Tana French - In the Woods

"And take off the top, please," the surveillance tech said quietly. He was small and blank-faced, with deft, professional hands. Cassie pulled her sweater over her head obediently, like a child at the doctor's office. Underneath she was wearing what looked like a boy's undershirt. She had left off the defiant makeup she had been using for the past few days, and there were dark smudges under her eyes. I wondered whether she'd slept at all; I thought of her sitting on her windowsill with her T-shirt pulled around her knees, the tiny red glow of a cigarette blooming and fading as she drew on it, watching dawn lighten the gardens below. Sam was at the window, his back to us; O'Kelly was fussing with the whiteboard, erasing lines and redrawing them. "And run the wire up under the T-shirt for me, please," said the tech.

"You've phone tips waiting for you," O'Kelly told me.

"I want to go with you," I said. Sam's shoulders shifted; Cassie, head bent over the microphone, didn't look up.

"When hell freezes over and the camels come skating home," O'Kelly said.

I was so tired that I was seeing everything through a fine, seething white mist. "I want to go," I repeated. This time everyone ignored me.

The tech clipped the battery pack to Cassie's jeans, made a tiny incision in the neck hem of her undershirt and slid the mike inside. He had her put her sweater back on-Sam and O'Kelly turned around-and then told her to talk. When she looked at him blankly, O'Kelly said impatiently, "Just say whatever comes into your head, Maddox, tell us your plans for the weekend if you want," but instead she recited a poem. It was an old-fashioned little poem, the kind of thing one might learn off by heart in school. Long afterwards, flicking through pages in a dusty bookshop, I came across these lines:

About your easy heads my prayers

I said with syllables of clay.

What gift, I asked, shall I bring now

Before I weep and walk away?

Take, they replied, the oak and laurel.

Take our fortune of tears and live

Like a spendthrift lover. All we ask

Is the one gift you cannot give.

Her voice was low and even, expressionless. The speakers hollowed it out, underlaid it with a whispery echo, and in the background there was a rushing sound like some faraway high wind. I thought of those ghost stories where the voices of the dead come to their loved ones from crackly radios or down telephone lines, borne on some lost wavelength across the laws of nature and the wild spaces of the universe. The tech fiddled delicately with mysterious little dials and sliders.

"Thank you for that, Maddox, that was very moving," O'Kelly said, when the tech was satisfied. "Right: here's the estate." He slapped Sam's map with the back of his hand. "We'll be in the van, parked in Knocknaree Crescent, first left inside the front entrance. Maddox, you'll go in on that motorbike whatsit, park in front of the Devlins' and get the girl to come out for a walk. You'll go out the back gate of the estate and turn right, away from the dig, then right again along the side wall, to come out on the main road, and right again towards the front entrance. If you deviate from this route at any point, say so for the mike. Give your location as often as you can. When-Jesus, if -you've cautioned her and got enough for an arrest, arrest her. If you think she's sussed you or you're not going to get anywhere, wind it up and get out. If you need backup at any point, say so and we'll come in. If she has a weapon, identify it for the mike-'Put the knife down,' whatever. You don't have eyewitnesses, so don't pull your weapon unless you've no choice."

"I'm not taking my gun," Cassie said. She unbuckled her holster, handed it to Sam and held out her arms. "Check me."

"For what?" Sam said, puzzled, looking down at the gun in his hands.

"Weapons." Her eyes slid away, unfocused, over his shoulder. "If she says anything, she's going to claim I had her at gunpoint. Check my scooter, too, before I get on it."

To this day I'm not sure how I managed to get myself into that van. Possibly it was because, even in disgrace, I was still Cassie's partner, a relationship for which almost every detective has a reflexive, deeply ingrained respect. Possibly it was because I bombarded O'Kelly with the first technique every toddler learns: if you ask someone often enough for long enough when he is trying to do enough other things, sooner or later he will say yes just to shut you up. I was too desperate to care about the humiliation of this. Possibly he realized that, if he had refused, I would have taken the Land Rover and gone down there on my own.

The van was one of those blind, sinister-looking white things that regularly show up in police reports, with the name and logo of a fictitious tile company on the side. Inside it was even creepier: thick black cables coiling everywhere and the equipment blinking and hissing, ineffectual little overhead light, the soundproofing giving it the unsettling look of a padded cell. Sweeney drove; Sam, O'Kelly, the tech and I sat in the back compartment, swaying on uncomfortable low benches, not talking. O'Kelly had brought along a thermos of coffee and some kind of glutinous pastry, which he ate in huge methodical bites with no evidence of enjoyment. Sam scraped at an imaginary stain on the knee of his trousers. I cracked my knuckles, until I realized how irritating this was, and tried to ignore the intensity with which I wanted a cigarette. The tech did the Irish Times crossword.

We parked in Knocknaree Crescent and O'Kelly rang Cassie's mobile. She was within range of the equipment; her voice, over the speakers, was cool and steady. "Maddox."

"Where are you?" O'Kelly demanded.

"Just coming up to the estate. I didn't want to be hanging around."

"We're in position. Go ahead."

A tiny pause; then Cassie said, "Yes, sir," and hung up. I heard the buzz of the Vespa starting up again, then the weird stereo effect as, a minute later, it passed the end of the Crescent, only a few yards from us. The tech folded away his newspaper and made a minuscule adjustment to something; O'Kelly, across from me, pulled a plastic bag of sweets out of his pocket and settled back on the bench.

Footsteps jolting the mike, the faint tasteful ding-dong of the doorbell. O'Kelly waved the bag of sweets at the rest of us; when there were no takers, he shrugged and fished out an iced caramel.

The click of the door opening. "Detective Maddox," Rosalind said, not sounding pleased. "I'm afraid we're all very busy at the moment."

"I know," Cassie said. "I'm really sorry to bother you. But could I…Is there any chance I could talk to you for a minute?"

"You had your chance to talk to me the other night. Instead, you insulted me and ruined my evening. I really don't feel like wasting any more of my time on you."

"I'm sorry about that. I didn't-I shouldn't have done that. But this isn't about the case. I just…I need to ask you something."

Silence, and I pictured Rosalind holding the door open and staring at her, gauging; Cassie's face upturned and tense, her hands deep in the pockets of her suede jacket. In the background someone-Margaret-called something. Rosalind snapped, "It's for me, Mother," and the door slammed shut.

"Well?" Rosalind inquired.

"Could we…" A rustle: Cassie shifting nervously. "Could we maybe go for a walk or something? This is pretty private."

That must have piqued Rosalind's interest, but her voice didn't change. "I'm actually getting ready to go out."

"Just five minutes. We can walk round the back of the estate, or something… Please, Miss Devlin. It's important."

Finally she sighed. "All right. I suppose I can give you a few minutes."