Carol O'Connell - Bone by Bone

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A stunning stand-alone novel from the national-bestselling author who 'has raised the standard for psychological thrillers' (Chicago Tribune).
Carol O'Connell's most recent Mallory novel, Find Me, was one of the most highly praised suspense novels of the year. 'A terrific find: a tightly wrapped, expert combination of suspense, mystery and show-stopping character' (Janet Maslin of The New York Times); 'yet another example of the spot-on talents of one of America 's finest writers of mysteries' (Milwaukee Journal Sentinel). In Bone by Bone, however, she may have written her most unforgettable novel yet.
In the northern California town of Coventry, two teenage brothers go into the woods one day, but only one comes back. No one knows what happened to the younger brother, Josh, until twenty years later, when the older brother, Oren, now an ex-investigator for the Army CID, returns to Coventry for the first time in many years. His first morning back, he hears a thump on the front porch. Lying in front of the door is a human jawbone, the teeth still intact. And it is not the first such object, his father tells him. Other remains have been left there as well. Josh is coming home… bone by bone.
Using all his investigative skills, Oren sets out to solve the mystery of his brother's murder, but Coventry is a town full of secrets and secret-keepers: the housekeeper with the fugitive past, the deputy with the old grudge, the reclusive ex-cop from L.A., the woman with the title of town monster, and, not least of all, Oren himself. But the greatest secret of all belonged to his brother, and it is only by unraveling it that Oren can begin to discover the truth that has haunted them all for twenty years.
Written with the rich prose, resonant characters, and knife-edge suspense that have won the author so many fans, Bone by Bone is further proof that 'O'Connell is one of the most poetic yet tough-minded writers of the genre' (San Francisco Chronicle).

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"Yeah, I got a letter from the sheriff. He wrote to tell me my mother was dying. That was eight years ago. I'm still waiting."

Oren set his coffee cup down on the bar. "I haven't seen your mother since the last time we were sent to the principal's office. Remember that?"

"After the fight in the gym. Yeah, Mom was in good form that night. Did you know she's got a tumor as big as a basketball?" He finished his beer. "Maybe bigger-maybe she's just one big ol' walking, talking tumor. Bitch. But your dad and Hannah, they were aces. I still remember Hannah's cooking."

"I don't think you had another meal at our house after that fight." And now, back on point, Oren continued the pretense of catching up with an old classmate. "You never did say why you slammed my brother into that gym locker."

"Oh, hell. I didn't know the coach sent Josh in there to take pictures for the yearbook. I thought the kid was just being a creep. Sorry, man. No offense."

Oren's hands tightened around his coffee cup. "Before that night… did Josh ever follow you around? I know he did that sometimes-following people with his camera."

Dave mulled over the question between slow sips of beer. "No, I don't think so. But I noticed him watching me in the locker room when I was changing my clothes. I wondered if Josh was queer or something. I guess that's what creeped me out. So, that night when he took my picture- I just snapped."

Oren's eyes were on the wide mirror behind the bar when Evelyn Straub walked into the lounge.

She seemed unhappy to see him sitting here with Dave Hardy. This had been a mistake. He should have run the deputy down in someone else's bar, for now she must realize that Hannah had given up Dave as the source of leaks from the County Sheriff 's Office. The housekeeper had thrown him this bone as a consolation prize. On the subject of missing photographs and dates, she had pleaded amnesia.

Evelyn Straub sat down on the third barstool. "Hello, boys."

The deputy lifted his beer in salute.

"Oren," she said, "give Hannah my regards." The light note of sarcasm was an instruction to also convey that she was pissed off. "Are you going to the birthday ball this year?"

"I never go," said Oren.

"You went to the first one," she said. "Not your finest hour."

"I remember that," said Dave. "Shit, we were still in elementary school that year." With great goodwill inspired by beer before breakfast, he slapped Oren's back. "I heard the Winston girl beat the crap out of you the other day."

"I saw the whole thing," said Evelyn, never taking her eyes off of Oren. "Payback's a bitch."

"Call me Sally."

William Swahn could think of other things that he might call this woman, and some were vaguely criminal. The CBI agent and her goons had crossed a line today.

Sally Polk sipped her tea and nodded toward his untouched cup. "Is that too hot?"

