Stieg Larsson - The Girl who played with Fire

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Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ‘Millennium’ sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable – something of a modern hero, in fact.
One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with – strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her – whether she wants his help or not.
As with Larsson’s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence.

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It was 6:59 a.m. on Maundy Thursday as Blomkvist and Berger let themselves into the Millennium offices. Berger had woken Malm and Eriksson with the news that Svensson and Johansson had been killed the night before. They lived much closer and had already arrived for the meeting. The coffeemaker was going in the kitchenette.

“What the hell is happening?” Malm wanted to know.

Eriksson shushed him and turned up the volume on the 7:00 a.m. news.

Two people, a man and a woman, were shot dead late last night in an apartment in Enskede. The police say that it was a double homicide. Neither of the deceased was previously known to the police. The motive for the murders is still unknown. Our reporter Hanna Olofsson is at the scene.

“It was just before midnight when the police received a report of shots fired in an apartment building on Björneborgsvägen here in Enskede. No suspect has yet been arrested. The police have cordoned off the apartment and a crime scene investigation is under way.”

“That was pretty succinct,” Eriksson said and turned the volume down. Then she started to cry. Berger put an arm around her shoulders. “Jesus Christ,” Malm said to no-one in particular. “Sit down, everyone,” Berger said in a firm voice. “Mikael…” Blomkvist told them what he knew of what had happened. He spoke in a dull monotone and sounded like the radio reporter when he described how he had found Svensson and Johansson.

“Jesus Christ,” Malm said again. “This is crazy.”

Eriksson was once more overwhelmed by emotion. She began weeping again and made no attempt to hide her tears.

“I’m sorry,” she said.

“I feel the same way,” said Malm.

Blomkvist wondered why he could not cry. He felt only a huge emptiness, almost as if he were anesthetized.

“What we know this morning doesn’t amount to very much,” Berger said. “We have to discuss two things: first, we’re three weeks from going to press with Dag’s material; should we still publish it? Can we publish it? That’s one thing. The other is a question that Mikael and I discussed on the way here.”

“We don’t know the motive for the murders,” Blomkvist said. “It could be something to do with Dag and Mia’s private life, or it could be a purely senseless act, but we can’t rule out that it may have had something to do with what they were working on.”

A long silence settled around the table.

At last Blomkvist cleared his throat. “As I said, we’re about to publish a story in which we name people who are extremely anxious not to be identified in this connection. Dag started with the confrontations several weeks ago. I’m thinking that if one of them –”

“Wait,” Eriksson said. “We’re exposing three policemen, at least one of whom works for Säpo and another on the vice squad. Then there are several lawyers, one prosecutor, one judge, and a couple of dirty-old-men journalists. Could one of them have killed two people to prevent the publication?”

“Well, I don’t know the answer to that,” Blomkvist said. “They all have a hell of a lot to lose, but they’re damn stupid if they thought they could quash a story like this by murdering a journalist. But we’re also exposing a number of pimps, and even if we use fictitious names it wouldn’t be hard to figure out who they are. Some of them already have records for violent crimes.”

“OK,” Malm said. “But you’re making the murders out to be executions. If I’m reading Svensson’s story correctly, we’re not talking about very bright people. Are they up to pulling off a double murder and getting away with it?”

“How bright do you have to be to fire two shots?” Eriksson said.

“We’re speculating here about something we know practically nothing about,” Berger broke in. “But we do have to ask the question. If suppressing Dag’s articles – or Mia’s dissertation, for that matter – was the motive for the murders, then we have to beef up security here in the office.”

“And a third question,” Eriksson said. “Should we go to the police with the names? What did you tell the police last night, Mikael?”

“I told them what Dag was working on, but they didn’t ask for details and I didn’t give any names.”

“We probably should,” Berger said.

“It’s not quite that simple,” Blomkvist said. “We could give them a list of names, but what do we do if the police start asking questions about how we got hold of them? We can’t reveal any source who wants to remain anonymous. And that’s certainly true of several of the girls Mia talked to.”

“What a fucking mess,” Berger said. “We’re back to the original question – should we publish?”

Blomkvist held up his hand. “Wait. We could take a vote on this, but I happen to be the publisher who’s responsible, and for the first time I think I’ll make a decision all on my own. The answer is no. We can’t publish this material in the next issue. It’s unreasonable for us simply to go ahead according to plan.”

Silence descended over the table.

“I really want to publish, obviously, but we are going to have to rewrite quite a bit. It was Dag and Mia who had the documentation, and the story was based on the fact that Mia intended to file a police report against the people we were going to name. She had expert knowledge. Have we got any information on this?”

The front door slammed and Cortez stood in the doorway.

“Is it Dag and Mia?” he asked, out of breath.

They all nodded.

“Christ. This is crazy.”

“How did you hear about it?” Blomkvist said.

“I was on my way home with my girlfriend when we heard it on a taxi radio. The police have been asking for information on fares going to their street. I didn’t recognize the address. I had to come in.”

Cortez looked so shaken that Berger got up and gave him a hug and asked him to join them at the table.

“I think Dag would want us to publish his story,” she said.

“And I agree that we should. Definitely the book. But under the circumstances, we’ll have to push back the publication date.”

“So what do we do?” Eriksson said. “It’s not just one article that has to be switched – it’s a whole themed issue. The whole magazine has to be remade.”

Berger was quiet for a moment, then gave her first tired smile of the day.

“Had you planned to take Easter off, Malin?” she said. “Well, forget it. This is what we’ll do… Malin, you and I – and Christer – will sit down and plan a new issue without Dag’s material. We’ll have to see if we can pry loose a few articles that we’d planned for June. Mikael, how much material did you get from Dag?”

“I’ve got final versions of nine out of twelve chapters. I have drafts of chapters ten and eleven. Dag was going to email me the final versions – I’ll check my inbox – but I only have an outline of chapter twelve. That’s the summary and the conclusions.”

“But you and Dag had talked through every one of the chapters, right?”

“Yes, and I know what he was planning to write in the last chapter, if that’s what you mean.”

“OK, you’ll have to sit down with the manuscripts – both the book and the articles. I want to know how much is missing and whether we can write whatever Dag didn’t manage to deliver. Could you do an objective assessment today?”

Blomkvist nodded.

“I also need you to think about what we’re going to tell the police. What is within limits and at what point do we risk breaking our confidentiality agreement with our sources. Nobody at Millennium should say anything to anyone outside the magazine without your approval.”

“That sounds good,” Blomkvist said.

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