Laura Lippman - What The Dead Know

But they weren’t alive. If she was sure of anything, it was that fact.

A honk, then another and another, and Miriam lurched forward almost blindly. She was trying to think of reasons that Sunny and Heather would be glad they weren’t here. The Reagan presidency? But she doubted that either girl would have sacrificed her life to avoid that. Music was actually better, to Miriam’s middle-aged ears, and she liked the clothes as well, the merger between comfort and fashion, at least in some of the lines. They would have liked Austin, too, even if the locals thought it had been ruined, ruined, ruined. They could have gone to college here cheaply, hung out at the clubs, eaten burgers at Mad Dog & Beans, tasted migas at Las Mañanitas, slurped frozen margaritas at Jorge’s, shopped at Whole Foods, which managed the trick of being simultaneously organic (millet in bulk) and decadent (five different kinds of brie). Sunny and Heather, grown, would have shared her sense of humor, Miriam decided now, joined in her awareness of how absurd Austin was at moments, how precious. They could have lived here.

And died here. People died here, too. They got murdered at construction sites. They were killed in boozy car accidents on the twisty farm-to-market roads in the Hill Country. They drowned in the Memorial Day weekend flood of 1981, when water had risen so fast and furiously, turning streets into treacherous rivers.

Miriam secretly believed-or secretly rationalized-that it was her daughters’ destiny to be murdered, that if she could go back in time and change the circumstances of that day, all she would do was postpone and reconfigure the tragedy. Her daughters had been marked at birth, imprinted with a fate Miriam could not control. That was the one oddity about being an adoptive parent, the sense that there were biological factors she could never control. At the time she had thought it was healthy, that she had given in to a reality that biological parents-never “natural,” although even in well-intentioned Austin one still heard that tactless expression-that biological parents found it harder to accept. She could not control everything when it came to her children.

Of course, she had the advantage of knowing part of Sunny and Heather’s family, their maternal grandparents, Estelle and Herb Turner. How guilty Miriam had felt about her unkind first impression of them when she learned their whole story-the beautiful daughter, Sally, who had run away at age seventeen to marry a man of whom her parents didn’t approve, then refused their help until it was much too late. This would have been 1959, when elopement was still presented as a comic adventure-the ladder at the window, the young couple always caught, only to win the parents’ blessing in the end. This was when married couples on television slept in twin beds and sex was so hidden that young people must have felt as if they were going to explode with the feelings and sensations that no one ever discussed. Miriam knew. Miriam remembered. She wasn’t that much older than Sally Turner.

She had pieced the rest together on her own-the loutish, brutish beau of a different social class, the Turners’ objections, which Sally had written off as snobbery but had really been a parent’s unerring instinct. Having run away and married her bad boy, Sally must have been proud, too proud to call her parents and ask for help as the marriage became increasingly violent. Sunny had just turned three, and Heather was an infant when their father shot their mother, then killed himself. The Turners discovered almost simultaneously that their daughter was dead and that they had two grandchildren who needed someone to care for them.

Unfortunately, they had learned a month earlier that Estelle had liver cancer.

It had been Dave’s idea to volunteer to adopt the children, and while Miriam had doubts about his motives-she thought Dave was more interested in the bond it would establish with Estelle than the girls themselves-she had been eager to do it. Only twenty-five, she had already miscarried three times. Here were two beautiful girls, ready for them, girls that would not require a drawn-out adoption process. The Turners, as the girls’ guardians-the girls’ only family, as far as anyone knew, a fact that would be verified years later, when Detective Willoughby tried to ascertain if their dead father had any relatives-could assign guardianship to the Bethanys. It had been simple. And, cruel as it may sound, Miriam was relieved when Estelle finally died and Herb drifted away, as they all had known he would. The girls reminded him too much of his lost wife and daughter. Grateful as Miriam was for his decampment, she despised him for it, too. What kind of man wouldn’t want to be part of his granddaughters’ lives? Even now that she knew the whole story, she still couldn’t get past her initial dislike of the Turners, Herb’s uxorious regard for Estelle, his inability to love or care about anyone else. It was likely that Sally had run away because there was no room for her in that beautiful Sudbrook home, filled as it was with Herb’s excessive love for Estelle.

The girls never learned the entire story. They knew they were adopted, of course, although Heather had always refused to believe it, even as Sunny pretended to greater memories than she could possibly have. (“We had a house in Nevada,” she would announce to Heather. “A house with a fence. And a pony!”) But even let’s-be-honest, let-it-all-hang-out Dave could not bear to tell the girls the complete truth-the young runaways, their biological father’s deadly rage, the loss of two lives because Sally could not bear to pick up the phone and ask her parents for help to get away from the husband they had disapproved of from the start. Miriam had been of the opinion that the girls should never be told everything, while Dave thought it would mark their passage into adulthood, at age eighteen or so.

But she had been even more uncomfortable with the gentle fantasy Dave created for the girls in the interim.

“Tell me about my other mommy,” Sunny or Heather would say at bedtime.

“Well, she was beautiful-”

“Do I look like her?”

“Yes, exactly.” They did. Miriam had seen the photos in the Turners’ home. Sally had the same flyaway blond hair, the small-boned frame. “She was beautiful and she married a man and went away to live. But there was an accident-”

“A car accident?”

“Something like that.”

“What was it?”

“Yes, a car accident. They died in a car accident.”

“Were we there?”

“No.” But they had been. That part worried Miriam. The girls had been found in the house, Heather in a crib, Sunny in a playpen. They were in a different room, but what had they seen, what had they heard? What if Sunny remembered something that was more real than Nevada and a house and a pony?

“Where were we?”

“At home with a baby-sitter.”

“What was her name?”

And Dave would keep going, making up details until it was simply the most colossal lie that Miriam had ever heard. “We’ll tell them the truth when they’re eighteen,” he said.

To think that the truth could be assigned an age, as if it were beer or the right to vote. Oh, what busy but inexpert beavers Dave and Miriam had been, slapping together makeshift dams against all their secrets, trying to stem the trickle of a mere creek when an earthquake lay in wait for them. In the end all their lies had been released into the world, only to go unnoticed, because who would take note of such puny things in a postapocalyptic world, when so much debris was lying around? On the day that Estelle and Herb Turner came to them seeking their help, Miriam had thought she was providing a fresh start for two innocents. But in the end it was the girls who gave her the chance to reinvent herself. And when they were gone, she had lost that part of herself as well.