Philip Kerr - If the Dead Rise Not

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Berlin 1934. The Nazis have been in power for just eighteen months but already Germany has seen some unpleasant changes. As the city prepares to host the 1936 Olympics, Jews are being expelled from all German sporting organisations – a blatant example of discrimination. Forced to resign as a homicide detective with Berlin 's Criminal Police, Bernie is now house detective at the famous Adlon Hotel. The discovery of two bodies – one a businessman and the other a Jewish boxer – involves Bernie in the lives of two hotel guests. One is a beautiful left-wing journalist intent on persuading America to boycott the Berlin Olympiad; the other is a German-Jewish gangster who plans to use the Olympics to enrich himself and the Chicago mob. As events unfold, Bernie uncovers a vast labour and construction racket designed to take advantage of the huge sums the Nazis are prepared to spend to showcase the new Germany to the world. It is a plot that finds its conclusion twenty years later in pre-revolution Cuba, the country to which Bernie flees from Argentina at the end of A Quiet Flame.

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“I don’t make police policy, Gunther,” said Bömer. “Even Liebermann von Sonnenberg doesn’t do that. If you really want to know, the policy comes down from the Ministry of the Interior. From Frick. And Frick gets it from Goering, who probably gets it from-”

“The devil himself. I know.”

Suddenly I badly wanted to be away from Richard Bömer and his vaulting forensic ambition. And it was now obvious in a way it hadn’t been obvious before that being a policeman had changed a lot more than I had supposed. I couldn’t ever go back to the Alex even if I had wanted to.

“I expect there will be other murders, Richard. In fact, I’m sure of it. In that respect at least, you can rely on the Nazis.”

“You don’t understand. I want to be a detective, like in the stories. It’s all I’ve ever wanted to be. A proper detective, like you were, Gunther. But police states are bad for crime and bad for criminals. Because everyone’s a policeman in Germany now. And if they’re not yet, they soon will be.” He kicked the laboratory workbench and swore again.

“Richard. You almost make me feel sorry for you.” I picked up the dead man’s file and handed it back. “Well, I can’t say it’s not been fun. I’ve missed the job. I’ve even missed the customers. Can you believe that? But from now on I’m going to miss the job the way I miss the Lustgarten. Which is to say, not at all. Because it’s not the same. It’s not like it used to be. When someone gets murdered-it doesn’t matter who it is-you investigate. You investigate, because that’s what you do when you live in a decent society. And when you don’t, when you say that someone’s death isn’t worth the candle, then the job’s not worth having anyway. Not anymore.”

I held the file out to him. But he stared at it as if it wasn’t there.

“Go ahead,” I said. “Take this. It’s yours.”

But we both knew it wasn’t.

Ignoring the file, he turned and walked out of the laboratory, and although I wasn’t there to see it, the Pathological Institute, as well.

A few months later Erich Liebermann von Sonnenberg told me that Richard Bömer had left KRIPO and joined the SS. At the time it looked like the better career move.

12

THE TWO OFFICERS FROM KRIPO were very polite,” Georg Behlert told me. “Frau Adlon couldn’t have been more grateful for the way you’ve handled this whole affair. Excellent. Well done.”

We were seated in Behlert’s office overlooking the Goethe Garden. Through the open doors of the adjoining Palm Court, a piano trio was doing its best to ignore a statue of Hercules that seemed to demand something rather more muscular than a selection of Mozart and Schubert. I felt a little like Hercules myself, returning to Mycenae after carrying out some pointless labor.

“Perhaps,” I said. “But I can’t think it was a good idea for me to get involved like this. I should just have let them get on with it. I might have known they would extract some sort of price.”

Behlert looked puzzled. “What price? You don’t mean-?”

“Not from the hotel,” I added. “A price from me.” And just to see the look of horror on his smooth, shiny face, I told Behlert about Liebermann von Sonnenberg and the dead man in the Charité.

