Ian Rankin - The Complaints

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'Mustn't complain' – but people always do… Nobody likes The Complaints – they're the cops who investigate other cops. Complaints and Conduct Department, to give them their full title, but known colloquially as 'The Dark Side', or simply 'The Complaints'. It's where Malcolm Fox works. He's just had a result, and should be feeling good about himself. But he's a man with problems of his own. He has an increasingly frail father in a care home and a sister who persists in an abusive relationship – something which Malcolm cannot seem to do anything about. But, in the midst of an aggressive Edinburgh winter, the reluctant Fox is given a new task. There's a cop called Jamie Breck, and he's dirty. The problem is, no one can prove it. But as Fox takes on the job, he learns that there's more to Breck than anyone thinks. This knowledge will prove dangerous, especially when a vicious murder intervenes far too close to home for Fox's liking.

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‘And now this,’ was all she said. She was tall and slim and in her fifties. She took charge, coaxing Jude to her feet and telling her everything was going to be fine. ‘You’re coming home with me…’

Jude’s eyes were still raw-looking as Fox kissed her on both cheeks.

‘I’ll come as soon as I can,’ he said. A uniformed officer was waiting for the women, his patrol car parked outside. He looked almost bored, and Fox wanted to shake him. He checked his mobile phone instead: two messages from Tony Kaye, which were actually the same message sent twice – Do u need me?

Fox started to punch in ‘no’, but lengthened it to ‘not yet’. As he was sending it, Jamie Breck reappeared.

‘Not needed at the autopsy?’ Fox asked.

‘They can’t get to it for another hour.’ Breck looked at his wristwatch. ‘Means I can take you out there, if you like.’

‘I’ve got my car.’

‘Then you can drive us…’

Four minutes into the journey, Breck commented that they’d have been quicker walking. It was a straight run – Cowgate to West Port to Fountainbridge – but traffic had stalled again: a contraflow controlled by two workmen in fluorescent jackets and toting signs saying STOP and GO.

‘It can drive men mad,’ Breck said, ‘suddenly having all that power…’

Fox just nodded.

‘Mind if I ask something?’

Fox minded a lot, but gave a shrug.

‘How did your sister break her arm?’

‘She fell over in the kitchen.’

Breck pretended to mull this over. ‘Mr Faulkner worked as a builder?’

‘Yes.’

‘Didn’t seem to be dressed for the job – good-quality chinos; polo shirt and leather jacket. The jacket was a Christmas present from Ms Fox.’

‘Was it?’

‘Were they getting married?’

‘You’d have to ask her.’

‘The two of you aren’t close?’

Fox could feel his grip tightening on the steering wheel. ‘We’re close,’ he said.

‘And Mr Faulkner?’

‘What about him?’

‘Did you like him?’

‘Not especially.’

‘Why not?’

‘No particular reason.’

‘Or too many to mention?’ Breck nodded to himself. ‘My brother’s partner… I don’t get on too well with him, either.’

‘Him?’

‘My brother’s gay.’

‘I didn’t know.’

Breck looked at Fox. ‘No reason why you should.’

That’s right, and no reason to know that that same brother’s an engineer in America…

Fox cleared his throat. ‘So what’s your feeling about this?’ he asked.

Breck took his time answering. ‘There’s a hole in the fence, next to where the body was found. Little side road there, too, where a car or van could park.’

‘The body was dumped?’

Breck shrugged and began working his neck muscles. ‘I asked Ms Fox when she last saw Mr Faulkner.’

‘And?’

‘She says Saturday afternoon.’ Fox could hear the grinding of gristle in the younger man’s neck and shoulders. ‘That cast looks pretty new…’

‘Happened Saturday,’ Fox confirmed, keeping his voice level, concentrating on the road ahead: two more sets of traffic lights and one roundabout and they’d be there.

‘So she heads to A and E and Mr Faulkner goes out on the town.’ Breck stopped exercising and leaned forward a little, turning his head so he could make eye contact with Fox. ‘Fell over in the kitchen?’

