Charlie Huston - The Mystic Arts of Erasing All Signs of Death

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If you love crime fiction-preferably wickedly profane, unabashedly grisly, and laugh-out-loud funny "pulp" fiction-your number one New Year's resolution needs to be to read Charlie Huston. It only takes one to get you so hooked you'll read everything you can get your hands on, so take a couple of days off and give yourself room to binge on the brutal and hilarious Hank Thompson and Joe Pitt series, the blistering Shotgun Rule, and this latest and greatest stand-alone, The Mystic Arts of Erasing All Signs of Death. The best thing about reading a Huston novel is that you never see it coming-laughter, tears, the passing urge to vomit-everything is a surprise, creating a wholly unsettling and exciting reading experience. The Mystic Arts of Erasing All Signs of Death has all the makings of a perfect Charlie Huston novel-the down-but-not-out antihero, the outrageous supporting characters (each of whom deserves their own spin-off), the very bad situation involving money and violence, and the hilariously inappropriate dialogue that is Huston's signature-but with one surprising addition, hope. It does little good to break down the plot of a book this bizarre and brilliant. You're just going to have to trust us (and our Guest Reviewer, Stephen King), and read it.
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With a style that is razor sharp, an eye that never shies from the gritty details, and a taste for stories that simultaneously shock, disturb, and entertain, Charlie Huston is one of a kind. And The Mystic Arts of Erasing All Signs of Death is the type of story-swift, twisted, hilarious, somehow hopeful-that only he could dream up.
The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team-and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.
Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.
Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

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– How'd you get that?

I hit my blinker and changed lanes to get out from behind a Pinto stuffed with the amassed possessions of its owner; boxes and bags heaped from the floorboards to the headliner and smashed against the windows, leaving just enough space for the driver, one of the rolling homeless of L.A. I glanced at him, talking endlessly to himself, as we passed.

I looked back at the road ahead.

– He kept saying your dad. I just assumed that meant you had different dads is all.

She looked back at the signs.

– Oooh, Detective Web at work. Did you suss out any more family secrets?

– Just that the black sheep of the family back there is also a fucking moron.

– Hardly a secret, that one.

– Yeah, he does rather wear it on his sleeve.

She began going through the pockets of her jacket, searching.

– He's actually kind of OK. Or he was, anyway. When we were kids. Just spoiled mostly. And starved for attention.

– Interesting combination.

She came up with a hair bungee from her pockets and began to pull her hair into a ponytail.

– Well, my mom is an interesting woman with strange abilities. Especially when it comes to screwing with her kids’ heads.

I adjusted the shoulder strap of my seatbelt where it snugged too tight across my neck.

– Yeah, moms are tricky that way.

She got her hair where she wanted it, a couple wild curls poking loose, and settled back into her seat.

– Our mom is a little more than tricky. Her special talent with Jaime was to give him anything and everything he asked for. This being the easiest way she knew to keep him occupied, and keep her from having to actually deal with him as, I don't know, a human being. Jaime's response was to ask for more and more extravagant toys, trips, parties, whatever he thought would force her to deal with him, I guess.

– How'd that work out for him?

– Well, I didn't witness much of it, not wanting to be around her myself, but the way I put it together, the more he asked for, the more she worked to make the money to see he got it, the more he got, the more he asked for, and the more she worked… and so on.

– Kind of a perpetual motion machine of familial alienation, then?

She slid her eyes at me.

– That was clever.

I rubbed my eyes.

– Yeah, clever, that's me, always doing clever stuff. That's why I'm in this van at the moment with a load of someone else's bloody sheets and all.

She went in her pockets again and came out with a pair of big black plastic film star sunglasses.

– I said it was clever, not smart.

– True.

She took off her regular narrow black-framed glasses and slid the sunglasses on.

– Anyway, Mom just worked and worked to get Jaime what he wanted, which meant she was never around to look at him, which is what she wanted. Until he turned eighteen.

– Then what?

– She kicked him out. Of course. If behavioral scientists had designed a scenario meant to create an adult utterly unequipped to provide for themselves and emotionally cope with the world, they could not have done a better job than my mom did with Jaime. And, to make it more interesting, when she set him loose, she did it in Hollywood.

