Stieg Larsson - The Girl who played with Fire

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Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ‘Millennium’ sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable – something of a modern hero, in fact.
One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with – strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her – whether she wants his help or not.
As with Larsson’s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence.

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She lingered in the darkness of the barn and watched the house. It was dusk and the lights were on in all the rooms on the ground floor. She couldn’t see any movement, but she thought she saw the flickering glow of a television set. She glanced at her watch. 7:30. Time for Rapport.

She was surprised that Zalachenko would have chosen to live in such an isolated place. It was not like the man she remembered. She would never have expected to find him out in the country in a little white farmhouse. In some anonymous villa community, maybe, or in a vacation spot abroad. He must have made more enemies even than Salander herself. She was troubled that the place looked so undefended. But she had no doubt that he had weapons in the house.

After lingering for a long time, she slipped out of the barn into the twilight. She hurried across the yard, keeping her step light and her back to the facade of the house. Then she heard the faint sound of music. She walked noiselessly around the house and tried to peer through the windows, but they were too high.

Salander was instinctively uneasy. For the first half of her life she had lived in fear of the man inside that house. During the second half, ever since she had failed in her attempt to kill him, she had waited for the moment when he would come back into her life. This time she wasn’t going to make any mistakes.

Zalachenko might be an old cripple, but he was a trained assassin who had survived on more than one field of battle. Besides, there was Ronald Niedermann to take into account. She would have much preferred to surprise Zalachenko outdoors, where he would be unprotected. She had no wish to talk to him and would have been satisfied with a rifle and a telescopic lens. But she had no rifle, and it was unlikely that he’d be taking an evening stroll. If she wanted to wait for a better opportunity, she would have to withdraw and spend the night in the woods. She had no sleeping bag, and even though the evening was mild, the night would be cold. Now that she had him within reach, she didn’t want to risk letting him slip away again. She thought about Miriam Wu and about her mother.

She would have to get inside the house, but that was the worst possible scenario. Sure, she could knock on the door and fire her gun as soon as the door opened, and then go in to find the other bastard. But whoever was left would be alerted, and he would probably be armed. Time for a risk assessment. What were the options?

She caught sight of Niedermann’s profile as he walked past a window only a few yards from her. He was saying something over his shoulder to someone.

Both of them were in the room to the left of the front door.

Salander made up her mind. She took the pistol out of her jacket pocket, clicked off the safety, and moved silently onto the porch. She held the gun in her left hand as she pressed the front door handle down with excruciating caution. It was unlocked. She frowned and hesitated. The door had double dead bolts.

Zalachenko should not have left the door unlocked. It was giving her goose bumps on the back of her neck.

It felt wrong.

The hallway was black as pitch. To the right she glimpsed the stairs to the upper floor. There were two doors straight ahead and one to the left. Light was seeping through a crack above the door. She stood still and listened. Then she heard a voice and the scraping of a chair in the room to the left.

She took two swift steps and threw open the door and aimed her gun at … the room was empty.

She heard the rustle of clothing behind her and spun around like a lizard. As she tried to raise the gun to firing position, one of Niedermann’s enormous hands closed like an iron vise around her neck and the other clamped around her gun hand. He held her by the neck and lifted her straight up in the air as if she were a doll.

For a moment she kicked her feet in midair. Then she twisted around and kicked at Niedermann’s crotch. She hit his hip instead. It felt like kicking a tree trunk. Her vision was going black as he squeezed her neck and she felt herself drop the gun.

Fuckers.

Then Niedermann threw her across the room. She landed on a sofa with a crash and slid to the floor. She felt blood rushing to her head and staggered to her feet. She saw a heavy glass ashtray on a table and grabbed it and tried to fling it backhand. Niedermann caught her arm in mid-swing. She reached into her left pants pocket with her free hand and pulled out the Taser, twisting around to shove it into Niedermann’s crotch.

She felt a hefty jolt from the electric shock come through the arm Niedermann was holding her with. She had expected him to collapse in pain. Instead he looked down at her with a surprised expression. Salander’s eyes widened in alarm. He seemed to experience some unpleasantness, but if he felt any pain he ignored it. This man is not normal.

Niedermann bent and took the Taser from her and examined it with a puzzled look. Then he slapped her across the head. It was like being hit with a club. She tumbled to the floor next to the sofa. She looked up and saw that Niedermann was watching her curiously, as if wondering what her next move would be. Like a cat getting ready to play with its prey.

Then she sensed a movement in the doorway. She turned her head.

He came slowly into the light.

He was leaning on a forearm crutch and she could see a prosthesis sticking out from his pants leg. There were two fingers missing from his left hand.

She raised her eyes to his face. The left half was a patchwork of scar tissue. His ear was a little stump and he had no eyebrows. He was bald. She remembered him as a virile and athletic man with wavy black hair. Now he was about five foot four, and emaciated.

“Hello, Pappa,” she said tonelessly.

Alexander Zalachenko regarded his daughter without expression.

Niedermann turned on the ceiling light. He checked that she had no more weapons by running his hands over her clothes and then clicked the safety on the P-83 Wanad and released the magazine. Zalachenko shuffled past them, sat in an armchair, and picked up a remote control.

Salander’s eyes fell on the TV behind him. Zalachenko pressed the remote, and she saw a green flickering image of the area behind the barn and part of the driveway to the house. Infrared camera. They had known she was coming.

“I was beginning to think that you wouldn’t dare to make an approach,” Zalachenko said. “We’ve been watching you since 4:00. You tripped just about every alarm around the farm.”

“Motion detectors,” Salander said.

“Two by the road and four in the clearing on the other side of the field. You set up your observation post on precisely the spot where we’d positioned alarms. It’s the best view of the farm. Usually it’s moose or deer, and sometimes berry-pickers who come too close. But we don’t often get to see somebody sneak up to the front door with a gun in their hand.” He paused for a moment. “Did you really think Zalachenko would sit in his little house in the country completely unprotected?”

Salander massaged the back of her neck and began to get up.

“Stay there on the floor,” Zalachenko said.

Niedermann stopped fiddling with the gun and watched her quietly. He raised an eyebrow and smiled at her. Salander remembered Paolo Roberto’s battered face on TV and decided it would be a good idea to stay on the floor. She breathed out and leaned back against the sofa.

Zalachenko held out his intact right hand. Niedermann pulled a weapon out of his waistband, cocked it, and gave it to him. Salander noticed that it was a Sig Sauer, standard police issue. Zalachenko nodded, and Niedermann turned away and put on a jacket. He left the room and Salander heard the front door open and close.

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