Perri O'Shaughnessy - Keeper of the Keys

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The New York Times bestselling author of the acclaimed Nina Reilly series returns with a bold and gripping new work, a masterful stand-alone that will delight devoted fans – and garner legions of new ones. This haunting and original tale of love, obsession, and the secrets that we keep – especially from ourselves – begins with a sudden, inexplicable vanishing.
For ambitious, troubled architect Ray Jackson, the questions start one sultry California summer night when his wife, Leigh, disappears. No phone call, no ransom note, no body to reveal whether she has left of her own accord and is alive, or is dead. Although it's clear they had a passionate, close relationship, Ray Jackson is not looking for his wife. Why?
Enter Kathleen, old friend of Leigh's, who shows up demanding answers. Ray wants answers, too, but his questions seem strange and shady to Kat.
Suspected by his wife's best friend and the police, Ray launches a desperate, alarming search of his own. Using a collection of keys he has hoarded since he was a boy – keys to homes he once lived in – Ray invades each house, one by one.
Will he unlock secrets from his past that will help him make sense of a life that appears to be disintegrating? Or will he expose chilling secrets that may have scarred him past redemption?
Kat can't figure him out. Still, hoping to find answers to her own gnawing, emotional questions, she throws in her lot with him, at times terrified he killed her friend, and at other times convinced he's an innocent man.
Past and present collide as the deceits and subterfuges are exposed, and Ray Jackson is confronted with the most agonizing decision of his life – to face his own violence-laden past, acting to prevent another murder – or not. His choice will leave nothing and no one the same.

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What would they think, if they had known the stories she and Leigh dreamed up? In their fantasies, men played a peripheral role. Male dolls were so ugly. Their doll world featured Junoesque women who bore and raised children alone, with men as fleeting presences, available only when required.

She wondered at her memories, how they influenced the present. Did she want a man literally to come and go?

Had Leigh?

They swung side by side in the swings in the old swing set in Kat’s backyard. Fifth grade. “I wish I had your parents,” Kat said, kicking hard to get up higher.

“Are you crazy?” Leigh asked. Her legs dangled lazily, and she pushed off each time on only one foot. “I think you must be.”

“They do a lot for you! Barbies are expensive. You have five of them.”

“No,” Leigh had said. “They buy me stuff but they pay way too much attention. My dad follows me around warning me about bogeymen on every corner. He goes bananas if I’m ten minutes late home.”

“He’s a cop, right? That’s his job.”

“You guys have so much fun.”

“Oh, yeah, my great family. We’re broke. They take us to Vegas to blow their money and then we don’t get any new clothes for school. They yell at each other.”

“Hey, at least it’s not all quiet at night with two people breathing down your neck about whether you did your homework and on you about whether you brushed your teeth and warning you that too much television rots your brain. You and Tommy and Jacki watch all the television you want.”

Kat pumped hard so that she was flying and out of breath. Leigh had a big house and tons of money and parents who were always home. She felt jealous. Things came too easily to Leigh, so easily that she didn’t care if she dropped something and broke it, or just lost it along the way.

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Leigh’s parents were looking at her as if she might have some solution for them, and she saw how troubled they were, which made her really worried. “Will you call me if you hear from her?” Kat asked, getting up, handing Leigh’s mother her business card at the door.

“The worst is not knowing. If she’s all right-how could she let us suffer like this? Doesn’t she realize,” Rebecca said, placing the card carefully in her pocket, “how very much we love her?”

Leigh’s father walked Kat out to her car. “You do remember to lock all your car doors when you’re driving around, don’t you?”

She drove a block, pulled over, and called Ray. He wasn’t in at the office yet, and didn’t answer at home. She called her office, and to her relief, got Gowecki’s voicemail. She left an abject message, saying she’d be in sometime in the afternoon, and drove to Ray’s house in Topanga.