The lights of a jumbo jet cruised over the freeway on approach to LAX. Inglewood sprawled low and wild to the east, endless stucco blocks of small houses with barred windows and dead lawns.

– It's a tough little town, ain't it.

She shrugged.

– It's designed to fuck the weak is all.

– And how'd you avoid the mommy treatment?

She leaned forward and adjusted the heater.

– Dad divorced her when I was three. Seeing as she didn't want to have the responsibilities of actually raising kids, it wasn't much of a challenge for him to get custody. And by then I'd already started loathing her pretty well. I mean, Dad didn't have to run her down at all to make me not want to see her. Not that he would have done that. Still, holidays, occasional weekends, he'd pack me up and drive me over to the valley. It sucked, but it got better when I was five and she had Jaime. He was cute. And fun.

– Till he grew up and turned into a prick.

– Like I said, he had help.

– We all get help, that doesn't mean we all end up cutting guys up in motel rooms after a drug deal turns sour.

She fingered her sunglasses lower on her nose and gave me a look over the tops of the lenses.

– My, how very hard-boiled of you.

– I'm just saying.

She pushed the sunglasses back into place.

– I know what you're saying. And you're mostly right. He's definitely defective. But he's my brother. So I. You know.

– Sure.

– Anyway, it wasn't a drug deal.

– No? Stocks then? Commodities futures?

– I don't know. I mean, he does deal some stuff. Weed and ecstasy mostly. Works craft services and deals to the P.A.s and the extras. That knife, he was on set for a John Woo movie, one of the prop guys traded the knife for a few hits of X. He loves that knife. Anyway, whatever he's up to, it's not drugs. Jaime always gets into something crazy. Usually it's something having to do with movies. I don't think so this time. But movies is what it usually is. He's going to get the rights to some Hungarian sci-fi movie. He's going to manage the movie career of a Balinese pop star who's the Madonna of Indonesia. He's going to negotiate U.S. distribution for a Canadian production company that specializes in remaking Paraguayan classics. That kind of thing. Movies. He got it from my mom.

I slid into the interchange lane for the 10 West, thinking about L.L. and the movie game, and what it does to people.

She pointed at the sign for the 10.

– Where are you going?

– Take the 10 out to the PCH and up to Malibu.

She sat up and reached toward the wheel.

– No, no, don't, just. Just go.

She grabbed the wheel and shoved it to the left, sending us veering in front of a barreling SUV.

I slapped her hand.

– Hey! Hey!

The SUV cut around us, horn sounding.

She took her hand from the wheel as the exit to the 10 slipped away behind us.

– Sorry.

She put her face in her hands.

– Sorry.

She took it out and looked at me.

– I don't want to go west right now. I don't want to go home. I want. Oh fuck.

Tears were leaking out from under the lenses of the sunglasses.

– Shit, Web. Shit. My dad.

I nodded.

– Yeah, no problem. Shit. I get it.

I stayed with the 405, looking ahead to where it would climb through the Santa Monicas and meet the 101 on the other side.

– I got a place to go.

She pushed her fingers up under her sunglasses and wiped her eyes.

– Thanks.

I drove, thinking about families. Not my favorite pastime, but one I seem incapable of avoiding. I glanced at her from time to time, black hair pulled back, light olive skin flushed, muscles of her long neck taut as she bent to lean her head against the window, the sky lightening beyond her above the rim of the San Gabriels. And all that shit.

I thought to distract her from her sadness, strike a chord of shared experience. You know, cheer a girl up.

– So. Your mom's in the biz? So's my dad. Or he was. Screenwriter. What's your mom do?

She rolled her head around, pointed the big lenses at me, rolled back against the glass.

– She was a porn star. So I guess we both have parents who were whores.

I drove some more. Choosing wisely, I think, not to talk anymore.

– I suppose it was naive of me to think you were going to take me to your place and tuck me into your bed while you slept protectively on the floor, wasn't it?

I watched her as she flipped through Po Sin's binder of before-and-after photos from various job sites, sunglasses still over her eyes.

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