Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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Thom froze. Glanced at Rhyme. The sheriff continued, "He was about to arrest Garrett. She shot him. They took off."

"No, it's impossible," Rhyme whispered. "There's a mistake. Somebody else did it."

But Bell was shaking his head. "No. Ned Spoto was there. He saw the whole thing… I'm not saying she did it on purpose – Ned went for her and her gun went off – but it's still felony murder."

Oh, my God…

Amelia… second-generation cop, the Portable's Daughter. And now she'd killed one of her own. The worst crime a police officer could commit.

"This's way past us now, Lincoln. I've got to get the state involved."

"Wait, Jim," Rhyme said urgently. "Please… She's desperate now, she's scared. So's Garrett. You call in troopers, a lot more people're going to get hurt. They'll be gunning for them both."

"Well, apparently they oughta be gunning for them," Bell spat back. "And looks like they shoulda been from the git-go."

"I'll find them for you. I'm close." Rhyme nodded toward the evidence chart and map.

"I gave you one chance and look what happened."

"I'll find them and I'll talk her into surrendering. I know I can. I'll -"

Suddenly Bell was jostled aside and a man rushed into the room. It was Mason Germain. "You fucking son of a bitch!" he cried and made right for Rhyme. Thom stepped in the way but the deputy flung aside the thin man. He rolled to the floor. Mason grabbed Rhyme by the shirt. "You fucking freak! You come down here and play your little -"

"Mason!" Bell started forward but the deputy shoved him aside again.

"- play your little games with the evidence – your little puzzles. And now a good man's dead because of you!" Rhyme smelled the man's potent aftershave as the deputy drew his fist back. The criminalist cringed and turned his face away.

"I'm going to kill you. I'm going to -" But Mason's voice was choked off as a huge arm wrapped around his chest and he was lifted clean off the floor.

Ben Kerr carried the deputy away from Rhyme.

"Kerr, goddamn it, let go of me!" Mason gasped. "You asshole! You're under arrest!"

"Calm yourself down, Deputy," the big man said slowly.

Mason was reaching for his pistol but with his other hand Ben clamped down hard on the man's wrist. Ben looked at Bell, who waited a moment then nodded. Ben released the deputy, who stood back, fury in his eyes. He said to Bell, "I'm going out there and I'm finding that woman and I'm -"

"You are not, Mason," Bell said. "You want to keep working in this department you'll do what I tell you. We're going to handle it my way. You're staying in the office here. You understand?"

"Son of a bitch, Jim. She -"

"Do you understand me?"

"Yeah, I fucking understand you." He stormed out of the lab.

Bell asked Rhyme, "You all right?"

Rhyme nodded.

"And you?" He glanced at Thom.

"I'm fine." The aide adjusted Rhyme's shirt. And despite the criminalist's protest he took the blood pressure again. "The same. Too high but not critical."

The sheriff shook his head. "I've got to call Jesse's parents. Lord, I don't want to do that." He walked to the window and stared outside. "First Ed, now Jesse. What a nightmare this whole thing's been."

Rhyme said, "Please, Jim. Let me find them and give me a chance to talk to her. If you don't, it's going to escalate. You know that. We'll end up with more people dead."

Bell sighed. Glanced at the map. "They've got a twenty-minute lead. You think you can find them?"

"Yes," Rhyme answered. "I can find them."

• • •

"That direction," Sean O'Sarian said. "I'm positive."

Rich Culbeau was looking west, where the young man was pointing – toward where they'd heard the gunshot and the shouting fifteen minutes ago.

Culbeau finished peeing against a pine tree and asked, "What's over that way?"

"Swamp, a few old houses," said Harris Tomel, who had hunted probably every square foot of Paquenoke County. "Not much else. Saw a gray wolf there a month ago." The wolves had supposedly been extinct but were making a comeback.

"No fooling," Culbeau said. He'd never seen one, always wanted to.

"You shoot it?" O'Sarian asked.

"You don't shoot 'em," Tomel said.

Culbeau added, "They're protected."

"So?"

And Culbeau realized he didn't have an answer for that.

They waited a few minutes longer but there were no more gunshots, no more shouts. "May as well keep going," Culbeau said, pointing toward where the shot had come from.

"May as well," said O'Sarian as he took a hit from a bottle of water.

"Hot again today," Tomel offered, looking at the low disk of radiant sun.

"It's hot every day," Culbeau muttered. He picked up his gun and started along the path, his army of two trudging along behind him.

• • •

Thunk.

Mary Beth's eyes shot open, pulling her from a deep, unwanted sleep.

Thunk.

"Hey, Mary Beth," a man's voice called cheerfully. Like an adult speaking to a child. In her grogginess she thought: It's my father! What's he doing back from the hospital? He's in no shape to chop wood. I'll have to get him back to bed. Has he had his medicine?

Wait!

She sat up, dizzy, head throbbing. She'd fallen asleep in the dining-room chair.

Thunk.

Wait. It's not my father. He's dead… It's Jim Bell…

Thunk.

"Mareeeeeeee Bayeth…"

She jumped as the leering face looked in the window. It was Tom.

Another slam on the door as the Missionary's ax bit into the wood.

Tom leaned inside, squinting into the gloom. "Where are you?"

She stared at him, paralyzed.

Tom continued, "Oh, hey, there you are. My, you're prettier'n I remembered." He held up his wrist, showed her thick bandages. "I lost a pint of blood, thanks to you. I think it's only fair I get a little back."

Thunk.

"I have to tell you, honey," he said. "I fell asleep last night thinking about feeling up your titties yesterday. Thank you much for that sweet thought."

Thunk.

With this blow the ax broke through the door. Tom disappeared from the window and joined his friend.

"Keep going, boy," he called encouragingly. "You're on a roll."

Thunk.

35

His worry now was that she'd hurt herself. Since he'd known Amelia Sachs, Lincoln Rhyme had watched her hands disappear into her scalp and return bloody. He'd watched her worry nails with teeth, and skin with nails. He'd seen her drive at a hundred fifty miles per hour. He didn't know exactly what pushed her but he knew there was something within her that made Amelia Sachs live on the edge.

Now that this had happened, now that she'd killed, the anxieties might push her over the line. After the accident that left Rhyme a broken man, Terry Dobyns, the NYPD psychologist, had explained to him that, yes, he would feel like killing himself. But it wasn't depression that would motivate him to act. Depression depleted your energy; the main cause of suicide was a deadly fusion of hopelessness, anxiety and panic.

Which would be exactly what Amelia Sachs – hunted, betrayed by her own nature -would be feeling right now.

Find her! was his only thought. Find her fast.

But where was she? The answer to that question still eluded him.

He looked at the chart again. There was no evidence from the trailer. Lucy and the other deputies had searched it fast – too fast, of course. They were under the spell of hunt lust – even immobilized Rhyme often felt this – and the deputies were desperate to get on the trail of the enemy who'd killed their friend.

The only clues he had to Mary Beth's location – to where Garrett and Sachs were now headed – were right in front of him. But they were as enigmatic as any set of clues he'd ever analyzed.

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