‘That’s what she told me.’

‘And you repeated it for my benefit… but your face tightened just a little when you spoke.’

‘Are you supposed to be Columbo or something?’

‘Just observant, Inspector Fox. You need to take the next left.’

‘I know.’

‘And there’s that facial tightening again,’ Jamie Breck said, just loud enough for Fox to hear.

The police cordon was still in place, but the uniform on duty eased up the tape so they could pass beneath. There was a couple of journalists from the local paper, but both were old enough to know they would ask in vain for a quote. A few people watched from the towpath, not that there was much to see. The Scene of Crime Unit had already picked over the area. Photos showed the body in situ – Breck grabbed some from a SOCO and handed them to Fox. Vince Faulkner had been found face down, arms thrown in front of him. His skull had been crushed by something heavy. The hair was matted with blood. There were grazes to the palms and fingers – consistent with someone trying to defend himself.

‘We won’t know about internal injuries until after the autopsy,’ Breck commented. Fox nodded and looked around. It was a bleak spot. Mounds of earth and rubble from where some of the old brewery had been demolished. Warehouses remained, emptied of their contents and with windows pulverised. On the other side of the road, groundworks were under way for what would become a ‘mixed social development’, according to the billboard – shops, office space and apartments (no one seemed to call them flats these days). Cops in overalls were working in a line, trying to locate the murder weapon. There were tens of thousands of possibilities, from half-bricks to rocks and concrete rubble.

‘Could have been tossed into the canal,’ Fox mused.

‘We’ve got divers coming,’ Breck assured him.

‘Not much blood on the ground.’ Fox was studying the photos again.

‘No.’

‘Which is why you think he was dumped here?’

‘Maybe.’

‘In which case it’s not just a mugging gone wrong.’

‘No comment.’ Breck looked to the skies and took a deep breath.

‘I know,’ Fox said, intercepting the speech. ‘I can’t get involved. I shouldn’t make it personal. I mustn’t get in the way.’

‘Pretty much.’ Breck had taken the photos from him so he could flick through them. ‘Anything you want to tell me about your sister’s partner?’

‘No.’

‘He broke her arm, didn’t he?’

‘You’ll have to ask her that.’

Breck stared at him, then nodded slowly and kicked at a small stone, sending it rolling along the ground. ‘How long do you reckon this’ll stay a building site?’

‘Who knows?’

‘Someone told me HBOS were moving their corporate headquarters here.’

‘That might not happen for a while.’

‘I hope you didn’t have shares.’

Fox gave a snort, then stuck out a hand for the younger man to take. ‘Thanks for letting me come here. I appreciate it.’

‘Rest assured, Inspector, we’ll be doing all we can – and not just because you’re a fellow traveller.’ Breck gave a wink as he released Fox’s hand.

Twenty-five-pic minimum… You like looking at young kids, DS Breck, and it’s my job to hang you out to dry…

‘Thanks again,’ Malcolm Fox said. ‘Can I drop you back at the mortuary?’

‘I’m going to stay here a while.’ Breck paused, as if deep in thought. ‘PSU,’ he eventually said, ‘just got through mangling one of my colleagues.’

‘It’d take more than the Complaints to mangle Glen Heaton.’

‘Were you part of that team?’

‘Why do you ask?’

‘No real reason.’

‘You’re not particularly a friend of his, are you?’

Breck stared at him. ‘What makes you ask?’

‘I’m the Complaints, DS Breck – I see everything and hear everything. ’

‘I’ll bear that in mind, Inspector,’ Jamie Breck said.

Fox called the office from his car and told Tony Kaye they’d have to hold fire on Jamie Breck. Kaye, naturally, asked why.

‘He’s in charge of Faulkner.’

Kaye was making a whistling sound as Fox ended the call. When his phone rang, he answered without thinking.

‘Look, Tony, I’ll talk to you later.’

There was silence for a moment, then a female voice: ‘It’s Annie Inglis. Is this a bad time?’

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