Carol O'Connell - Bone by Bone

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A stunning stand-alone novel from the national-bestselling author who 'has raised the standard for psychological thrillers' (Chicago Tribune).
Carol O'Connell's most recent Mallory novel, Find Me, was one of the most highly praised suspense novels of the year. 'A terrific find: a tightly wrapped, expert combination of suspense, mystery and show-stopping character' (Janet Maslin of The New York Times); 'yet another example of the spot-on talents of one of America 's finest writers of mysteries' (Milwaukee Journal Sentinel). In Bone by Bone, however, she may have written her most unforgettable novel yet.
In the northern California town of Coventry, two teenage brothers go into the woods one day, but only one comes back. No one knows what happened to the younger brother, Josh, until twenty years later, when the older brother, Oren, now an ex-investigator for the Army CID, returns to Coventry for the first time in many years. His first morning back, he hears a thump on the front porch. Lying in front of the door is a human jawbone, the teeth still intact. And it is not the first such object, his father tells him. Other remains have been left there as well. Josh is coming home… bone by bone.
Using all his investigative skills, Oren sets out to solve the mystery of his brother's murder, but Coventry is a town full of secrets and secret-keepers: the housekeeper with the fugitive past, the deputy with the old grudge, the reclusive ex-cop from L.A., the woman with the title of town monster, and, not least of all, Oren himself. But the greatest secret of all belonged to his brother, and it is only by unraveling it that Oren can begin to discover the truth that has haunted them all for twenty years.
Written with the rich prose, resonant characters, and knife-edge suspense that have won the author so many fans, Bone by Bone is further proof that 'O'Connell is one of the most poetic yet tough-minded writers of the genre' (San Francisco Chronicle).

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As he was reaching out to the plate, she said, "Sweetheart, in a manner of speaking, I've got you by the balls." She raised one hand and slowly curled her fingers into a fist, smiling all the while. "Please don't make me squeeze 'em until they split open and spatter the wall. That's gotta hurt something awful." Her voice was so friendly. She was almost motherly, if one discounted her intentions toward his testicles.

But the brownies were good.

He chewed slowly as he stretched out his legs, preparing to spend a few hours in this interrogation. Behind him, the office door opened and- bang! -closed.

Addison Winston appeared, briefcase in hand and wearing the body armor of a silk tie, a suit with a lustrous sheen and diamond cuff links. His eyes were fever-bright. The man was shining inside and out. Smiling, he moved around the desk to hover over the state's investigator. This sort of smile might be the last thing a mouse would see before a cat ripped its head off. "Hello, Sally, old girl. How've you been?"

Agent Polk countered with strained goodwill. "Well, Ad, I can't complain."

"I can," said Winston. "I know Judge Hobbs informed you that Oren was represented by counsel. But here you are-interrogating my client. Oh, Sally, Sally… The judge will be so pissed off." He shook his head in mock sadness. "As if you aren't in enough trouble."

"What interrogation?. Me and your client were only passing the time, just waiting around for you to show up."

This was news to Oren, who had no idea that an attorney was coming.

Ad Winston resumed his smile, merely evil this time. He settled into the chair next to Oren's and stared at the plate of brownies. "She buys them at a bakery down the street. And she gets that fresh-from-the-oven smell by running them through the microwave in the lunchroom. Sally's idea of torturing prisoners… It's scary how often that works."

Sally Polk sat back in her chair with a smile for Oren. "At my regional office down in Sacramento, when we find out Ad's in town, we just run out and arrest whoever he's representing. Then, later on, we come up with the charges. They're always guilty of something."

The lawyer winked at his client. "She's good." He turned his attention back to the CBI agent. "Oren's better. When he was an Army cop, he closed out all of his cases. He was one determined soldier, and his evidence always stood up in court. I won't even bother to dazzle you with the conviction rate, but it was stunning."

"Of course," said Agent Polk, "that was military court, and guilt was always a foregone conclusion-even before the judges sat down." She turned to Oren and spoke to him in the way that women talked down to small children. "Nothing personal, sweetheart. I'm sure you did a very good job. Have another brownie."

