Carol O'Connell - Bone by Bone

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Bone by Bone: краткое содержание, описание и аннотация

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A stunning stand-alone novel from the national-bestselling author who 'has raised the standard for psychological thrillers' (Chicago Tribune).
Carol O'Connell's most recent Mallory novel, Find Me, was one of the most highly praised suspense novels of the year. 'A terrific find: a tightly wrapped, expert combination of suspense, mystery and show-stopping character' (Janet Maslin of The New York Times); 'yet another example of the spot-on talents of one of America 's finest writers of mysteries' (Milwaukee Journal Sentinel). In Bone by Bone, however, she may have written her most unforgettable novel yet.
In the northern California town of Coventry, two teenage brothers go into the woods one day, but only one comes back. No one knows what happened to the younger brother, Josh, until twenty years later, when the older brother, Oren, now an ex-investigator for the Army CID, returns to Coventry for the first time in many years. His first morning back, he hears a thump on the front porch. Lying in front of the door is a human jawbone, the teeth still intact. And it is not the first such object, his father tells him. Other remains have been left there as well. Josh is coming home… bone by bone.
Using all his investigative skills, Oren sets out to solve the mystery of his brother's murder, but Coventry is a town full of secrets and secret-keepers: the housekeeper with the fugitive past, the deputy with the old grudge, the reclusive ex-cop from L.A., the woman with the title of town monster, and, not least of all, Oren himself. But the greatest secret of all belonged to his brother, and it is only by unraveling it that Oren can begin to discover the truth that has haunted them all for twenty years.
Written with the rich prose, resonant characters, and knife-edge suspense that have won the author so many fans, Bone by Bone is further proof that 'O'Connell is one of the most poetic yet tough-minded writers of the genre' (San Francisco Chronicle).

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"Odd," she said, looking up at the ice statues. "They're less scary when they're monster size."

"I don't think our hostess agrees with you." The judge nodded toward the solitary figure only a few yards distant, a woman with pale upswept hair, glittering combs to hold it, and a long gown of that same champagne shade.

Sarah Winston stood frozen at attention before one of the giant birds, like one piece of art regarding another. The ice sculptures were all recognizable from her private journals, and now she stared at each of them in turn, astonished and clearly viewing them for the first time.

"This is Addison 's work," said Hannah.

Apparently the lawyer had also read the lady's journals and selected these images from the darker pages. All of the giant birds had fangs. Shaken, Mrs. Winston reached for a drink from the tray of a passing maid, who defied her employer, lifting the wineglasses high and carrying them out of reach.

Oren realized that, more than anything on earth, Mrs. Winston wanted that drink, but all the gold bangles on her wrists would not buy it. And this was also Addison 's work.

Alice Friday stopped by the judge's table and leaned down to Oren. "Look over there!" She pointed to the far side of the room, calling his attention to Mrs. Winston's daughter. "That's the woman who tried to kill you."

Oren turned to catch Isabelle staring at him, and she quickly looked the other way.

"No need to dive under the table." Evelyn Straub, an imperious figure in a long blue gown, sailed stately past him on her way to the caterer's bar. "The girl doesn't have a pocket to hide a gun-not in that slinky dress."

Ferris Monty had surmised that the woman in the maid's uniform was not one of the caterer's people. She was Sarah Winston's warden, a snatcher of drinks, a spoiler of fun. The maid's head turned in all directions, and there was panic in her eyes. Her employer's wife had vanished.

He smiled with the secret knowledge of Mrs. Winston's hiding place, for he had witnessed the lady's disappearing act. Ferris rounded a screen of potted foliage and saw two women standing on a small, secluded terrace, their heads close together in conversation.

Friends? Well, this was the mismatch of the century.

Mavis Hardy was so altered, he hardly knew her. She was a bare-armed amazon in sequins. And she was barefoot-the only outward sign of a mind gone awry. The madwoman had forgotten her shoes. Ferris was oddly touched by this, and he regarded her dirty bare feet as wounds.

As a gossip columnist extraordinaire, he had only to glance at that gown to recognize the designer, and that particular fashionista had died years before the close of the last century. However, even secondhand, this dress was well beyond the purse of a librarian-but not Sarah Winston, her companion and, no doubt about it, her benefactor.

