Ariana Franklin - Mistress of the Art of Death

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When Christian children are being kidnapped and murdered in 12th century Cambridge, England, Adelia is sent to seek out the truth, and hopefully absolve the Jews being blamed for the crimes, before the townspeople take matters into their own hands. During a time when women are second-class citizens at best, and the practice of scientific autopsies is considered blasphemous, Adelia is the most skilled “speaker for the dead” hailing from progressive Naples – yet she is forced to masquerade as the meek assistant to her colleagues during their frantic search for the real child killer.
From The Washington Post
It's hard enough to produce a gripping thriller – harder still to write convincing historical fiction that recreates a living, breathing past. But this terrific book does both, and does it with a cast of characters so vivid and engaging that you'd be happy to read about them even if they weren't on the track of a sexually depraved serial child-murderer.
Mistress of the Art of Death opens with a clever takeoff on Chaucer's Canterbury Tales, which introduces the central players, a group of pilgrims returning from the shrine of the newly canonized St. Thomas à Becket: a prior and a prioress (from rival abbeys); two knights, lately returned from the Crusades; an overweight but very shrewd tax collector; a gaggle of citizens; and three Gypsies, who are in fact secret investigators sent by the king of Sicily to discover the truth behind a series of gruesome murders near Cambridge.
Four children have been found dead and mutilated. The Jews of Cambridge have been blamed for the murders, the most prominent Jewish moneylender and his wife have been killed by a mob, and the rest of the Jewish community is shut up in the castle under the protection of the sheriff.
As the only group allowed to commit usury – that is, to lend money at interest – the Jews are prosperous, and thus the king of England considers them his prize cash cows. He wants them cleared of suspicion and released, so they can go back to paying him high taxes. To this end, he appeals to his cousin, the king of Sicily, to send his best master of the art of death: a doctor skilled in "reading" bodies. Enter Vesuvia Adelia Rachel Ortese Aguilar, 25, the best mistress of death that the medical school at Salerno has ever produced. With Simon of Naples, a Jewish "fixer," and Mansur, a eunuch with a mean throwing-ax, it's her job to find a murderer before he – or she – can kill again.
Adelia comes onstage when she meets the prior under dramatic circumstances on the road, saving him from a burst bladder caused by a swollen prostate by thrusting a hollow reed up his penis. Not every man would follow up on an introduction like this, but the prior wants the mystery solved, too – and if the solution happens to ace out the rival abbey, so much the better.
Adelia finds 12th-century England a barbarous place. England finds Adelia a jaw-dropping anomaly. And Franklin exploits the contrast brilliantly. We're on Adelia's side from the start, identifying with her quite modern sensibilities – but at the same time, as she begins to know the English inhabitants as people, we sympathize with them, too. And a small but nice romantic subplot develops as the celibate, married-to-science Adelia discovers to her horror that live bodies have minds of their own.
Though the story is set in Cambridge, the Crusades run through the culture. We see both the corruption and the idealistic faith of the period, and while the Jews come off by far the best, Christians and Muslims are portrayed with evenhanded understanding. Beyond this, the story's background is a wonderful tapestry of the paradoxes and struggles of the times: Christianity and Islam, Christians and Jews, science and superstition, and the new power of Henry II's rule of law versus the stranglehold of the Church.
There are also fascinating details of historical forensic medicine, entertaining notes on women in science (the medical school at Salerno is not fictional), and a nice running commentary on science and superstition, as distinct from religious faith. Franklin does this subtly, by showing effects, rather than by beating us over the head with her opinions. These are clear enough but expressed with artistry rather than political correctness.
Franklin likewise balances cynicism, humanity and objectivity well. Adelia feels horror, fury and sympathy on behalf of the victims and the bereaved, but she doesn't let that get in the way of finding the truth. And the story makes it clear that the motives of those who want a solution to the crime are not necessarily purer than the motives of those who want to conceal it.
Mistress of the Art of Death is wonderfully plotted, with a dozen twists – and with final rabbits pulled out of not one hat but two, as both the mystery and the romance reach satisfactorily unexpected conclusions. It's a historical mystery that succeeds brilliantly as both historical fiction and crime-thriller. Above all, though, Franklin has written a terrific story, whose appeal rests on the personalities of the all-too-human beings who inhabit it.
– Diana Gabaldon, author of a series of historical novels, including "Outlander" and "A Breath of Snow and Ashes."

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Which left the three monks accompanying Prior Geoffrey. Simon listed them.

Young Brother Ninian? Surely not. Yet why not?

Brother Gilbert? A displeasing fellow, a possible subject.

The other one?

Nobody could remember either the face or the personality of the third monk.

“Until we make more inquiries, speculation is bootless.” Simon said. “A spoiled habit, cast out onto a midden perhaps; the killer could have acquired it anywhere. We will pursue it when we are fresher.”

He sat back and reached for his wine cup. “And now, Doctor, forgive me. We Jews so rarely join the chase, you see, that I have become as tedious as any huntsman with a tale of how he ran his quarry down. What news from your day?”

Adelia began her account chronologically and was more brusque about it; the ending of her own day’s hunt had been more fruitful than Simon’s, but she doubted if he would like it. She didn’t.

He was encouraged by her view of Little Saint Peter’s bones. “I knew it. Here’s a blow for our side. The boy never was crucified.”

“No, he wasn’t,” she said, and took her listeners to the other side of the river and her conversation with Ulf.

