Stieg Larsson - The Girl who played with Fire

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Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ‘Millennium’ sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable – something of a modern hero, in fact.
One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with – strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her – whether she wants his help or not.
As with Larsson’s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence.

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Blomkvist gave her a rapid rundown of the story. Giannini was ominously silent. Finally she said, “And you have documentation of all this…”

“I do.”

“I’d have to think it over. Lisbeth really needs a criminal lawyer.”

“You’d be perfect.”

“Micke…”

“Listen, you were the one who was furious with me because I didn’t ask for help when I needed it.”

When they’d finished their conversation, Blomkvist sat thinking. Then he picked up his mobile and called Holger Palmgren. He didn’t have any particular reason for doing so, but he wanted to tell him that he was following up one or two leads, and that he hoped the whole story would be resolved within the next few hours.

The problem was that Salander had leads too.

***

Salander reached for an apple in her backpack without taking her eyes off the farm. She lay stretched out at the edge of the woods with a floor mat from the Corolla as a groundsheet. She had taken off her wig and changed into green tracksuit pants with pockets, a thick sweater, and a midlength windbreaker with a thermal lining.

Gosseberga Farm lay about four hundred yards from the road. There were four buildings. The main building was about a hundred and twenty yards in front of her, an ordinary white-frame house on two floors, with a shed and a barn seventy yards beyond the farmhouse. Through the barn door she could see the front of a white car. She thought it was a Volvo, but it was too far away for her to be sure.

Between her and the main building there was a muddy field that extended to the right about two hundred yards down towards a pond. The driveway cut through the field and disappeared into a small stand of trees towards the road. Next to the road there was another farmhouse that looked to be abandoned; the windows were covered with plastic sheeting. Beyond the main building was a grove of trees that served to block the view of the nearest neighbour, a clump of buildings almost six hundred yards away. So the farm in front of her was relatively isolated.

She was close to Lake Anten in an area of rounded glacial moraines where fields alternated with small communities and dense woodland. The road map gave no detail, but she had followed the black Renault from Göteborg along the E20 and turned west towards Sollebrunn in Alingsås district. After about forty minutes the car made a sharp turn onto a forest road at a sign that said GOSSEBERGA. She had driven on and parked behind a barn in a clump of trees about a hundred yards north of the access road, then returned on foot.

She had never heard of Gosseberga, but as far as she could tell the name referred to the house and barn in front of her. She had passed the mailbox on the road. Painted on it was P.O. BOX 192 – K.A.BODIN. The name meant nothing to her.

She had made a wide circuit of the buildings and finally selected her lookout spot. She had the afternoon sun at her back. Since she’d gotten into position at around 3:30, only one thing had happened. At 4:00 the driver of the Renault came out of the house. He exchanged some words in the doorway with someone she could not see. Then he drove away and did not come back. Otherwise she had seen no movement at the farm. She waited patiently and watched the building through a pair of Minolta 8x binoculars.

***

Blomkvist drummed his fingers in annoyance on the tabletop in the restaurant car. The X2000 had stopped in Katrineholm and had been standing there for almost an hour. There was some malfunction in one of the carriages that had to be fixed. An announcement apologized for the delay.

He sighed in frustration and ordered more coffee. At last, fifteen minutes later, the train started up with a jerk. He looked at his watch. 8:00 p.m.

He should have taken a plane or rented a car.

He was now even more troubled by the feeling that he had started too late.

At around 6:00 p.m. someone had turned on a lamp in a room on the ground floor, and shortly after that an oil lamp was lit. Salander glimpsed shadows in what she imagined was the kitchen, to the right of the front door, but she could not make out any faces.

Then the front door opened and the giant named Ronald Niedermann came out. He wore dark trousers and a tight T-shirt that emphasized his muscles. She had been right. She saw once more that Niedermann really was massive. But he was flesh and blood like everyone else, no matter what Paolo Roberto and Miriam Wu had been through. Niedermann walked around the house and went into the barn where the car was parked. He came out with a small bag and went back inside the house.

After only a few minutes he appeared again. He was accompanied by a short, thin older man who was using a crutch. It was too dark for Salander to make out his features, but she felt an icy chill creep along the back of her neck.

Daaaddyyy, I’m heeeere…

She watched Zalachenko and Niedermann as they walked up the road. They stopped at the shed, where Niedermann collected some firewood. Then they went back to the house and closed the door.

Salander lay still for several minutes. Then she lowered her binoculars and retreated until she was completely concealed among the trees. She opened her backpack, took out a thermos, and poured some coffee. She put a lump of sugar in her mouth and began to suck on it. She ate a cheese sandwich she had bought earlier in the day on the way to Göteborg. As she ate she thought about the situation.

After she had finished she took out Nieminen’s Polish P-83 Wanad. She ejected the magazine and checked that nothing was blocking the bolt or the bore. She did a blind fire. She had six rounds of 9 mm Makarov. That should be enough. She shoved the magazine back in place and chambered a round. She put the safety catch on and slipped the weapon into her right-hand jacket pocket.

Salander began her advance towards the house, moving in a circle through the woods. She had gone about a hundred and fifty yards when suddenly she stopped in mid-stride.

In the margin of his copy of Arithmetica , Pierre de Fermat had jotted the words I have a truly marvellous demonstration of this proposition which this margin is too narrow to contain.

The square had been converted to a cube, (x 3+ y 3= z 3) , and mathematicians had spent centuries looking for the answer to Fermat’s riddle. By the time Andrew Wiles solved the puzzle in the 1990s, he had been at it for ten years using the world’s most advanced computer programme.

And all of a sudden she understood. The answer was so disarmingly simple. A game with numbers that lined up and then fell into place in a simple formula that was most similar to a rebus.

Fermat had no computer, of course, and Wiles’ solution was based on mathematics that had not been invented when Fermat formulated his theorem. Fermat would never have been able to produce the proof that Wiles had presented. Fermat’s solution was quite different.

She was so stunned that she had to sit down on a tree stump. She gazed straight ahead as she checked the equation.

So that’s what he meant. No wonder mathematicians were tearing out their hair.

Then she giggled.

A philosopher would have had a better chance of solving this riddle.

She wished she could have known Fermat.

He was a cocky devil.

After a while she stood up and continued her approach through the trees. She kept the barn between her and the house.

CHAPTER 31

Thursday, April 7

Salander got into the barn through the outside hatch to an old manure drain. There were no livestock. She saw that the barn contained three cars – the white Volvo from Auto-Expert, an old Ford, and a somewhat newer Saab. Further in was a rusty harrow and other tools from the days when this had been a working farm.

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