"Nonetheless," said Addison, "I'd stack up my client against any cop in this state. He didn't just work domestic disputes on some military base out in the sticks. No, they sent him all around the world. My boy brought in terrorists and killers, smugglers and mad bomber types. He put a goddamn general in Leavenworth."

Untrue. The highest-ranking officer Oren had ever bagged was a lieutenant colonel, and he had yet to meet any live mad bombers. Only pieces of them could be found on the streets of Baghdad. If asked for his job description as a military detective, he would have explained his special knack for ripping a human being's mind inside out-without damaging the flesh. He would have said, "I break people." But he allowed the lawyer's lies to slide.

"You should be begging for Oren's help, not harassing him." Ad Winston continued to smile at the CBI agent as he spoke an aside to his client. "That startled look in her eyes? Obviously, the lady never bothered to check out your military record, nothing past your serial number and rank. To quote your father-a very sloppy job."

Sally Polk leaned toward the lawyer. "Well now, Ad, I have to admit that's an eye-opener. You see, I was gonna let your client off easy-no charge of obstructing an investigation. But with a record like that one… I think he should've known better."

"She's bluffing, Oren. That's Sally's trademark. We met in Sacramento when a major case of hers fell apart in court-a case of hot air."

"The way I remember it, you suborned one of my witnesses."

Addison rested an avuncular hand on Oren's shoulder. "They always send the screwup agents to the hinterlands. But she's the first one ever to be condemned to the Highway Patrol."

"Oh, this is just a temporary assignment, Addison. I won't be here long-just long enough to gut your client. Have another brownie, Oren."

18

Hannah Stop that I cant hear The housekeeper switched off the vacuum - фото 19

Hannah! Stop that! I can't hear!"

The housekeeper switched off the vacuum cleaner.

After a brief telephone conversation, the judge hung up on his caller. "That was the sheriff. He says Oren's on TV." Not a believer in remote-control contraptions, Henry Hobbs leaned down to turn on the television set. "Oh, my God." He stared at the glowing screen and a scene of reporters mobbing a parking lot. His son stood at the center of this frenzy, and the backdrop was a brick building, headquarters for the Highway Patrol in Saulburg. The shouts of the mob were unintelligible. Addison Winston climbed up on the hood of a trooper's cruiser, and, with a bit of coaxing, Oren joined him there.

"This is Ad's idea of handling things quietly?" The judge raked one clawed hand over his bald scalp. "It's a circus."

More than that-this was Hannah's old premonition come true. She had always pictured the judge's son taking center stage, surrounded by people and bright lights, a screaming public. "The camera loves him."

The cameras could not get enough of Oren Hobbs. When the afternoon sky grew dark with overcast, lights on poles bore down on him, and strobe lights popped in smaller cameras as photographers edged closer.

"Oren and his damned cowboy boots," said the judge. "He's going to dent the hood of that car."

On screen, Addison Winston stepped in front of his photogenic client, though not to shield him. The grinning lawyer had the look of an elegant sideshow barker with tickets to sell. "Sorry you were called out on a false alarm. I'm afraid Sally Polk has a rich fantasy life."

Hannah turned to the judge and reached out to nudge his arm. "You see? It wasn't Ad's fault. That Polk woman must've called the reporters."

"It was Addison," said the judge. "He's addicted to this kind of attention."

The picture had changed to a close-up of the building in the background, where Sally Polk stood in the open doorway, clearly unhappy with this event. And then the camera turned back to Oren, the one it loved best.

"Did you see that?" Hannah edged her chair closer to the screen. "That was Evelyn Straub standing not two feet away from that door."

"Oh, fine." Henry Hobbs covered his eyes with one hand. "Let's just drag out all the sordid details."

"There she is again." Hannah pulled down the judge's hand. "Look. You see that bright pink thing in her hand? That's the color of Evelyn's checkbook. I bet she planned to bail Oren out of jail."

As if in response to this, Ad Winston's voice boomed from the television set, "Bail? No, there was never an issue of bail. My client came in as a courtesy."

A reporter shouted, "Your guy was wearing handcuffs!"

Addison raised both hands in a crucifixion pose. "Another screwup. It seems there was a breakdown in communications between Sally Polk and the storm troopers."

Well, that's not right," said the judge, indignant. "And it wasn't necessary. That man has no respect for law enforcement."

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