Jeffery Deaver - The Sleeping Doll

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Special Agent Kathryn Dance – introduced in The Cold Moon – stars in the latest thriller from New York Times bestselling author Jeffery Deaver. When Special Agent Kathryn Dance is sent to interrogate the convicted killer Daniel "Son of Manson" Pell as a suspect in a newly unearthed crime, she feels both trepidation and electrifying intrigue. Pell is serving a life sentence for brutal murders years earlier that mirrored those perpetrated by Charles Manson in the 1960s. But Pell and his cult members left behind a survivor who – because she was in bed hidden by her toys – was dubbed the Sleeping Doll. Pell has long been both reticent and unrepentant about the crime. But Dance sees an opportunity to pry a confession from him for the recent murder – and to learn more about the depraved mind of this career criminal. But when Dance's plan goes terribly wrong and Pell escapes, leaving behind a trail of dead and injured, she finds herself in charge of her first manhunt. As the idyllic Monterey Peninsula is paralyzed by the elusive killer, Dance turns to the past to find the truth about what Daniel Pell is really up to. She tracks down the now-teenage Sleeping Doll to learn what really happened that night, and arranges a reunion of three women who were in his cult at the time of the killings. The lies of the past and the evasions of the present boil up under the relentless probing of Kathryn Dance, but will the truth about Daniel Pell emerge in time to stop him from killing again?

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Thinking: Golly damn, girl, making out in a car-with a bench front seat, no buckets, just made for reclining with the man of the hour. She recalled mint, recalled his hands, the flop of hair, the absence of aftershave.

She also heard her son's voice and saw his eyes earlier that day. Wary, jealous. Dance thought of Linda's comments earlier.

There's something terrifying about the idea of being kicked out of your family…

Which was ultimately Wes's fear. The concern was unreasonable, of course, but that didn't matter. It was real to him. She'd be more careful this time. Keep Wes and Kellogg separate, not mention the word "date," sell the idea that, like him, she had friends who were both male and female. Your children are like suspects in an interrogation: It's not smart to lie but you don't need to tell them everything.

A lot of work, a lot of juggling.

Time and effort…

Or, she wondered, her thoughts spinning fast, was it better just to forget about Kellogg, wait a year or two before she dated? Age thirteen or fourteen is hugely different from twelve. Wes would be better then.

Yet Dance didn't want to. She couldn't forget the complicated memories of his taste and touch. She thought too of his tentativeness about children, the stress he exhibited. She wondered if it was because he was uneasy around youngsters and was now forming a connection with a woman who came with a pair of them. How would he deal with that? Maybe-

But, hold on here, let's not get ahead of ourselves.

You were making out. You enjoyed it. Don't call the caterer yet.

For a long time she lay in bed, listening to the sounds of nature. You were never very far from them around here-throaty sea animals, temperamental birds and the settling bed sheet of surf. Often, loneliness sprang into Kathryn Dance's life, a striking snake, and it was at moments like this-in bed, late, hearing the sound track of night-that she was most vulnerable to it. How nice it was to feel your lover's thigh next to yours, to hear the adagio of shallow breath, to awake at dawn to the thumps and rustling of someone's rising: sounds, otherwise insignificant, that were the comforting heartbeats of a life together.

Kathryn Dance supposed longing for these small things revealed weakness, a sign of dependency. But what was so wrong with that? My God, look at us fragile creatures. We have to depend. So why not fill that dependency with somebody whose company we enjoy, whose body we can gladly press against late at night, who makes us laugh?…Why not just hold on and hope for the best?

Ah, Bill… She thought to her late husband. Bill…

Distant memories tugged.

But so did fresh ones, with nearly equal gravitation.

…afterward. How does that sound?

THURSDAY

Chapter 39

In her backyard again.

Her Shire, her Narnia, her Hogwarts, her Secret Garden.

Seventeen-year-old Theresa Croyton Bolling sat in the gray teak Smith & Hawken glider and read the slim volume in her hand, flipping pages slowly. It was a magnificent day. The air was as sweet as the perfume department at Macy's, and the nearby hills of Napa were as peaceful as ever, covered with a mat of clover and grass, verdant grapevines and pine and gnarly cypress.

