Carol O'Connell - Bone by Bone

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A stunning stand-alone novel from the national-bestselling author who 'has raised the standard for psychological thrillers' (Chicago Tribune).
Carol O'Connell's most recent Mallory novel, Find Me, was one of the most highly praised suspense novels of the year. 'A terrific find: a tightly wrapped, expert combination of suspense, mystery and show-stopping character' (Janet Maslin of The New York Times); 'yet another example of the spot-on talents of one of America 's finest writers of mysteries' (Milwaukee Journal Sentinel). In Bone by Bone, however, she may have written her most unforgettable novel yet.
In the northern California town of Coventry, two teenage brothers go into the woods one day, but only one comes back. No one knows what happened to the younger brother, Josh, until twenty years later, when the older brother, Oren, now an ex-investigator for the Army CID, returns to Coventry for the first time in many years. His first morning back, he hears a thump on the front porch. Lying in front of the door is a human jawbone, the teeth still intact. And it is not the first such object, his father tells him. Other remains have been left there as well. Josh is coming home… bone by bone.
Using all his investigative skills, Oren sets out to solve the mystery of his brother's murder, but Coventry is a town full of secrets and secret-keepers: the housekeeper with the fugitive past, the deputy with the old grudge, the reclusive ex-cop from L.A., the woman with the title of town monster, and, not least of all, Oren himself. But the greatest secret of all belonged to his brother, and it is only by unraveling it that Oren can begin to discover the truth that has haunted them all for twenty years.
Written with the rich prose, resonant characters, and knife-edge suspense that have won the author so many fans, Bone by Bone is further proof that 'O'Connell is one of the most poetic yet tough-minded writers of the genre' (San Francisco Chronicle).

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"I'll mention that to Oren." The housekeeper handed over the car keys.

"Can you drive to the bakery in Saulburg and pick up a special-order cake? It's got Horatio's name on it."

That made him smile. "Nice touch. I'll be back in an hour or so."

Oh no, you won't.

"There's a few more things I need." She tacked on a grocery list for the Saulburg supermarket and other errands that guaranteed long waiting lines.

When the judge's car was safely down the road and the noise of the backhoe had also died off, she made a telephone call. Then, after taping a note to the front door, she went down to the garden shed, where the dead Horatio had been waiting patiently these past two days.

The backhoe was nowhere to be seen and neither was Oren. The opening in the ground was roughly squared. She would judge it to be maybe three feet wide, a tad more in length-and insanely deep if one only wanted to bury a dog. The mound of excavated dirt was almost as high as she was tall. Hannah looked over the edge of the hole to see her muddy reflection at the bottom. But Oren had not struck underground water; a garden hose with a dripping nozzle lay coiled by the shed.

The yellow mongrel padded down the path to join her. He stood by her side and licked her hand in a show of worship for the giver of food. Dog and woman raised their heads at the sound of the approaching vehicle. It rolled up the driveway and disappeared behind the house. The engine died. The driver would need time to climb the porch steps and read the note on the front door. Hannah watched the second hand crawl around the face of her wristwatch.

The dog was also waiting-anticipating-every muscle tensed, sniffing the air, sampling a breeze and catching the scent of a man.

The deputy rounded the side of the house. This was his day off-no uniform, no star, no gun. "You weren't real clear on the phone, Hannah." Dave Hardy was unshaven and surly for being called out of bed on a morning when he had planned to sleep late. Eyes hidden behind dark glasses, he walked down the path and stopped at the edge of the freshly dug hole. "What're you up to?"

"Oh, I thought we'd bury Horatio today."

He turned toward the two animals, the red Irish setter, the dead one stuffed in a pose of sleep, and the live yellow dog drawing close to Hannah's side. Dave inclined his head to look down at the gaping hole. "You could toss ten mutts down there."

"It is deep. That surprised me, too." She cocked her head to one side. "Now that I see it, I think maybe Oren dug this pit for you."

The deputy stiffened. Like a man made of wood, all of one piece, he turned around to face the house, no doubt checking the back windows. He slowly revolved to take in the meadow and the surrounding woods. When he looked her way again, the housekeeper could see herself, two tiny Hannahs reflected in his dark lenses.