“Next time,” I said. “If there is a next time. I shan’t try to influence a police investigation. It was naive of me to think I could. And for what? Some fat guy in room 210 I never even met. Why should I worry about his wife? Maybe she hated him. If she didn’t, she ought to have. It would serve him damn well right if the cops put their feet right through her feelings when they gave her the bad news. He should have thought of her when he started monkeying around with a Berlin joy lady.”

“But you were doing what you did for the sake of the good reputation of the Adlon Hotel,” said Behlert, as if that was all the justification required.

“Yes, I suppose so.”

He was on his feet now, removing a stopper from a decanter of the good stuff and pouring us each a thimble-sized glass.

“Here. Drink this. It looks like you need it.”

“Thanks, Georg.”

“What’s going to happen to him?”

“To Rubusch?”

“No, I mean, to the poor fellow in the morgue?”

“You really want to know?”

He nodded.

“With an unidentified body, what usually happens is, they take him around to the university anatomical institute and let the students loose on him.”

“But suppose the investigation reveals his true identity.”

“I didn’t make that clear, did I? There isn’t going to be an investigation. Not now that we-I mean, I-not now that I’ve established that he was a Jew. The Berlin police don’t want to know about dead Jews. It’s not considered a proper use of police time and resources. As far as the cops are concerned, his murderer-if indeed he was murdered, I’m not at all sure about that-that person is more likely to be congratulated than prosecuted.”

Behlert drained his glass of the excellent schnapps and shook his head with disbelief.

“I’m not making this up,” I said. “I know it seems incredible, but it’s all true. Hand on heart.”

“I believe you, Bernie. I believe you.” He sighed. “One of the guests has just returned from Bavaria. He’s a British Jew. From Manchester. Apparently he saw a road sign that said something like DANGEROUS BEND, SPEED LIMIT 50. JEWS HURRY UP. What could I tell him? I said it was probably a sick joke. But I knew it wasn’t. In my own hometown of Jena, there is a similar sign outside the Zeiss Planetarium that suggests a new homeland for Jews on the planet Mars. And the terrible thing is, they mean it. Some of the guests are saying they’re never coming back to Germany. That we’re no longer the considerate people we were. Even in Berlin.”

“These days a considerate German is someone who doesn’t knock at your door early in the morning in case you think it’s the Gestapo.”

I handed him the letter containing Muller’s resignation as an Adlon Hotel detective. He read it and then laid it on his desk.

“I can’t say I’m surprised or sorry. I’ve had my suspicions about that man for some time. Of course, for you it will mean there’s more to do. At least until we can find a replacement. Which is why I’m going to increase your salary. How does an extra ten marks a week sound?”

“It’s not Handel, but I guess I like it.”

“Good. Perhaps you can find a replacement. After all, you were very helpful with Fräulein Bauer. The stenographer? She’s been doing a lot of work for Herr Reles in 114. Apparently he’s very pleased with her.”

“Good.”

“You might know someone else. An ex-policeman. Someone like yourself. Someone reliable. Someone discreet. Someone smart.”

I nodded slowly and poured the drink down my throat.

Georg Behlert seemed to think he knew me, but I wasn’t sure I knew myself. Not anymore. Certainly not since my visit to see Otto Schuchardt on the Jewish Desk at Gestapo House.

It was, perhaps, time I did something about that.

I CAUGHT A NUMBER 10 TRAM WEST, across Invalidenstrasse and into Old Moabit, past the criminal courts and the prison. Next to Bolle’s Dairy-from which a strong smell of horse manure blew down the street toward the Lessing Bridge -was a dilapidated tenement. It was a crummy sort of area-even the trash in the street looked like something someone had thrown away.

Emil Linthe was on the top floor, and through the open window on the landing in front of his door, one could hear noise from the machine-tool factory on Huttenstrasse. It had been silent for almost a year during the Great Depression, but since the Nazis had come into government, the place was constantly active. There were just three iron beats, over and over again, like a waltz conducted by Thor, the god of thunder.

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