Carol O'Connell - Bone by Bone

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A stunning stand-alone novel from the national-bestselling author who 'has raised the standard for psychological thrillers' (Chicago Tribune).
Carol O'Connell's most recent Mallory novel, Find Me, was one of the most highly praised suspense novels of the year. 'A terrific find: a tightly wrapped, expert combination of suspense, mystery and show-stopping character' (Janet Maslin of The New York Times); 'yet another example of the spot-on talents of one of America 's finest writers of mysteries' (Milwaukee Journal Sentinel). In Bone by Bone, however, she may have written her most unforgettable novel yet.
In the northern California town of Coventry, two teenage brothers go into the woods one day, but only one comes back. No one knows what happened to the younger brother, Josh, until twenty years later, when the older brother, Oren, now an ex-investigator for the Army CID, returns to Coventry for the first time in many years. His first morning back, he hears a thump on the front porch. Lying in front of the door is a human jawbone, the teeth still intact. And it is not the first such object, his father tells him. Other remains have been left there as well. Josh is coming home… bone by bone.
Using all his investigative skills, Oren sets out to solve the mystery of his brother's murder, but Coventry is a town full of secrets and secret-keepers: the housekeeper with the fugitive past, the deputy with the old grudge, the reclusive ex-cop from L.A., the woman with the title of town monster, and, not least of all, Oren himself. But the greatest secret of all belonged to his brother, and it is only by unraveling it that Oren can begin to discover the truth that has haunted them all for twenty years.
Written with the rich prose, resonant characters, and knife-edge suspense that have won the author so many fans, Bone by Bone is further proof that 'O'Connell is one of the most poetic yet tough-minded writers of the genre' (San Francisco Chronicle).

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Addison tipped back his glass, then wiped his lips. "I know you met with Sarah in the woods every Saturday at precisely twelve noon."

"That never happened."

"Don't interrupt." Addison lightly stepped down the staircase to retrieve the cane that had been left behind as dead weight. He raised it over his head and brought it down on the man's back. Swahn moaned.

The lawyer resumed his smile, always a gracious host. "I even know where the two of you met. With a telescope, I could always find Sarah's car on that bald section of the mountain. Of course, she knew I'd be watching, but you were cagey, William. You must've parked your own car under the trees-that turnout close to the clearing-easier to hobble into the woods from there."

"You're deluded."

This time, Addison had only to raise the cane, and his well-trained guest fell silent.

"One day, I decided to catch Sarah in the act. Hours before my wife left the house, I set out on foot. I took the old hikers' trail. Not far past Evelyn's cabin-that's where the bodies were. I had no use for the woman's corpse, but that dead boy was a gift. Sad, really. Poor Sarah had so few friends- just you and her little protégé, the fledgling photographer."

"You killed Josh?"

"That has nothing to do with my story." Addison brought the cane down on Swahn's hand. The blow was hard enough to break the skin and, hopefully, a few bones as well, but the man did not cry out.

A small disappointment.

"Pay attention, William. I dragged the boy's corpse up the trail to the clearing, and then I went to work on his face with a pocketknife. Sarah and I had a lack of communication in those days. So this was how I talked to my wife, through mutilation."

"Like mine?" Swahn raised himself up to lean upon one arm, and his fingers lightly grazed his old scar. "The woman they found in Josh's grave-was that the missing dispatcher from LA? Is that why you-"

"Oh, no, no, no." Addison shook his head in an exaggerated loss of patience. "You're muddling my crimes. Why would I kill the dispatcher? She had no idea where her bribe money came from. Her only job that night was diverting you to a surprise party-during a tour of duty-an insignificant crime. When you called in for backup and the dispatcher heard the shots and screams-that's when she realized what kind of a party it was. And she ran away. I'm told she didn't even finish out her shift."

"The dispatcher never called for help? She was the one who left me to die?"

"Yes. I couldn't have planned for that to happen. However, I am a creature of opportunity. Shame to waste the makings of a good lawsuit. But that woman I found with Josh-well, I have no idea who she was. And who cares?" He raised the cane and punctuated the beats of an admonition with strikes to Swahn's shoulders and his head. "She has nothing to do with my story."