He could place her country-western accent in Bakersfield, a unique part of California where some migrant families had kept their transplant drawls from other states and passed them down through the generations. "Am I under arrest?"

"No, dear. But thank you for coming in."

"It was hard to refuse the state troopers. They took my cane when they opened the rear door of the car."

"Oh, those boys." With a light wave, she brushed off this bad behavior of children with guns. "You're a guest. You're also the only criminologist for miles around. Do your friends call you Will or William?"

"The Highway Patrol doesn't need a criminologist. In this area, a speeding ticket might be the high point of a trooper's day."

"I'm with a different agency."

"The CBI. I know. And I also know the Coventry homicides were taken away from you."

"Oh, my, doesn't news travel fast? I only found out myself an hour ago. |So I'm guessing you have some idea who pulled the strings to change jurisdiction. You and Oren have the same lawyer. Isn't that right? Was it Addison 's plan? Or does Judge Hobbs still have that kind of influence?"

Swahn pushed his teacup away. "I can only repeat what my cleaning lady said. Most of her gossip is very reliable."

Smiling sweetly, so motherly, the agent held up a color portrait of young Joshua Hobbs. The boy was posed against the ersatz blue-sky backdrop used by school photographers. "He was a fine-looking boy, wasn't he? Maybe a bit on the delicate side. No interest in sports, I hear-not quite like the other boys."

"The real boys? Your bias is showing, Agent Polk."

"Call me Sally, just plain old gay-basher Sally."

He almost smiled. He almost liked her. "For a year after Josh Hobbs went missing, there were three teenage girls haunting the sheriff's office like widows. You still need a criminologist's point of view? Fine. The boy was rampantly heterosexual."

"But you're not. You can't claim to be straight at this late date. If you did, you might have to give back all that lovely settlement money. The police down in Los Angeles might say it was paid out under false pretenses. As an agent of the Justice Department, I might have to look into that."

"Apparently, the LAPD is holding to the terms of our nondisclosure agreement. Clearly, you've never been privy to any details. So you're blowing smoke. Is this your interrogation style? You just throw out a few lines of garbage and see what sticks?"

"I wonder which client Addison worries about the most-you or Oren Hobbs. I know the sheriff took a real hard look at you when Josh disappeared. Now why is that? You'd have to run naked in the streets to get Cable Babitt's attention. And then there's Ad Winston. If he's your attorney, I know you did something wrong."

William leaned on his cane, preparing to rise. There was no acrimony in his voice when he said, "You'll have to excuse me now."

"So you don't want this case solved, either. That doesn't speak well for innocence."

"I don't care."

"You will." This was no threat. She was worried.

He followed the track of her eyes to the window on the parking lot, where people were gathering with cameras and microphones. "I see you called out the media."

She shook her head. "That's your lawyer's style, not mine." She left her desk and walked to the window. More vans and cars pulled into the parking lot to disgorge reporters and film crews. "God, how Addison loves the cameras. That's why I had the troopers pick you up-so he wouldn't find out you were here. Believe it or not, I did that as a favor to you, Mr. Swahn."

William limped to the window to stand beside her. "Well, you know I didn't call my lawyer. This isn't his doing."

"Maybe not," she said. "Sometimes-when there's blood in the water- they just show up."

21

Twenty years ago Ferris Monty had begun his book on a typewriter and now he - фото 22

Twenty years ago, Ferris Monty had begun his book on a typewriter, and now he was nearly done copying the old manuscript onto a computer. The screen glowed, and so did he.

Fat fingers typed out Joshua's dark brown hair and high cheekbones. Line by line, he animated the dead boy and made him walk the streets of Coventry with a camera strap slung around his long white neck. And sometimes, on one page or another, the boy was followed by a loopy Irish setter that seemed vaguely retarded. What was the stupid beast's name?

He paused to page through an old notebook. Ah, right. The boy had called his dog Horatio, as in, "Get off me, Horatio!"

Ferris was revisiting a long-ago day when he had blended in with the tourists at a street fair. For an hour or more, he had kept watch on the boy and the dog, and then he had lost sight of them in the crowd, but found them again when a woman yelled, "Josh, you get this mutt off me! Now!" Once more, in keeping with the theme of ducks in a row, Ferris had followed behind the dog that followed the boy.

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