Wilshire Associates had the all-important meeting with Achilles Antoniou this afternoon, but Ray could barely drag himself out of bed at eight-thirty. To make up for his old-man eyes and the cut on his face and the bandage wrapped around his right hand where the cut was really hurting today, he dressed carefully. He considered a tie, but he had never seen Antoniou wearing one, so he settled on a comfortable cross between casual and formal, a blue Armani shirt over blue jeans, more like their client.

As he dressed and drank his coffee, the police visit replayed in his mind. He went down to his workshop to pick up a few things, but found himself staring at the models. The two houses with tapes, Norwalk and Downey -Esmé and he had fled those homes in the dead of night, running like grunion in the darkness. Sometimes, he now figured, Esmé left things behind because they ran too fast.

He studied the models. He had not taken the time to revise them, and now he saw all their flaws, all the flaws in his own memory. They had left those two houses in the dark, and in those places he had found tapes. Other places-Ojai, San Diego -he didn’t seem to care as much about them, which was a good thing since they were a lot farther away. Maybe the reason he didn’t have models for them, didn’t have this feeling of urgency, was because they had left in daylight, with time to say good-bye to the houses and the neighborhoods.

His eyes stopped moving on the Bright Street model. He couldn’t remember the move from Bright Street at all.

Bright Street. Uptown Whittier. Age eleven. He should remember. Why didn’t he remember? Bright Street with its fruit cellar, the old trees, and the cracked sidewalk.

Opening the Nesbit book, looking at the list, he felt overtaken again by some destructive looming force.

There it was, the number on Bright Street. His keys still sat in the cabinet where he had hung the ring. He consulted his watch. Ten already. There were two messages from Denise on his voicemail.

Kat arrived just in time to see Ray Jackson’s Porsche pulling out of his driveway. She honked a few times to catch his attention, but he either ignored her or didn’t notice. Well, she decided, staying as close as she could without rear-ending his fancy car, she would follow him to work if necessary.

The Hubbels’ suspicions about him had a contagious quality. She was now sick with it.

Predictably, Jackson took Topanga Canyon Boulevard to Pacific Coast Highway. Then he surprised her, driving right past Wilshire Boulevard and veering onto an on-ramp to the Santa Monica freeway.

What was he up to? He didn’t seem to know she was following.

As they continued on, the route became familiar. Ray was taking just the route she had traveled from Whittier, only in reverse. She felt foolishly unbalanced, but continued to follow him.

Maybe he was visiting his mother? On a workday morning?

On the way, driving down Whittier Boulevard with its car dealerships and fast food joints, Ray called Denise and asked her to tell everyone he wouldn’t be in for a while longer. She wanted to know how long and when he couldn’t tell her, reminded him about Antoniou at two o’clock and a later meeting with Carl to work out details on the museum contract.

“Right,” Ray said, dodging a weaving SUV. “What have you put together?”

Denise said, “I’m concerned. I’m freaked, in fact. We should be going over our presentation for Antoniou. You haven’t seen half my work. What are you doing that’s so important?”

“I have personal business. I trust you.”

Her voice lowered to a whisper. “Ray, the police just left. They talked to Martin and me and Suzanne. Ray?”

“I’m here.”

“They asked about Leigh.”

“What did you tell them?”

“Nothing. But Suzanne is furious with Martin right now. You probably know why. Anyway, she took the cops into your office-your office, Ray! You ought to fire her! And when she came out she had a smile on her face that was as big as revenge can get. I’m sure she talked about that argument you and Martin had.”

So the police knew about Martin and Leigh. Then they knew Ray had lied to them.

Ray wondered how much time he had.

“I won’t have to fire her,” he said. “Martin will.”

“True,” Denise said. “Probably today. And then she’ll file a complaint of sex discrimination or whistle-blowing or something because of Martin. And the legal merry-go-round will start up.”

There was a silence, phones ringing back at the office, a fragment of conversation as someone passed by. “I’m so sorry,” he told Denise.

“It’s just-Leigh’s okay, isn’t she?”

“She’s taking time off, that’s all. Tell everybody I’m sorry for the inconvenience.”

“When will you really be in?” Denise said, bluntly fixed on her own concerns.

“As soon as I can.”

“Because I can still cancel this meeting.”

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