Theresa was thinking lyrically because of what she was reading-beautifully crafted, heartfelt, insightful…

And totally boring poetry.

She sighed loudly, wishing her aunt were around to hear her. The paperback drooped in her hand and she gazed over the backyard once more. A place where she seemed to spend half her life, the green prison, she sometimes called it.

Other times, she loved the place. It was beautiful, a perfect setting to read, or practice her guitar (Theresa wanted to be a pediatrician, a travel writer or, in the best of all worlds, Sharon Isbin, the famous classical guitarist).

She was here, not in school, at the moment because of an unplanned trip she and her aunt and uncle were going to be taking.

Oh, Tare, we'll have fun. Roger's got this thing he has to do in Manhattan, a speech, or research, I don't really know. Wasn't paying attention. He was going on and on. You know your uncle. But won't it be great, getting away, just on a whim? An adventure.

Which was why her aunt had taken her out of school at 10:00 A.M. on Monday. Only, hello, they hadn't left yet, which was a little odd. Her aunt explaining there were some "logistical difficulties. You know what I mean?"

Theresa was eighth in her class of 257 students at Vallejo Springs High. She said, "Yes, I do. You mean 'logistic.'"

But what the girl didn't understand was, since they were still not on a fucking airplane to New York, why couldn't she stay in school until the "difficulties" were taken care of?

Her aunt had pointed out, "Besides, it's study week. So study."

Which didn't mean study; what it meant was no TV.

And meant no hanging with Sunny or Travis or Kaitlin.

And meant not going to the big literacy benefit formal in Tiburon that her uncle's company was a sponsor of (she'd even bought a new dress).

Of course, it was all bullshit. There was no trip to New York, there were no difficulties, logistic, logistical or otherwise. It was just an excuse to keep her in the green prison.

And why the lies?

Because the man who'd killed her parents and her brother and sister had escaped from prison. Which her aunt actually seemed to believe she could keep secret from Theresa.

Like, please…The news was the first thing you saw on Yahoo's home page. And everybody in California was talking about it on MySpace and Facebook. (Her aunt had disabled the family's wireless router somehow, but Theresa had simply piggybacked through a neighbor's unsecured system.)

The girl tossed the book on the planks of the swing and rocked back and forth, as she pulled the scrunchi out of her hair and rebound her ponytail.

Theresa was certainly grateful for what her aunt had done for her over the years and gave the woman a lot of credit, she really did. After those terrible days in Carmel eight years ago her aunt had taken charge of the girl everybody called the Sleeping Doll. Theresa found herself adopted, relocated, renamed (Theresa Bolling; could be worse) and plopped down on the chairs of dozens of therapists, all of whom were clever and sympathetic and who plotted out "routes to psychological wellness by exploring the grieving process and being particularly mindful of the value of transference with parental figures in the treatment."

Some shrinks helped, some didn't. But the most important factor-time-worked its patient magic and Theresa became someone other than the Sleeping Doll, survivor of a childhood tragedy. She was a student, friend, occasional girlfriend, veterinary assistant, not bad sprinter in the fifty-and the hundred-yard dash, guitarist who could play Scott Joplin's "The Entertainer" and do the diminished chord run up the neck without a single squeak on the strings.

Now, though, a setback. The killer was out of jail, true. But that wasn't the real problem. No, it was the way her aunt was handling everything. It was like reversing the clock, sending her back in time, six, seven, oh, God, eight years. Theresa felt as if she were the Sleeping Doll once again, all the gains erased.

Honey, honey, wake up, don't be afraid. I'm a policewoman. See this badge? Why don't you get your clothes and go into your bathroom and get changed.

Her aunt was now panicked, edgy, paranoid. It was like in that HBO series she'd watched when she was over at Bradley's last year. About a prison. If something bad happened, the guards would lock down the place.

Theresa, the Sleeping Doll, was in lockdown. Stuck here in Hogwarts, in Middle Earth…in Oz

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