"Oren knows you killed his brother." And now she repeated the words she had said to him on the telephone. "How fast can you run, Dave?"

The man forced a smile. "The way I heard it, Josh died because he saw Ad Winston murder that lady tourist. Ad just killed the wrong woman is all-a woman with the same color hair as his wife."

In the spirit of a helpful correction-no anger-she said, "You murdered the wrong woman." Her hands dipped into the deep pockets of her denim dress, and her fingers wrapped around old photographs. "Millard Straub paid you to kill his wife."

Dave stood up a bit straighter and rolled back his shoulders. "Nobody could've mistaken that tourist for Mrs. Straub. Her hair was the wrong color."

"That tourist could've been bald for all it mattered. She wore a yellow rain slicker. The hood covered her hair when you came up behind her and caved in her skull with a rock."

The deputy's head snapped back, as if she had slapped him.

Hannah pulled a photograph from her pocket. It was only an old shot of Horatio in his puppy days, but it would do for a prop. She stared at this image and focused on the memory of another photo destroyed long ago. And then she told her first lie. "This is a picture of you, Dave."

He removed his dark glasses, wanting her to see his eyes, and there was a warning note in his voice. "Don't tell me that came from the film in Josh's camera." Oh, no, said his smirk-he knew better.

"You mean the roll Josh shot in the woods-the day you killed him? No, you ripped out that film. You had to jerk it free from the spool… and you tore it."

He lost his smirk. The sunglasses dropped from his hand.

The yellow dog was deadly quiet, lips drawing back to show his fangs.

Hannah held up the photograph, only showing Dave the back of it. "This one's from a roll Josh finished before you murdered him. I found it hidden in his sock drawer. Oh, that boy and his secrets."

Dave stood on the lip of the pit, legs bent, ready to jump it, but the dog crouched low to change his mind. Then Hannah startled him with magic, the minor trick of a second picture finding its way out of a pocket to materialize in her free hand. "This one's a shot of you following Evelyn Straub at a street fair." She fanned out the back sides of three more photographs, and-more magic-the three became one. "Here's a picture of you turning around to see Josh with his camera pointed right at you. And don't you look mad? The boy was following you. So you couldn't kill Evelyn then. Not that day."

With no sudden movements to set off the dog, Dave edged along the side of the pit to get at her. His sunglasses were crushed underfoot. His right hand was on the rise.

To rob her or beat her?

The deputy froze. His eyes were on the crouching dog, its bared teeth. So quiet. There would be no bark of warning. "Hannah, I was just a kid that summer. Nobody's idea of a hit man. Why would-"

"You were perfect for the job, a bully all your life. And there's nobody in this town who hates women more than you do. Who would know that better than Millard Straub? You worked in his hotel every day after school. He was a lot like your father-the meanness, the cruelty-almost like a second daddy"

"I hated that old man."

"But you loved his money. He paid you to spy on his wife, didn't he? That's how he knew she was cheating on him. But Millard never tried to cut Evelyn out of his will. No need. He just hired himself a killer-a boy who'd work cheap."

"Nobody paid me to-"

"I bet you would've done it for free, but you were paid. Millard kept a wad of cash in the hotel safe. That money disappeared when you left town. Evelyn thought you stole it, and that's what she told the sheriff, but Millard dropped the charges that same day."

More pictures appeared in her hands, and Hannah spread them like playing cards. She stared at them but did not see them. She was calling up memories of other photographs. "Here's one Josh took in the locker room the night you went after him. My, you look angry. You didn't want him following you around anymore. You had places to go, a woman to kill."

Dave folded his arms. His smile was twitchy. "Hannah, those pictures are worthless."

"You think so?" She shook her head. "The first time I saw them, I wanted to burn them." And she had burned them-all but Oren's homecoming present. She had not been able to part with the photograph of the two brothers. "It's all here," she lied, thumbing through her pack of props like pages in a book. "Like a story. The boy only had one reason for following people. Josh wanted a shot of your secret, and that's all his brother ever needed to know. When Oren was a boy, I was so afraid he'd see these pictures and beat you to death. He almost killed you back in high school- that fight in the gym."

She stuffed the photographs in her pocket and sighed. "Well, the damage is done. He's seen them all… and now he's crazy dangerous. I tried to warn you."

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