Charlie Huston - The Mystic Arts of Erasing All Signs of Death

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If you love crime fiction-preferably wickedly profane, unabashedly grisly, and laugh-out-loud funny "pulp" fiction-your number one New Year's resolution needs to be to read Charlie Huston. It only takes one to get you so hooked you'll read everything you can get your hands on, so take a couple of days off and give yourself room to binge on the brutal and hilarious Hank Thompson and Joe Pitt series, the blistering Shotgun Rule, and this latest and greatest stand-alone, The Mystic Arts of Erasing All Signs of Death. The best thing about reading a Huston novel is that you never see it coming-laughter, tears, the passing urge to vomit-everything is a surprise, creating a wholly unsettling and exciting reading experience. The Mystic Arts of Erasing All Signs of Death has all the makings of a perfect Charlie Huston novel-the down-but-not-out antihero, the outrageous supporting characters (each of whom deserves their own spin-off), the very bad situation involving money and violence, and the hilariously inappropriate dialogue that is Huston's signature-but with one surprising addition, hope. It does little good to break down the plot of a book this bizarre and brilliant. You're just going to have to trust us (and our Guest Reviewer, Stephen King), and read it.
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With a style that is razor sharp, an eye that never shies from the gritty details, and a taste for stories that simultaneously shock, disturb, and entertain, Charlie Huston is one of a kind. And The Mystic Arts of Erasing All Signs of Death is the type of story-swift, twisted, hilarious, somehow hopeful-that only he could dream up.
The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team-and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.
Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.
Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

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– Sure, but the bus sucks.

She shrugged.

– I like the bus. I like to watch the sides of the road.

I looked at the floor, trying to keep a lid on something that didn't seem to want to cooperate at that moment of exhaustion and postcoital confusion.

– I don't like buses.

– Don't like riding them?

That was a tricky question.

– No. I mean, yeah. I don't like riding them. But I also just kind of don't like them.

– Have you always felt this hostility toward public transportation?

– Not public transportation. I'm fine with light rail or trams. Subways. Just buses I don't like.

– Forever?

I thought about that. But I didn't need to, really, I knew it wasn't forever.

– Urn, no, no, not forever. I used to ride them quite a bit.

– When you were a kid?

– No. I mean, yeah, but.

Words just kept occurring to me, kept finding ways to put themselves together. While I was trying to corral one bunch, another slipped out. These were the next ones.

– Yeah, come to think of it, it is kind of a new thing. Not liking buses. Hating them, really.

She took a step over.

– Web, you're killing me. Are you serious? Are you trying to cheer me up? Because I hate that. If you're making this up to cheer me up I will be so fucking pissed at you.

Again, I tried to get things under control, knowing where this conversation ended. Not wanting to go there. Ever again.

But things, they have a way of going out of your control sometimes. Have you noticed that?

And I kept talking.

– Yeah. Hell yeah. I mean, no. I mean, really, I can't stand the things. Make me crazy.

– Why?

She folded her arms.

– I want to know why. You better not just be trying to get me to hang around longer.

I laughed.

– Well, they're loud and they smell. They get in the way. And they're really kind of ugly.

She smiled.

I took this as encouragement and kept talking, something that's rarely gone well for me in my life.

– And they're haunted.

She raised her eyebrows.

I raised a hand.

– No, no. Really. This is so strange. I don't know. Just this thing. Kind of started. Something happened and I started not liking them.

She laughed. Sort of.

– Because they're haunted?

I rubbed the spot between my eyes and squinted.

– Yeah, OK. Urn, let me think.

– You're lying. You're so trying to sucker me.

– No, I'm not.

– You totally are. You're trying to think of something funny to say. You are fucking with me and you are so busted.

I laughed again.

– No. It's just that it's complicated and I sometimes, I don't know, forget exactly how.

I looked up at the sky outside the window.

A piece of it snapped off and dropped and hit me on the head.

And it was all there again, the whole thing, back in my head, one picture, entire. No longer broken into the little fragments I liked to keep it scattered in. Fragments hidden on ghost buses cruising L.A. Freighters of lost things. But not of me.

I looked at Soledad, who'd just helped me to put it all together again.

