Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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Lucy said, "Get some dogs, Jim. Irv Wanner runs a couple hounds for the state police. Call Captain Dexter in Elizabeth City and get Irv's number. He'll track 'em down."

"Good idea," Bell said. "We'll -"

"I want to propose something," Rhyme interrupted.

Mason gave a cold laugh.

"What?" Bell asked.

"I'll make a deal with you."

"No deals," Bell said. "She's a fleeing felon. And armed, to boot."

"She's not going to shoot anybody," Thom said.

Rhyme continued, "Amelia's convinced there's no other way to find Mary Beth. That's why she did it. They're going to where she's being held."

"Doesn't matter," Bell said. "You can't go breaking murderers out of jail."

"Give me twenty-four hours before you call the state police. I'll find them for you. We can work something out with the charges. But if troopers and dogs get involved we all know they'll play it by the book and that means there's a good chance of people getting hurt."

"That's a hell of a deal, Lincoln," Bell said. "Your friend busts out our prisoner -"

"He wouldn't be your prisoner if it weren't for me. You never would've found him on your own."

"No damn way," Mason said. "We're wasting time and they're getting farther away every minute we've wasted talking. I'm of a mind to get every man in town out looking for ' em now. Deputize the lot. Do what Henry Davett suggested. Pass out rifles and -"

Bell interrupted him and asked Rhyme, "If we give you your twenty-four hours then what's in it for us?"

"I'll stay and help you find Mary Beth. However long it takes."

Thom said, "The operation, Lincoln…"

"Forget the operation," he muttered, feeling the despair as he said this. He knew that Dr. Weaver's schedule was so tight that if he missed his appointed date on the table he'd have to go back on the waiting list. Then it crossed his mind that one reason Sachs had done this was to keep Rhyme from having the surgery. To buy a few more days and give him a chance to change his mind. But he pushed this thought aside, raging to himself: Find her, save her. Before Garrett adds her to the list of his victims.

Stung 137 times.

Lucy said, "We're looking at a bit of, what would you say, divided loyalty here, aren't we?"

Mason: "Yeah, how do we know you aren't gonna send us 'round Robin Hood's barn and let her get away?"

"Because," Rhyme said patiently, "Amelia's wrong. Garrett is a murderer and he just used her to break out of jail. Once he doesn't need her he'll kill her."

Bell paced for a moment, gazing up at the map. "Okay, we'll do it, Lincoln. You've got twenty-four hours."

Mason sighed. "And how the hell're you going to find her in that wilderness?" He motioned toward the map. "You just going to call her up and ask where she is?"

"That's exactly what I'm going to do. Thom, let's get the equipment set up again. And somebody get Ben Kerr back here!"

• • •

Lucy Kerr stood in the office adjacent to the war room, on the phone.

"North Carolina State Police, Elizabeth City," the woman's crisp voice answered. "How can I help you?"

"Detective Gregg."

"Hold, please."

"'Lo?" asked a man's voice after a moment.

"Pete, s'Lucy Kerr over in Tanner's Corner."

"Hey, Lucy, how's it going? What's with those missing girls?"

"Got that under control," she said, her voice calm, though she was enraged that Bell had insisted she recite the words Lincoln Rhyme had dictated to her. "But we do have another little problem."

Little problem…

"Whatcha need? A couple troopers?"

"No, just a cell phone trace."

"Got a warrant?"

"Magistrate's clerk's faxing it to you right now."

"Gimme the phone and serial numbers."

She gave him the information.

"What's that area code, two one two?"

"It's a New York number. Party's roaming now."

"Not a problem," Gregg said. "You want a tape of the conversation?"

"Just location."

And a clear line of sight to the target…

"When… wait. Here's the fax…" A pause as he read. "Oh, just a missing person?"

"That's all," she said reluctantly.

"You know it's expensive. We'll have to bill you."

"I understand."

"Okay, hold the line, I'll call my tech people." There was a faint click.

Lucy sat on the desk, shoulders slumped, flexing her left hand, staring at fingers ruddy from years of gardening, an old scar from the metal strap on a pallet of mulch, the indentation in her ring finger from five years of wedding band.

Flex, straighten.

Watching the veins and muscles beneath the skin, Lucy Kerr realized something. That Amelia Sachs' crime had tapped into an anger within her that was more intense than anything she'd ever felt.

When they took part of her body away she'd felt ashamed and then forlorn. When her husband left she'd felt guilty and resigned. And when she finally grew mad at those events she was angry in a way that suggested embers – an anger that radiates immense heat but never bursts into flames.

But for a reason she couldn't understand, this woman cop from New York had let the simple white-hot fury burst from Lucy's heart – like the wasps that had streamed out of the nest and killed Ed Schaeffer so horribly.

White-hot fury at the betrayal of Lucy Kerr, who never intentionally caused a soul pain, who was a woman who loved plants, a woman who'd been a good wife to her man, a good daughter to her parents, a good sister, a good policewoman, a woman who wanted only the harmless pleasures life gave freely to everyone else but seemed determined to withhold from her.

No more shame or guilt or resignation or sorrow.

Simple fury – at the betrayals in her life. The betrayal by her body, by her husband, by God.

And now by Amelia Sachs.

"Hello, Lucy?" Pete asked from Elizabeth City. "You there?"

"Yes, I'm here."

"You… are you okay? You sound funny."

She cleared her throat. "Fine. You set up?"

"You're good to go. When's the subject going to be making a call?"

Lucy looked into the other room. Called, "Ready?"

Rhyme nodded.

Into the phone she said, "Any time now."

"Stay on the line," Gregg said. "I'll liaise."

Please let this work , Lucy thought. Please… Then she added a footnote to her prayer: And, dear Lord, give me one clear shot at my Judas.

• • •

Thom fitted the headset over Rhyme's head. The aide then punched in a number.

If Sachs' phone was shut off it would ring only three times and the pleasant lilt of the voice-mail lady would start to speak.

One ring… two…

"Hello?"

Rhyme didn't believe he'd ever felt such relief, hearing her voice. "Sachs, are you all right?"

A pause. "I'm okay."

In the other room he saw Lucy Kerr's sullen face nod.

"Listen to me, Sachs. Listen to me. I know why you did it but you have to give yourself up. You… are you there?"

"I'm here, Rhyme."

"I know what you're doing. Garrett's agreed to take you to Mary Beth."

"That's right."

"You can't trust him," Rhyme said. (Thinking in despair: Or me either. He saw Lucy moving her finger in a circle, meaning: Keep her on the line.) "I've made a deal with Jim. If you bring him back in they'll work something out with the charges against you. The state's not involved yet. And I'll stay here as long as it takes to find Mary Beth. I've postponed the operation."

He closed his eyes momentarily, pierced with guilt. But he had no choice. He pictured what the death of that woman in Blackwater Landing had been like, the death of Deputy Ed Schaeffer… Imagining the hornets swarming over Amelia's body. He had to betray her in order to save her.

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