Stieg Larsson - The Girl who played with Fire

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Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ‘Millennium’ sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable – something of a modern hero, in fact.
One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with – strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her – whether she wants his help or not.
As with Larsson’s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence.

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Blomkvist told her about the attack on Lundagatan.

“Did you report it to the police?”

“No.”

“Why not?”

“This girl is manically private. She was the one who was attacked. She’ll have to make the report.”

Which Blomkvist expected would not be high on Salander’s list of priorities.

“Bullheaded as usual,” Annika said, patting Blomkvist on the cheek. “What’s the second problem?”

“We’re working on a story at Millennium that’s going to make headlines. I’ve been sitting all evening wondering whether I should consult you. As a lawyer, I mean.”

Annika glanced in surprise at her brother. “Consult me?” she exclaimed. “That’d be something new.”

“The story’s about trafficking and violence against women. You deal with violence against women and you’re a lawyer. You probably don’t work with cases of freedom of the press, but I would be really grateful if you could read through the manuscript before we send it to the printer. There are magazine articles and a book, so there’s quite a bit to read.”

Annika was silent as she turned down the Hammarby industrial road and passed Sickla lock. She wound her way down side streets parallel to Nynäsvägen until she could turn up Enskedevägen.

“You know, Mikael, I’ve been really mad at you only once in my whole life.”

“Is that so?” he said, surprised.

“It was when you were taken to court by Wennerström and sent to prison for libel. I was so furious with you that I thought I would explode.”

“Why? I only made a fool of myself.”

“You’ve made a fool of yourself many times before. But this time you needed a lawyer, and the only person you didn’t turn to was me. Instead you sat there taking shit in both the media and the courtroom. You didn’t even defend yourself. I thought I was going to die.”

“There were special circumstances. There wasn’t a thing you could have done.”

“All right, but I didn’t understand that until later, when Millennium got back on its feet and mopped the floor with Wennerström. Until that happened I was so damn disappointed in you.”

“There was no way we could have won that trial.”

“You’re not getting the point, big brother. I understand that it was a hopeless case. I’ve read the judgment. The point was that you didn’t come to me and ask for help. As in, hey, little sister, I need a lawyer. That’s why I never turned up in court.”

Blomkvist thought it over.

“I’m sorry. I admit it, I should have done that.”

“Yes, you should have.”

“I wasn’t functioning at all that year. I couldn’t face talking to anybody. I just wanted to lie down and die.”

“Which you didn’t do, exactly.”

“Forgive me.”

Annika Giannini gave him a big smile.

“Beautiful. An apology two years later. OK. I’ll happily read through the text. Are you in a rush?”

“Yes. We’re going to press very soon. Turn left here.”

Annika parked across the street from the building on Björneborgsvägen where Svensson and Johansson lived. “This’ll just take a minute,” Blomkvist said. He jogged across the street to punch in the door code. As soon as he was inside he could tell that something was wrong. He heard excited voices echoing in the stairwell and ran up the three flights to the apartment. Not until he reached their floor did he realize that the commotion was all around their apartment. Five neighbours were standing on the landing. The apartment door was ajar.

“What’s going on?” Blomkvist said, more out of curiosity than concern.

They all fell silent and looked at him. Three women, two men, all in their seventies it seemed. One of the women was wearing a nightgown.

“It sounded like shots,” said a man in a brown dressing gown, who seemed to know what he was talking about.

“Shots?”

“Just now. There was shooting in the apartment about a minute ago. The door was open.”

Blomkvist pushed forward and rang the doorbell as he walked into the apartment.

“Dag? Mia?” he called.

No answer.

Suddenly he felt an icy shiver run down his neck. He recognized the smell: cordite. Then he approached the living-room door. The first thing he saw was HolyMotherofGod Svensson slumped beside the dining-room chairs in a pool of blood a yard across.

Blomkvist hurried over. At the same time he pulled out his mobile and dialled 112 for emergency services. They answered right away.

“My name is Mikael Blomkvist. I need an ambulance and police.”

He gave the address.

“What is this regarding?”

“A man. He seems to have been shot in the head and is unconscious.”

Blomkvist bent down and tried to find a pulse on Svensson’s neck. Then he saw the enormous crater in the back of his head and realized that he must be standing in Svensson’s brain matter. Slowly he withdrew his hand.

No ambulance crew in the world would be able to save Dag Svensson now.

Then he noticed shards from one of the coffee cups that Johansson had inherited from her grandmother and that she was so afraid would get broken. He straightened up quickly and looked all around.

“Mia,” he yelled.

The neighbour in the brown dressing gown had come into the hall behind him. Blomkvist turned at the living-room door and held his hand up.

“Stop there,” he said. “Back out to the stairs.”

The neighbour at first looked as if he wanted to protest, but he obeyed the order. Blomkvist stood still for fifteen seconds. Then he stepped around the pool of blood and proceeded warily past Svensson’s body to the bedroom door.

Johansson lay on her back on the floor at the foot of the bed. NonononotMiatooforGodssake. She had been shot in the face. The bullet had entered below her jaw by her left ear. The exit wound in her temple was as big as an orange and her right eye socket gaped empty. The flow of blood was if possible even greater than that from her partner. The force of the bullet had been such that the wall above the head of the bed, several yards away, was covered with blood splatter.

Blomkvist became aware that he was clutching his mobile in a death grip with the line to the emergency centre still open and that he had been holding his breath. He took air into his lungs and raised the telephone.

“We need the police. Two people have been shot. I think they’re dead. Please hurry.”

He heard the voice from emergency services say something but did not catch the words. He felt as if there was something wrong with his hearing. It was utterly silent around him. He did not hear the sound of his own voice when he tried to say something. He backed out of the apartment. When he got out to the landing he realized that his whole body was shaking and that his heart was pounding painfully. Without a word he squeezed through the petrified crowd of neighbours and sat down on the stairs. From far away he could hear the neighbours asking him questions. What happened? Are they hurt? Did something happen? The sound of their voices echoed as if coming through a tunnel.

Blomkvist felt numb. He knew that he was in shock. He leaned his head down between his knees. Then he began to think. Good God – they’ve been murdered. They were shot just a few minutes ago. The killer could still be in the apartment… no, I would have seen him. He couldn’t stop shaking. The sight of Johansson’s shattered face could not be erased from his retina.

Suddenly his hearing came back, as if someone had turned up a volume control. He got up quickly and looked at the neighbour in the dressing gown.

“You,” he said. “Stay here and make sure nobody goes inside the apartment. The police and an ambulance are on their way. I’ll go down and let them in.”

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