And I thought, How kind of her.

– No, I got it! Yeah, huh, it's funny. You know. Because, it's not like I forgot. It's more like I think about it all the time. So I kind of forget it's there. Like white noise?

She tilted her head.

– Web?

– Yeah, funny thing. Totally fucked up, but funny in a distinctly not ha-ha way.

– Web. Hey.

– Weird how I had to think really hard to remember the… details? Details. Yeah.

– Are you OK?

– Yeah, I'm fine. So I was on this bus. I was teaching. I was a teacher before. Did I tell you that? I was. My dad always wanted me to be a teacher. Well, not always, but that's a long story. So I was a teacher. And I was on a bus. With my class. Fifth grade. Ten- and eleven-year-olds. Great age for kids, I think. Because they're really coming into their own as people, but the hormones haven't gone entirely berserk yet. They're mostly still kids. So my class and two other classes a little younger are on this bus. It's a field trip. Remember those?

– Sure.

– Yeah. This was cool. Did you grow up in L.A.? Cuz when you grow up in L.A., when I was a kid anyway, you always, sooner or later, you always go up to the Griffith Observatory. The planetarium. But it had been closed for renovations for like a year. Then it reopened. So we were going. I'd had to twist arms to make it happen. Field trips are a major production these days. So we were going. And we're riding in the bus. Lalalala. Kids talking, yelling, texting to the kid in the seat next to them. Kids in the back of the bus shoving each other and playing with toys they're not supposed to have because they start fights over them. I'm walking the aisle, talking to kids. Talking to this kid Tameka. Cute girl. She's pissed at one of her friends over this hat she's been wearing that no one else had, but now her friend is wearing the same hat and she doesn't understand how her friend could bite off her style like that. And we were talking about that. So then. Urn. Crap. What happened then? Oh, yeah, man, how could I forget this part? So then, yeah, there's like a noise, like, like, like when you dent a soda can and pop it back out. But louder. There's a couple sounds like that. And someone screamed for the driver to stop. Crap, who was that? Oh, oh yeah, it was me. So I screamed for her to stop. And she did. And the kids. Some ran for the door. But I told them to get on the floor. Under their seats. And most of them did. Then I thought, Crcif, we should get out of here. Or did I yell it? Anyway, I yelled at the driver to drive away. But she was on the floor, too. Aaaaand. There were sirens. And a helicopter. And it happened really fast. But pretty soon there were cops and they came on the bus and got the kids off. And they tried to get me off. But, you know, I really didn't want to leave Tameka behind? So they had to kind of, pry me loose from her. Embarrassing, kind of. And then, well, that was kind of it. Except that there was a real mess in there, in the bus. Man, I had stuff all over me. Don't know how I got those clothes clean. No, that's right, Chev threw them out. And, what happened was there was some kind of thing, some thing on the street between some guys who had a beef with each other, never found out about what. So, bullets were exchanged. Obviously some hit the bus. So. That's what hit Tameka. That's why it was such a mess in there. Aaaaanyway that's why I guess I don't like buses. Funny, right? That I'd forget something like that? So thanks, you know, for pushing the point, really digging into me and getting me to stir all that up. Because, you know, I clearly haven't been doing enough to keep people at arm's distance and it's a good reminder to me to tell you to get the fuck out of here.

– Web? Web, are you OK?

I looked at her from under the bed where I'd crawled and curled into a ball.

– GETTHEFUCKOUT!

And she did. And I felt tired. So I went to sleep.

TO KEEP HIM FROM CRUSHING MY SPINE

– Motherfucker!

I opened my eyes and looked up at the extremely pissed off giant standing over me holding one edge of the bed off the ground and threatening to stomp on my head.

– Motherfucker, are you high?

I shook my head, looked around the sun-filled office.

– No. What? No. I don't even do drugs.

He hefted the bed.

– Get the hell out of there before I drop this thing.

I scrambled out and stood in my T and underwear, jeans clutched in my hands.

– Urn.

Po Sin dropped the bed.

– Jesus, Web, what the hell?

I slid one leg into my jeans.

– No, I'm fine, I was just sleeping. I sleep a lot.

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