One problem-the gift of a used dress would hardly fit the style of a multimillionaire.

And now he realized that the ballgown had been given to Mavis Hardy long ago when it was new, for here were all the signs of a reunion. The women embraced, drank wine and wept.

William Swahn returned Isabelle's wave. The black strapless gown was out of character for a woman who seldom wore lipstick. And the thigh-high slit was daring. So grown-up.

He missed the little girl, the shy redheaded wanderer always looking for love and a safe place to catch her breath. As a child and a teenager adrift among strangers-and only one old friend-she had always come to his table, demanding asylum. Tonight she resumed this old custom and sat down with him again. She stared at the giant ice sculptures. They worked an unnerving effect on her.

William lifted one hand to flag down a waiter bearing wineglasses. "I saw Oren Hobbs come in with the judge and Miss Rice."

Isabelle pretended not to hear this as she lifted two champagne flutes from the waiter's tray.

"There's a law against what you did, Belle." He had intended this as a tease, a friendly rebuke for her recent streak of violence against a certain young man. When she turned to him with guilty surprise, he decided upon a different tack, an older offense. "You lied to the sheriff-that alibi for Josh's brother. I know you had a crush on Oren Hobbs when you were a child, but that was-"

"I never did."

"Of course you did. But I can't believe it lasted five years. You were sixteen years old when you gave him that fake alibi."

So why the lie to save Oren Hobbs? Had she known the boy was innocent? Did Isabelle have a suspect of her own in those days? If so, it must have been someone close to her, someone she would never give up to the sheriff.

William Swahn sat well back in his chair, pushed there, as if revelation had punching power.

Later, at the keyboard of his computer, Ferris Monty would describe his companion as a vitriolic hamster who drank a lot. The town council-woman accepted his invitation to sit down at his table.

"I don't gossip," she said.

But they all said that.

In answer to his question on the out-of-town guests, the hamster replied, "Those are Addison 's clients. Don't you read Rolling Stone or Forbes? Criminals, every last one of them." When queried on the history of the ball, she told him that this very table had once been reserved for the late Millard Straub. "Mean little prick. He sat here with his oxygen tank, and no one said a word to him all night. But his wife danced every dance and had a high old time. There she is now."

Ferris turned to see Evelyn Straub standing at the caterer's bar, a grande dame in midnight blue and pearls.

"Back in the day," said the hamster, "Evelyn was a showstopper."

He nodded in agreement, for he had known her then, but having been barred from every ball, he had never seen Evelyn dance. "Her husband died suddenly, didn't he?"

"Not sudden enough. It's no wonder his wife took up with that boy, Oren Hobbs."

"And everyone knew?"

"No, not till the day Oren came home. I got that story from a guest at the Straub Hotel."

Ferris was bent over his notebook, jotting lines, when the hamster said, "Could you write down that I killed Millard Straub? That used to be my fantasy."

"You think he was murdered?"

"Oh, no, he died of old age-passed away peacefully in his sleep. There's no justice in this world."

"My mother married him for his money," said Isabelle. "You were the one she loved."

William Swahn shook his head more in wonder than denial. Why was she so insistent on this revision of history? "Your mother was very much in love with Addison. She told me so before the wedding."

"She should have married you."

"I was a child," said William, reminding her for the second time in as many days.

"You loved her."

"I was smitten. I'll admit to that much… And then I grew up."

"You were so handsome in your policeman's uniform."

"Belle, you never saw me in a uniform. Years went by before-"

"Mom has a photograph of you. It was taken the day you graduated from the police academy."

William well remembered that ceremony and also the picture he had posed for with Sarah by his side. He had his own copy of that photograph, and he treasured it. It had been displayed on his bedroom wall for years- and recently hidden in a closet. But how did this old souvenir figure into Belle's false recollections-why this artless attempt to bind him to Sarah?

"You still love my mother. I know you do."

"I'll always be her friend… and yours." This was true. Over the past two decades, Sarah had not said more than a handful of words to him, but he was constant.

"And you'll always watch out for Mom, won't you?"

"Yes, Belle." She had extracted this promise from him days ago. It had caused him worry then-and now.

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