Harlan Coben - Caught

"And look at my old roomies," Phil went on, the slur more prominent now. "Princeton University. The creme de la creme. Kelvin was a black kid. Dan was an orphan. Steve was dirt-poor. Farley was one of eight kids-big Catholic blue-collar family. All of us made it-and all of us were insecure and unhappy. The happiest guy I knew in high school went down the road to Montclair State and dropped out his sophomore year. He still bartends. Still the most content son of a bitch I know."

The shapely young waitress dropped off the beers. "The nachos will be a few more minutes."

"No problem, dear," Phil said with a smile. It was a nice smile. A few years ago, it might have been returned, but nope, not today. Phil kept his eyes on her for maybe a second too long, though Wendy didn't think the girl noticed. Once the waitress was out of sight, Phil lifted his bottle toward Wendy. She picked up hers and clinked bottles and decided to stop this dance.

"Phil, what's the term 'scar face' mean to you?"

He tried very hard not to show anything. He frowned to buy time, even went so far as to say, "Huh?"

"Scar face."

"What about it?"

"What does it mean to you?"

"Nothing."

"You're lying."

"Scar face?" He scrunched up his face. "Wasn't that a movie? With Al Pacino, right?" He threw on a horrible accent and did a terrible impression: " ' Say hello to my little friend.' "

He tried to laugh it off.

"How about going on a hunt?"

"Where are you getting this from, Wendy?"

"Kelvin."

Silence.

"I saw him today."

What Phil said next surprised her. "Yeah, I know."

"How?"

He leaned forward. Behind them came a happy whoop. Someone shouted, "Go! Go!" Two Yankee runners sprinted for home off a hit to shallow center. The first made it easy. There was a throw to the plate for the second, but he slid safely under the tag. Another whoop from the partisan crowd.

"I don't understand," Phil said, "what you're trying to do."

"What do you mean?"

"That poor girl is dead. Dan is dead."

"So?"

"So it's done. It's over, right?"

She said nothing.

"What are you still after?"

"Phil, did you embezzle money?"

"What difference does that make?"

"Did you?"

"Is that what you're trying to do-prove I'm innocent?"

"In part."

"Don't help me, okay? For my sake. For your sake. For everyone's sake. Please drop this."

He looked away. His hands found the bottle, brought it up to his lips quickly; he took a deep, hard gulp. Wendy looked at him. For a moment she saw maybe what Sherry saw. He was something of a shell. Something inside of him-a light, a flicker, whatever you want to come up with-had dimmed. She remembered what Pops said, about men losing their jobs and how it affected them. There was a line in a play she saw once, about how a man who has no job can't hold his head up, can't look his kids in the eye.

His voice was an urgent hush. "Please. I need you to let this go."

"You don't want the truth?"

He started peeling the label off the beer bottle. His eyes studied his handiwork as though he were an artist working with marble. "You think they've hurt us," he said, his voice low. "They haven't. This stuff so far-it's just a slap down. If we let it go, it will all stop. If we keep pushing-if you keep pushing-it will get much, much worse."

The label came all the way off and slid toward the floor. Phil watched it fall.

"Phil?"

His eyes rose toward her.

"I don't understand what you are talking about."

"Please listen to me, okay? Listen closely. It will get worse."

"Who's going to make it worse?"

"It doesn't matter."

"Like hell it doesn't."

The young waitress appeared with nachos piled so high it looked like she was carrying a small child. She dropped it on the table and said, "Can I get you guys anything else?" They both declined. She spun and left them alone. Wendy leaned across the table.

"Who is doing this, Phil?"

"It's not like that."

"Not like what? They may have killed a girl."

He shook his head. "Dan did that."

"Are you sure?"

"Positive." He raised his eyes to hers. "You need to trust me on this. It is over if you let it be."

She said nothing.

"Wendy?"

"Tell me what's up," she said. "I won't tell a soul. I promise. It will be just between you and me."

"Leave it alone."

"At least tell me who is behind it."

He shook his head. "I don't know."

That made her sit up. "How can you not know?"

He threw two twenties on the table and started to rise.

"Where are you going?"

"Home."

"You can't drive."

"I'm fine."

"No, Phil, you're not."

"Now?" he shouted, startling her. "Now you're interested in my well-being?"

He started to sob. In a normal bar, this might have drawn a few curious glances, but what with the blaring televisions and the focus on the games, it barely made a blip.

"What the hell is going on?" she asked.

"Drop this. Do you hear me? I'm telling you this not just for our sake-but yours too."

"Mine?"

"You're putting yourself in harm's way. Your son too."

She gripped his arm hard. "Phil?"

He tried to stand, but the drinks had weakened him.

"You just sort of threatened my kid."

"You got it backward," he said. "You're putting mine in danger."

She let go of him. "How?"

He shook his head. "You just need to leave this alone, okay? All of us do. Stop trying to reach Farley and Steve-they won't talk to you anyway. Leave Kelvin alone. There is nothing to gain here. It's over. Dan is dead. And if you keep pressing, more people will die."

SHE TRIED TO PRESS PHIL for more information, but he just shut down. She ended up giving him a ride home. When she arrived back at her house, Pops and Charlie were watching TV.

"Time for bed," she said.

Pops groaned. "Aww, can't I just stay up till the end?"

"Funny."

Pops shrugged. "Not my best work, but it's late."

"Charlie?"

He kept his eyes on the screen. "I thought it was pretty funny."

Great, she thought. A comedy team. "Bed."

"Do you know what movie this is?"

She looked. "It looks like the wildly inappropriate Harold & Kumar Go to White Castle."

"Exactly," Pops said. "And in our family, we don't stop in the middle of Harold and Kumar. It's disrespectful."

He had a point, and she did love this movie. So she sat with them and laughed and for a little while she tried to forget about dead girls and possible pedophiles and Princeton roommates and threats to her son. The last one, selfish as it sounded, would not leave. Phil Turnball did not hit her as an alarmist, yet he had been willing to-again to quote the teenage vernacular-"go there."

Maybe Phil had a point. Her story had been on Dan Mercer and maybe Haley McWaid. That part of the story was indeed over. She had her job back. She had come out of the whole thing rather well, in fact-the reporter who had exposed not only a pedophile but a murderer. Follow up on that angle maybe. Work with the police to see if there were other victims.

She looked at Charlie lounging on the couch. He laughed at something Neil Patrick Harris playing Neil Patrick Harris said. She loved the sound of his laugh. What parent doesn't? She stared at him for a few more moments and thought about Ted and Marcia McWaid and how they would never hear Haley laugh again and then her mind made her stop.

When the alarm went off in the morning-seemingly after eight minutes of sleep-Wendy dragged herself out of bed. She called for Charlie. No answer. She called again. Nothing.

She hopped out of bed. "Charlie!"

Still no answer.

Panic gripped her, made it hard to breathe. "Charlie!" She ran down the corridor, her heart beating wildly against her rib cage. She turned the corner, opening the door without knocking.