Michael Connelly - In The Shadow Of The Master - Classic Tales by Edgar Allan Poe

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This anthology was edited by Michael Connelly. His essay is called "Once Upon a Midnight Dreary."
A collection of stories by thriller master Edgar Allan Poe with essays by beloved and bestselling writers, to commemorate the 200th anniversary of Poe's birth. Authors involved include Michael Connelly, Jeffery Deaver, Nelson DeMille, Tess Gerritsen, Sue Grafton, Stephen King, Lisa Scottoline, Laura Lippman, and twelve others.
***
Few have crafted stories as haunting as those by Edgar Allan Poe. Collected here to commemorate the 200th anniversary of Poe's birth are sixteen of his best tales accompanied by twenty essays from beloved authors, including T. Jefferson Parker, Lawrence Block, Sara Paretsky, and Joseph Wambaugh, among others, on how Poe has changed their life and work.
Michael Connelly recounts the inspiration he drew from Poe's poetry while researching one of his books. Stephen King reflects on Poe's insight into humanity's dark side in "The Genius of 'The Tell-Tale Heart.'" Jan Burke recalls her childhood terror during late-night reading sessions. Tess Gerritsen, Nelson DeMille, and others remember the classic B-movie adaptations of Poe's tales. And in "The Thief," Laurie R. King complains about how Poe stole all the good ideas… or maybe he just thought of them first.
Powerful and timeless, In the Shadow of the Master is a celebration of one of the greatest literary minds of all time.
The Mystery Writers of America, founded in 1945, is the foremost organization for mystery writers and other professionals dedicated to the field of crime writing.

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I have seen the captain face to face, and in his own cabin-but, as I expected, he paid me no attention. Although in his appearance there is, to a casual observer, nothing which might bespeak him more or less than man, still, a feeling of irrepressible reverence and awe mingled with the sensation of wonder with which I regarded him. In stature, he is nearly my own height; that is, about five feet eight inches. He is of a well-knit and compact frame of body, neither robust nor remarkably otherwise. But it is the singularity of the expression which reigns upon the face-it is the intense, the wonderful, the thrilling evidence of old age so utter, so extreme, which excites within my spirit a sense-a sentiment ineffable. His forehead, although little wrinkled, seems to bear upon it the stamp of a myriad of years. His gray hairs are records of the past, and his grayer eyes are sybils of the future. The cabin floor was thickly strewn with strange, iron-clasped folios, and mouldering instruments of science, and obsolete long-forgotten charts. His head was bowed down upon his hands, and he pored, with a fiery, unquiet eye, over a paper which I took to be a commission, and which, at all events, bore the signature of a monarch. He muttered to himself-as did the first seaman whom I saw in the hold-some low peevish syllables of a foreign tongue; and although the speaker was close at my elbow, his voice seemed to reach my ears from the distance of a mile.

The ship and all in it are imbued with the spirit of Eld. The crew glide to and fro like the ghosts of buried centuries; their eyes have an eager and uneasy meaning; and when their fingers fall athwart my path in the wild glare of the battle-lanterns, I feel as I have never felt before, although I have been all my life a dealer in antiquities, and have imbibed the shadows of fallen columns at Balbec, and Tadmor, and Persepolis, until my very soul has become a ruin.

When I look around me, I feel ashamed of my former apprehensions. If I trembled at the blast which has hitherto attended us, shall I not stand aghast at a warring of wind and ocean, to convey any idea of which, the words tornado and simoom are trivial and ineffective? All in the immediate vicinity of the ship, is the blackness of eternal night, and a chaos of foamless water; but, about a league on either side of us, may be seen, indistinctly and at intervals, stupendous ramparts of ice, towering away into the desolate sky, and looking like the walls of the universe.

As I imagined, the ship proves to be in a current-if that appellation can properly be given to a tide, which, howling and shrieking by the white ice, thunders on to the southward with a velocity like the headlong dashing of a cataract.

To conceive the horror of my sensations is, I presume, utterly impossible; yet a curiosity to penetrate the mysteries of these awful regions, predominates even over my despair, and will reconcile me to the most hideous aspect of death. It is evident that we are hurrying onwards to some exciting knowledge-some never-to-be-imparted secret, whose attainment is destruction. Perhaps this current leads us to the southern pole itself. It must be confessed that a supposition apparently so wild has every probability in its favor.

