Steve Martini - Guardian of Lies

He watched as the demolition man fired up his soldiers, at least the two of them who were assembled near the bus door. Two others were up near the top of the ramp holding off the cops. The flaming cars were now just smoking rubble with an occasional flicker as fumes from the gas tanks floated past a hot spot.

The last lone soldier from Liquida’s army was positioned on this side of the bus, lying prone on the ground and taking occasional shots at the police who were trying to move in from the freeway side of the ramp.

The explosives man finished his pep talk. He reached into his bag of tricks, then walked toward the bus door with something in his hand. A second later he disappeared inside. There were two muted shots, what sounded to Liquida like a small handgun, and a second later the demolition man came off the bus holding his right shoulder. As Liquida watched him, a massive explosion ripped through the bus, blowing out the windshield and ripping a jagged hole in the roof. Smoke billowed from the front of the bus. The soldiers, armed with their AKs, stormed on board while the shock and impact of the blast was still having its effect. Automatic gunfire erupted inside. Liquida tried to zero in with the binoculars.

Suddenly a gun battle broke out at the top of the ramp. A large black SUV raced out from under the bridge on the freeway and drove past the bus, exchanging fire through the windows with the button boy lying on his belly on this side of the bus. Whoever was firing from the car must have hit him, because a second later the button boy dropped his rifle as his head slumped to the ground.

The black vehicle made a beeline for the bottom of the ramp, pulled a U-turn, and drove up the ramp in the wrong direction. It stopped on the other side of the box truck. The doors flew open and six men, all wearing black body armor and carrying short carbines and MP-5s, spilled out of the car. They raced around the truck and moved up the ramp.

Liquida could still hear shots coming from inside the bus.

One of his men at the top of the ramp began to retreat down toward the gully on the other side. Liquida lost sight of him for a moment. When he picked him up again, the button boy had joined up with the explosives expert and both of them were making their way up the embankment toward Magnolia Avenue and the van.

There was another flurry of gunfire at the top of the ramp. Liquida watched as police flanked the remaining lone button boy. Three shots rang out and he went down. Police started to flood down the ramp on foot, just as the six men from the black SUV reached the door to the bus.

Liquida picked up the walkie-talkie. “Hello. Hello.”

A voice crackled back on the other end.

“Are you in contact with them?” He was talking to the explosives man, who was in contact with the button boys on the bus. Through a separate radio. “Is it done?”

“Yes,” said the man. “She is dead.”

“Are you sure?”

“Yes,” came the crackling response.

“Excellent,” said Liquida.

He could see the demolition man talking on the handheld unit as he slipped through the hole in the fence, followed closely by the button boy who had left his rifle in the ravine and ditched his dark glasses and face scarf while climbing up the other side.

Liquida watched as three of the armed men from the SUV boarded the bus. A few seconds later gunfire erupted again from inside the bus. This time it didn’t last long. He heard several short bursts of pistol rounds from the MP-5s and then silence.

He focused the field glasses back across the ravine. The explosives expert and his young helper had made it to the van. They pulled away from the curb and did a U-turn to avoid all the excitement at the intersection on Prospect. Before they’d gone fifty feet, another shiny black SUV pulled out of a side street and cut them off. The occupants, all dressed like their comrades on the bus, opened the SUV’s doors, using them for cover, and trained their assault rifles and pistols on the stopped van through the SUV’s open windows.

As he was reaching into his pocket, Liquida had to wonder what the federal government was doing here so heavily armed. No one else used black SUVs like the United States government.

He took out a small metal box from his pocket, flipped the toggle switch on the top, and pressed the small black button. There was a large brilliant flash of light on the other side of the freeway. It was followed a second later by the sound of the blast and the shock wave as it rippled across the rooftop and rattled the metal panels of the air-conditioning unit where Liquida was sitting. Avis would miss one of their rental vans. He would have to remember the next time to use a little less C-4.

Gil Howser was the lead homicide detective in the Solaz case. This morning he’d buttonholed Templeton while the prosecutor was busy packing his briefcase and getting ready to head to the courthouse.

“Make it quick,” said Templeton. “You and I have a meeting with Quinn on Solaz in ten minutes.”

“I know, to talk about the deal with her. But there are some problems with the evidence. We have to talk,” said Howser.

“Do we need to do it right now?”

“No, but it might be good to have a handle on them in case the judge asks us what kind of an evidentiary basis he has for accepting a plea.”

“What kind of problems?” said Templeton.

“The dagger, for example,” said Howser. “How do we explain the fact that Solaz’s prints are all over it but there’s no blood on the handle? If she stabbed him with the other knife first, and according to the postmortem that’s how it went down, she’d have blood on her hands. It would have been transferred to the handle of the dagger. But the handle was clean except for her prints.”

“What else?” said Templeton.

“Forensics found tool marks on the coin drawers in Pike’s study. Whoever pried them open used a sharp implement of some kind. They think it was a knife. The problem is, the tool marks on the wooden drawers around the locks as well as the scratches on the brass locks themselves don’t match either the chef’s knife that was used to kill Pike or the point on the dagger that was left in his body. Forensics checked the points on all the other blades in the kitchen. According to their report there would have been some damage to the knife point used to pry open the drawers. There was no evident damage to any of the other knives, and none of them matched the tool marks. So there must have been another knife.”

“All right. What else?”

“You do recall that the police in Arizona didn’t find a knife on Solaz when they arrested her?”

“I’m aware of that,” said Templeton. “What else?”

“The blood around the lock on the front door,” said Howser. “The bloody prints, that is, if there ever were any, weren’t smeared, they were rubbed, using a cloth, according to forensics. They found patterns in the blood on the door consistent with the fibers on one of the cleaning cloths on the maid’s body. And to make it a little more contrived, all the blood was hers, none of it was from Pike.”

“There was blood transfer from Pike to the maid’s clothing,” said Templeton.

“Yes, but it ended there. There was nothing on the front door,” said Howser. “If you have blood all over your hands from killing two people and you panic and run out the front door, even if you collect yourself before you go two steps so you can come back and smear the prints on the door, how is it that only the maid’s blood shows up there? How do you explain Solaz smearing her prints on the door and taking the time to wash the blood and her prints off the chef’s knife and then forgetting her prints on the dagger in Pike’s body?”