“We have it.” Simon spluttered wine. “Doctor, you have saved Israel. The child was seen after leaving Chaim’s house? Then all we must do is gather up this boy Will and take him to the sheriff. ‘You see, my lord Sheriff, here is living proof that the Jews had nothing to do with the death of Little Saint Peter…’” His voice trailed away as he saw the look on Adelia’s face.

“I am afraid they did,” she said.

Seven

Over the year, the watch kept on Cambridge Castle by the townspeople to make sure the Jews inside did not escape from it had dwindled to Agnes, the eel seller’s wife and mother to Harold, whose remains still awaited burial.

The small hut she’d built for herself out of withies looked like a beehive against the great gates. By day she sat at its entrance, knitting, with one of her husband’s eel glaives planted spike end down on one side of her, and on the other a large handbell. By night she slept in the hut.

On the occasion during the winter when the sheriff had tried to smuggle the Jews out through the dark, thinking she was asleep, she had used both weapons. The glaive had near skewered one of the accompanying sheriff’s men; the bell had raised the town. The Jews had been hurried back inside.

The castle postern was also guarded, this time by geese kept there for the purpose of declaring the emergence of anyone trying to get out, much as the geese of the Capitoline had warned Rome that the Gauls were trying to get in. An attempt by the sheriff’s men to shoot them from the castle walls had caused such honking that, again, the alarm was raised.

Climbing the steep, winding, fortified road up to the castle, Adelia expressed surprise that commoners were allowed to flout authority for so long. In Sicily a troop of the king’s soldiers would have solved the problem in minutes.

“And result in massacre?” Simon said. “Where could it escort the Jews that would not give rise to the same situation? The whole country believes the Jews of Cambridge to be child-crucifiers.”

He was downcast today and, Adelia suspected, very angry.

“I suppose so.” She reflected on the restraint with which the king of England was dealing with the matter. She could have expected a man like him, a man of blood, to wreak awful revenge on the people of Cambridge for killing one of his most profitable Jews. Henry had been responsible for the death of Becket; he was a tyrant, after all, like any other. But so far he had held his hand.

When asked what she thought might happen, Gyltha had said the town did not look forward to the fine that would be imposed on it for Chaim’s death, but she wasn’t anticipating wholesale hangings. This king was a tolerant king as long as you didn’t poach his deer. Or cross him beyond endurance, as Archbishop Thomas had.

“Ain’t like the old days when his ma and uncle Stephen were warring with each other,” she’d said. “Hangings? A baron’d come galloping up-didn’t matter which side he was on, didn’t matter which side you was on, he’d hang you just for scratching your arse.”

“Quite right, too,” Adelia had said. “A nasty habit.” The two of them were beginning to get on well.

The civil war between Matilda and Stephen, Gyltha said, had even penetrated the fens. The Isle of Ely with its cathedral had changed hands so many times, you never knew who was abbot and who wasn’t. “Like we poor folk was a carcass and wolves was ripping us apart. And when Geoffrey de Mandeville came through…” At that point, Gyltha had shaken her head and fallen silent. Then she said, “Thirteen years of it. Thirteen years with God and saints sleeping and taking no bloody notice.”

“Thirteen years when God and his saints slept.” Since her arrival in England, Adelia had heard that phrase used about the civil war a score of times. People still blanched at the memory. Yet on the accession of Henry II, it had stopped. In twenty years it had never restarted. England had become a peaceful country.

The Plantagenet was a more subtle man than she’d classified him; perhaps he should be reconsidered.

They turned the last corner of the approach and emerged onto the apron before the castle.

The simple motte and bailey the Conqueror had built to guard the river crossing had gone, its wooden palisade replaced by curtain walls, its keep grown into the accommodation, church, stables, mews, barracks, women’s quarters, kitchens, laundry, vegetable and herb gardens, dairy, tiltyards, and gallows and lockup necessary for a sheriff administering a sizable, prosperous town. At one end, scaffolding and platforms clad the growing tower that would replace the one that had burned down.

Outside the gates, two sentries leaned on their spears and talked to Agnes where she sat, knitting, on a stool outside her beehive. Somebody else was sitting on the ground, resting his head against the castle wall.

Adelia groaned. “Is the man ubiquitous?”

At the sight of the newcomers, Roger of Acton leaped to his feet, picked up a wooden board on a stick that had been lying beside him, and began shouting. The chalked message read: “Pray for Littel Saint Peter, who was crucafid by the Jews.”

Yesterday he’d favored the pilgrims to Saint Radegund’s; today, it appeared, the bishop was coming to visit the sheriff and Acton was ready to waylay him.

Again, there was no recognition of Adelia, nor, despite Mansur’s singularity, of the two men with her. He doesn’t see people, she thought, only fodder for hell. She noticed that the man’s dirty soutane was of worsted.

If he was disappointed that he didn’t yet have the bishop to hector, he made do. “They did scourge the poor child till the blood flowed,” he yelled at them. “They kept gnashing their teeth and calling him Jesus the false prophet. They tormented him in divers ways and then crucified him…”

Simon went up to the soldiers and asked to see the sheriff. They were from Salerno, he said. He had to raise his voice to be heard.

The elder of the guards was unimpressed. “Where’s that when it’s at home?” He turned to the yelling clerk. “Shut up, will you?”

“Prior Geoffrey has asked us to attend on the sheriff.”

“What? I can’t hear you over that crazy bastard.”

The younger sentry pricked up. “Here, is this the darky doctor as cured the prior?”

“The same.”

Roger of Acton had spotted Mansur now and come up close; his breath was rank. “Saracen, do you acknowledge our Lord Jesus Christ?”

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