The crew pace the deck with unquiet and tremulous step; but there is upon their countenances an expression more of the eagerness of hope than of the apathy of despair.

In the meantime the wind is still in our poop, and, as we carry a crowd of canvas, the ship is at times lifted bodily from out the sea! Oh, horror upon horror!-the ice opens suddenly to the right, and to the left, and we are whirling dizzily, in immense concentric circles, round and round the borders of a gigantic amphitheatre, the summit of whose walls is lost in the darkness and the distance. But little time will be left me to ponder upon my destiny! The circles rapidly grow small-we are plunging madly within the grasp of the whirlpool-and amid a roaring, and bellowing, and thundering of ocean and of tempest, the ship is quivering, oh God! and-going down!

In a Strange City: Baltimore and the Poe Toaster BY LAURA LIPPMAN

Lo, Death has reared itself a throne In a strange city, lying alone.

– EDGAR ALLAN POE, “THE CITY BY THE SEA”

I admit, the name is regrettable: the Poe Toaster. Can anyone say it without first picturing that old screen saver, the one with winged toasters shuttling through the cosmos, only this time adorned with little mustaches and those famously melancholy eyes? But the first thing you need to know is that the Poe Toaster is not an appliance but a person, one charged with a sacred duty: the annual visit to Poe’s grave in the Westminster Burying Ground.

Admittedly, many of Baltimore ’s tributes to Poe seem just a little… off. His original grave site was unmarked for years. Then we have the Ravens, the NFL team that my hometown stole from Cleveland. There is the long-shuttered Telltale Hearth, a decent pizza joint in its day, and Edgar’s Club, a billiards joint on the Baltimore Skywalk, which is everything one might expect in a billiards joint on the Baltimore Skywalk. There is the omnipresent squad car parked outside the Poe House, in case a tourist loses his way. There are the Poe Homes, a housing project, where the tourists are on their own. There is the fact that we’ve torn down the hospital where Poe died, failing to salvage a single item. And then there is the memorial erected to Poe in 1875, almost thirty years after his death. On it, the date of Poe’s birthday is wrong, off by a day.

The Poe Toaster does not come to this site. That’s the second thing you need to know. The Poe Toaster visits the original grave, at the rear of the old cemetery in downtown Baltimore. He arrives between midnight and 6:00 A. M. on January 19-for the Poe Toaster is not confused about the date of Poe’s birth-and leaves three red roses and a half bottle of cognac. Cognac -a toast, hence the Poe Toaster. Yet no one, except the Poe Toaster, knows why he does this, the precise significance of those items, or even how many people have assumed the mantle of Poe Toaster since the custom began in 1949, precisely one hundred years after Poe’s mysterious death in Baltimore.

A man in a nursing home came forward in the summer of 2007, claiming that he started the whole thing, but his version of events was so full of holes and inconsistencies that it would have been more polite to ignore him entirely. (If only the local newspaper had shared that opinion.) This is what we know: The visits started in 1949. A note was left in 1999, suggesting the torch had been passed at least once, if not twice. In 2001 another note was left, but this one was silly, exhorting the New York Giants to a Super Bowl win over the Ravens. Hmmm. I have always found that one a little dubious.

But in 2000 I was there, and I can describe very precisely what happened. Only-I won’t. Because that is part of the promise I made to Jeff Jerome, the Poe House curator, who granted me entry to the annual watch party, an invitation he controls because the church is now a concert hall owned by the University of Maryland. Oh, anyone can go to the corner of Fayette and Greene and wait, in what is usually a frigid night, for a glimpse of the visitor. Go ahead, hang out on a corner in Baltimore at 2:00 A. M. I dare you. If you do, you will find that the sight lines from the street are compromised, especially since the construction of a new building behind the graveyard. You can see Poe’s second grave easily enough from outside the gates, but not the original one.

In 2000 I was the one who saw the Poe Toaster first. That’s the way I remember it, but I bet everyone who was there that night thinks they had the first glimpse. I was in the right location, though, a second-story window that afforded a wide-open view of the graveyard. It was a dreamlike moment, watching him approach, for he really did seem to appear out of thin air. His clothing, his aspect, how he moved, the route by which he left-I could probably share those things without breaking my promise to Jerome. Again, I won’t. They belong to me, and the others who were there.

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