Steve Martini - Compelling Evidence

From somewhere behind the scenes the lights in the chamber are turned on.

Dreyers nudges me. ‘Looks like the $64,00 °Challenge ,” he says. This is low, directed to me, but others hear it. A little comic relief. There’s a titter of laughter from behind us, up on the risers. Johnston and the other guard don’t laugh.

Dreyers whispers, lower now, under his breath, to me only. “Pretty soon they’ll pop the question.”

I look at him.

“For $64,000-how long can you hold your breath?’ He gives me a little sideways wink. I can hear some giggling on the other side of Dreyers. Another cop, one of his buddies.

Bad taste, I think. But as I study the scene, he’s right. Now this room with its cupola-like top, lit on the inside like some Macy’s store window, does not resemble anything so much as one of the glittering, cheesy booths from a sixties TV quiz show.

A lone guard enters the room through a door on the other side of the chamber. Muffled cries, intonations of a desperate low moan are clearly audible as the door is closed.

Now each calculated procedure is a step closer to death for the man waiting on the other side of that door. In quick, measured movements the guard lowers two sets of green venetian blinds, covering windows on the other side of the chamber. These will mask the execution team as they open the valves and throw the lever to release the lethal gas.

Then I see them, the size of two softballs. Granules of sodium cyanide, like fine baking powder, a pound each, have been tied and molded into a round form. They are held in two pieces of cheesecloth and fastened to a device over the vat under each chair. These deadly chemical balls hang tenuously by wire from two curved metal arms. When the lever is thrown these arms will drop, the cyanide falling into the pots of sulfuric acid and water. For safety the two vats are now empty.

Sally Ryan’s father is here, a decade older, grayer, the lines of his face more deeply etched than I remember. He stands apart from the rest of us, as if he’s on a different mission, some ancient and sacred vendetta bred of human instinct. The memory of a defiled and murdered child is long.

I asked Ryan about the parents of the other girl, Linda Maldinado. “Divorced,” he said, as if this explained their absence. What he meant was, destroyed-ravaged by a grieving they could not conclude while this thing remained open, incomplete. It’s the first I’ve seen of either family since the trial, when Ryan and the more aggressive Mrs. Maldinado hovered with me in hallways, demanding assurance that justice wouldn’t be stillborn. Ryan eyes me now with a cynicism that is palpable, an abiding bitterness that the journey has taken this long.

My own presence here is as a favor to Sam Jennings, the DA now out of office with whom I prosecuted Danley. Jennings is sick, too ill to make this appointment, perhaps too close to death himself to stare it squarely in the eye.

Gale Haight is here. I nodded to him as we boarded the van. He didn’t return the gesture. A normally affable man two years my senior in law school, Haight cannot bring himself to even a grudging greeting on this day. He carries a heavy burden, having defended Danley at trial.

There are a few cops here, represented because the law says they must be. The others, ten men and two women, I suspect are political favorites of the governor or the director of corrections, official guests for this grim task.

I stand next to Jim Dreyers, now retired from the sheriff’s department. Dreyers had tracked Brian Danley to a girlfriend’s apartment after the killings. Backed up by the SWAT team, he’d made the arrest and led Danley, with hands cuffed behind his back, to a squad car. The suspect spat at cameras all the way there; a large green lugi caught in mid-flight centered the frame of one of the shots. It made the cover of Newsweek, a special crime edition.

Since the conviction, Danley’s been handled by skilled appellate attorneys, people who’ve delayed this date six times in seven years. Whenever cameras are made available now, Danley is the picture of polite reserve. A bleeding-heart piece in the bar association’s house organ a year ago pictured him the circumspect image of justice denied. He is, if the story is to be believed, the pitiable victim of fetal-alcohol syndrome. An army of shrinks is now assembled to attest to this malady. It’s the latest in an endless series of social ills raised to excuse his crime, or at a minimum to avoid its punishment. These news articles are well placed for maximum effect. They don’t play in the magazines “for inquiring minds.” Instead Danley’s lawyers shoot for a more lofty readership, fed into publications an appellate judge might read in an idle hour.

The chamber door, something from a vintage submarine, is open facing the other side.

Three people were already in the room when we arrived, an older woman and two clergymen. One of them comforts the woman, an arm around her shoulder. She, I assume, is family.

Confronting him daily through four months of trial seven years ago, I wonder whether Danley will show the same sand now. Then, he’d been hard. Unremitting.

He was his own lawyer’s worst nightmare. Through weeks of trial endless versions of a smug expression occupied his face. He smiled through half-a-day of horrors-testimony by the medical examiner that caused one juror to lose her breakfast. Against the advice of his own attorney he took the stand, denying all association with the crime, this in utter contradiction to a sea of physical evidence that included his own fingerprints at the scene. Danley was at some loss to explain how they’d become superimposed in the blood of his two victims.

After conviction, in the penalty phase, to an astonished jury which was only a little less dazed than his own lawyer, Danley admitted that he’d done it. His version of throwing himself on the mercy of the jury, it seems, was a public survey of the crimes in mind-wrenching detail.

I remember the vivid photos of Sally Ryan and the Maldinado girl after they had been raped and sodomized. These shots were dominated by the grotesque rust hues of congealed blood-their throats sliced with the precision of a scalpel. Danley used the razor-sharp hooked blade of a linoleum knife. “A tool of the trade,” he called it. This particular knife hadn’t seen linoleum in years. He kept it for special occasions. It was once used to carve a deep letter “A,” to the bone, in his wife’s right cheek. Danley, after a little too much to drink, found himself fantasizing about marital infidelities on the part of his common-law wife, a woman he hadn’t seen in a year. Some bar-babbling luminary, it seems, had given him a more lurid than literal review of The Scarlet Letter. I steel myself with the thought that Brian Danley is a creature the world is well rid of.

I check my watch. It’s now one minute past the appointed hour. There are noises on the other side of the chamber. The agonized wailing of a man, his words, except for one, unintelligible. The repetition of a single syllable grows louder: “No-o-o-o…”

Two stone-faced guards enter from the other side. Behind them, struggling feebly, Brian Trevor Danley is unrecognizable to me. Forty pounds lighter than at any time during the trial, he is a ghost. The swagger and bravado are gone. His knees are bent, feet dragging. He’s carried under each arm by two guards, bulls who could snap him like a twig should he resist. Danley’s hands are manacled in front. His eyes are wild, haunted, searching as if to devour every image left to them in the seconds that remain. He searches the faces beyond the glass without apparent recognition as his stockinged feet are dragged over the threshold into the chamber. As he’s turned and pushed down into the chair, he sees her. His eyes light up.