Addison tossed his hair and tilted his head to one side. "Where was I? Oh, yes. I was carving up the face of a dead child. And then I found myself a good hiding place in the trees. I wish you could've seen Sarah's expression when she walked into the clearing and found Josh lying there. It was marvelous-insane, yet sympathetic, too. She screamed. She wept. I wondered if she would recognize my handwriting in that bloody scar I carved into the boy's skin. It was an A just like yours."

A cut above Swahn's eye half blinded him, drops falling to the carpet as if he cried blood tears. The unobscured eye had the glaze of shock. But the man was paying attention.

Addison continued. "She started digging his grave. That surprised me. I thought she'd run-but no. Sarah knelt down beside the boy and tried to scratch out a grave with her bare hands. Well, eventually, she came to her senses and gave up on that idea. She went home and came back with a shovel. Much more practical for grave-digging. I assume she met you on the road and warned you off."

"I was never there."

This time, Addison rained blows on the man's damaged leg, saying all the while, so calmly, "It's- rude -to- inter-rupt."

Swahn cried out.

So satisfying.

Sarah Winston stared at the flagstones of the terrace below. Her grip on the rail was tenuous.

She looked up to the sky, asking heavenly bodies if she should stay or go. She interpreted the blinks and winks of planets and the ponderous movements of stars. Yes, they were all in agreement. It was time to leave the earth.

"The grave Sarah dug was much too shallow," said Addison. "I came back later and dug a deeper hole, a wider one-so I could bury the woman's body, too. When I was done, you couldn't tell there'd been any digging at all. I scattered the excess dirt so as not to leave an obvious mound. And I spread leaves to complete my camouflage. One last touch-and this is delicious. I left Josh's camera to mark the grave for Sarah. I knew she'd come back. How I wish I could've seen her face when she found that camera. It must've driven her wild."

"You can't kill Sarah. She's an innocent."

"It doesn't look that way. I'm speaking as a lawyer now. She tried to hide the evidence of a murder, and I think we both know why. Given that big bloody A carved into the boy's face, the sheriff would've knocked on your door first. Cable Babitt's a plodding dolt, but he could hardly miss that connection." Addison leaned in close. "She must've loved you very much. And now I need to hear your confession." He looked toward the ceiling, as if he could see through it to the tower room above. "I don't think poor Sarah's up to it. I want every detail of your affair with my wife."

"She was my friend," said William. "I never touched her."

"Liar."

A small voice called down to them, "It's true." Sarah stood at the top of the stairs. Her words were faint, and both men strained to hear her. She looked down at her husband's upturned grinning face. "Mavis Hardy was the one I met in the woods every Saturday, when she closed the library for lunch. We went birding together. You didn't want me to have any friends… so I never mentioned her. But after I saw what you'd done to Josh…" Her voice trailed off to whispers, and she spoke to the air above their heads. "Bad things happen to my friends, so I stopped seeing Mavis… And how could I ever face William again?"

She could not face him now. Her eyes were vacant, seeing nothing. Sarah was gone even before she turned around and left him lying there. William stretched out one hand, as if he could reach her that way. He struggled to climb the next step. "She's going back to the tower. Addison, stop her. She's in a dangerous state of mind."

"Stop her?" The lawyer pressed one hand to his breast in mock surprise. "Don't you believe that the bird queen can fly?" He fished his wallet from a back pocket. "Ah, well, maybe you're right. She might need a little help, a gentle nudge in the right direction. But can she fly? That's the question." He opened the wallet and pulled out a bill. "I've got twenty dollars here that says she drops like a stone."

"She never cheated on you, Addison."

"Lies." He laid down the cane to pull a folded sheet of paper from his inside pocket. "I've got the proof-one of your old love letters." The paper was falling apart in the creases, having been read too many times by a madman. He opened it and held it up and pointed to the bottom line. "That's your signature."

Hannah rolled up the driveway and parked in front of the house. Stepping out of the car, she said to the judge, "The engine's sputtering some. Maybe we should have it looked at."

"Here's an idea," said Oren, with the mildest sarcasm. "Why don't you guys buy a new car?"

"I suppose it's time," said the judge. "But you know this old Mercedes runs fine. It's probably just low on gas." He turned to Hannah. "That's what happens when you spend the night playing taxi driver for every drunken man, woman and child in Coventry."

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