Perri O'Shaughnessy - Keeper of the Keys

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The New York Times bestselling author of the acclaimed Nina Reilly series returns with a bold and gripping new work, a masterful stand-alone that will delight devoted fans – and garner legions of new ones. This haunting and original tale of love, obsession, and the secrets that we keep – especially from ourselves – begins with a sudden, inexplicable vanishing.
For ambitious, troubled architect Ray Jackson, the questions start one sultry California summer night when his wife, Leigh, disappears. No phone call, no ransom note, no body to reveal whether she has left of her own accord and is alive, or is dead. Although it's clear they had a passionate, close relationship, Ray Jackson is not looking for his wife. Why?
Enter Kathleen, old friend of Leigh's, who shows up demanding answers. Ray wants answers, too, but his questions seem strange and shady to Kat.
Suspected by his wife's best friend and the police, Ray launches a desperate, alarming search of his own. Using a collection of keys he has hoarded since he was a boy – keys to homes he once lived in – Ray invades each house, one by one.
Will he unlock secrets from his past that will help him make sense of a life that appears to be disintegrating? Or will he expose chilling secrets that may have scarred him past redemption?
Kat can't figure him out. Still, hoping to find answers to her own gnawing, emotional questions, she throws in her lot with him, at times terrified he killed her friend, and at other times convinced he's an innocent man.
Past and present collide as the deceits and subterfuges are exposed, and Ray Jackson is confronted with the most agonizing decision of his life – to face his own violence-laden past, acting to prevent another murder – or not. His choice will leave nothing and no one the same.

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“Who said anything about food?”

She slapped away the hand that had begun a slow exploration of her hip. “This is important. Antoniou is trying to reach you. He wants you to design another house for him.”

Ray took a piece of crust off the pie and put it in his mouth. Chewing, he said, “Tough man to satisfy. Wasn’t the one I already designed enough for him?”

“He loves the Laguna place,” she said.

With the construction moving along at a rapid clip, it already looked fantastic and had gotten press Antoniou appreciated as much as Ray.

“But this time, he wants you to design one in Santorini!”

Ray sat down, laughing too much to keep standing. “You’re kidding.”

“I’ve seen pictures of the island. What a beautiful spot. Denise’s so excited. She’s ready to make a site visit. I told her I’m coming along.”

He put a hand on her stomach, and felt for movement there. “What about needing a new home for ourselves? Our next project together?”

“What, you can’t draw when you’re away from California?” She grinned at him, and put her hand over his to move it to a lumpy place that roiled like a wave. “We can’t dream anywhere else?”

“Okay,” he said. “ Greece first.”

“He said to give you a message. Antoniou.”

“Yeah?” Ray pulled her down on his lap. “Sit,” he said. “Whisper it to me.”

He smelled her perfume as she leaned in, felt her warm breath at his ear.

“He wonders: can he have columns this time?”

ACKNOWLEDGMENTS

So many people are involved in the making of a novel. We have been lucky over the past years in having the backing of a fine publisher and are very grateful for the hard work undertaken by the imaginative and efficient staff at The Bantam Dell Publishing Group. As this novel presents a different direction for us, the process has been even more trying than usual, but we’ve heard nary a discouraging word.

We would especially like to thank our outstanding literary agent, Nancy Yost of Lowenstein-Yost Associates, Inc., for her steady guidance, enthusiasm, and creative participation. Nancy is that rare combination, a powerhouse professional associate and wonderful friend. Danielle Perez, Senior Editor for the Bantam Dell Publishing Group, contributed her usual unflinching critical eye, maintaining her patient support through an embarrassing number of drafts. Many thanks, Danielle, for your fair and gentle guidance.

For insight into the business of house appraisals, we relied on Mary’s knowledgeable and experienced Plantation Café buddy, Jim, of James J. Nicholas & Associates, real estate appraiser and consultant, Redwood City, California. A warm pat on the arm to you from Nina Reilly, Jim. That’s all you’ll ever get from her, whatever you may dream.

We also want to thank Cambridge Seven Associates, Inc., Cambridge, Massachusetts, which unwittingly contributed inspiration for our architectural firm. Nobody in Ray’s firm remotely resembles the good people working there, past or present, and none of the opinions about the business or building aesthetics expressed in our novel is theirs-these are all the authors’. However, anyone considering a major project ought to run straight to these talented people to get a taste of real, world-class architecture.

We have thought a lot about our own childhoods in writing this book, and how important our double cousins, Stephanie and Marc O’Shaughnessy, have been to our lives. We grew up together and remain very close. We stole heavily from their childhoods, too, along with cribbing from those of our sister, Meg, and Patrick, our late brother. We used our cousins’ house on Franklin Street as Kat’s childhood home. We will always treasure those hot summer days together in Penn Park, where Marc and Pat got up to no good, and we girls played so nicely.

And a final appreciation goes out to the good friends who put up with our insecurities, busy schedules, and late-night calls: Joan Westlund, Joanna Tamer, Helga Gerdes, and Ardyth Brock.

Perri O'Shaughnessy

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