Sometimes it's bad luck to say anything to the police."

"But I didn't think I was a suspect."

"No. I know. That's their favorite."

"So I'm in bigger trouble than I thought?"

He didn't want her to panic and spouted out a white lie. "Maybe not. I don't know. What were they looking for at your house?"

"The clothes I was wearing when I was at the fire. They were in my closet and I think the hamper."

"So you hadn't washed them yet?"

"I guess not." Then, on a higher note, the worry clear in her voice. "Is that a problem, too?"

"I don't know about 'too.' I don't know what the problems are yet, Catherine. What did they do with the clothes?"

"They took them away. They said they'd bring them back. They were going to analyze them for… I don't know what. Something."

"Did they take anything else?"

A silence.

"Catherine?"

Now he heard a definite strain in the pitch of her voice. "Some cuttings of the fabric from the trunk of my car. It had some gasoline on it. See, a couple of weeks ago I helped this woman who'd run out of gas…"

"Catherine?"

A sob broke over the line.

Hardy stopped to lift the lid and stir the gumbo, then went and stood in the entrance to the dining room. Glitsky was sitting at the table, apparently content to wait for Hardy's descent after his business call and pass the time with Frannie, who had poured herself a glass of Chardonnay. The kids were nowhere to be found. Hardy stood in the door to the dining area, hands in his pockets, leaning against the jamb.

"So, Abe," he said, "you searched her house this morning and just didn't get around to telling me because…?"

Glitsky's face clouded. "What are you talking about?"

"I'm talking about a search warrant for Catherine Hanover's clothes and her car. They found gasoline in her trunk."

"Who did? I didn't…" He stopped. "Cuneo. Why didn't he…?"

Hardy knew the answer. "He didn't want your input in the first place, and now he's proving he didn't need it. He wants the collar himself."

"But…" Glitsky was reduced to sputtering. "We haven't…"

"Obviously, he's not interested. He's got his suspect and he's in a hurry."

Glitsky's mouth was tight, his scar in high relief through his lips, his blue eyes flat and hard. "She under arrest?"

"Not yet. Apparently. Though she might be anytime." "Did she say that?"

"No. But she's got herself worked into a pretty good panic right about now. I don't know what she's going to do."

"She wants you to represent her, then?" Glitsky asked.

"That's what she called for."

"And you wisely suggested she get somebody else, right?"

"Not exactly." Hardy took a deep breath. Frannie said, "Why would he do that, Abe?"

Glitsky looked across the table. "Because your husband doesn't want to have anything to do with Catherine Hanover." Back over to Hardy. "I'm correct here, am I not?"

Before Hardy could reply, Frannie asked, "Why not?"

"Because of Dan Cuneo, that's why not. He's already got Diz and me together in his brain. Now if Diz gets involved in this case…" Suddenly he turned his head. "What's 'not exactly' mean, Diz? This really wouldn't be a good idea."

"No, I know that. But there are other issues."

"Such as?"

"Such as I know her." His eyes went to Frannie. "Catherine Hanover is Catherine Rusk," he said.

"And Catherine Rusk is?" Glitsky asked.

"His first girlfriend." Frannie assayed a brave smile that didn't quite work.

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