Jeffery Deaver - The Sleeping Doll

A roadblock?

O'Neil called Monterey County central dispatch on his Motorola. "It's O'Neil."

"Go ahead, sir. Over."

"We're on One, northbound, just short of Moss Landing. Traffic's stopped. What's the story?"

"Be advised. There's…they're evacuating Duke Power. Fire or something. It's pretty bad. They've got multiple injuries. Two fatalities."

Oh, no, Dance thought, exhaling a sigh. Not more deaths.

"Fire?" O'Neil asked.

"Just what Pell did at the courthouse." Dance squinted. She could see a column of black smoke. Emergency planners took seriously any risk of a conflagration around here. Several years ago a huge fire had raged through an abandoned oil tank at the power facility. The plant was now gas-not oil-operated and the odds of a serious fire were much lower. Still, security would have frozen Highway 1 in both directions and started to evacuate anyone nearby.

O'Neil snapped, "Tell CHP or Monterey Fire or whoever's running the scene to clear a path. We've got to get through. We're in pursuit of that escapee. Over."

"Roger, Detective…Hold on…" Silence for a minute. Then: "Be advised… Just heard from Watsonville Fire. I don't know… Okay, the plant's not burning. The fire's just a car in front of the main gate. I don't know who called in the eleven-forty-one. No injuries that anybody can tell. That was a false report… And we've got some calls from Jack's. The suspect pulled a gun and fled."

"Hell, he made us," O'Neil muttered.

Dance took the microphone. "Roger. Are any police on the scene?"

"Stand by… Affirmative. One Watsonville officer. The rest are fire and rescue."

" One officer," Dance said, scowling, shaking her head.

"Tell him that Daniel Pell's there somewhere. And he will target innocents and officers."

"Roger. I'll relay that."

Dance wondered how the sole officer would fare; Moss Landing's worst crimes were DUIs and the thefts of cars and boats.

"You get all that, TJ?"

"Fuck" was the reply from the speaker. TJ didn't bother much with radio codes.

O'Neil slammed the microphone into the cradle in frustration.

Their plea to move the traffic along wasn't having any effect.

Dance told him, "Let's try to get up there anyway. I don't care if we need bodywork."

O'Neil nodded. He hit the siren and started along the shoulder, which was sandy in parts, rocky in others, and in several places barely passable.

But slowly the motorcade made its way forward.

When they arrived at Moss Landing, Pell and his girlfriend were nowhere to be seen.

Dance and O'Neil parked. A moment later TJ too pulled up, beside the burned Thunderbird, still smoldering.

"Pell's car," she pointed out. "The one stolen from L.A. on Friday." Dance told TJ to find the manager of Jack's.

The Watsonville cop, O'Neil, and the other officers spread out to search for witnesses. Many of them had left, probably scared off by the flames from the T-bird and the piercing siren from the power plant-maybe even thinking it was a nuclear reactor that was melting down.

Dance interviewed several people near the power plant. They reported that a wiry man and a blonde, driving the Thunderbird-it had been turquoise before the fire-had sped over the bridge from Jack's Seafood, then stopped abruptly in front of the power plant. They'd gotten out and a moment later the car had erupted in flames.

The couple had run across the road to the shore side, one person reported, but nobody saw what became of them after that. Apparently Pell had called 911 himself to report that the plant was burning and there were injuries and two deaths.

Dance looked around her. They'd need another car; you couldn't escape from here on foot. But then her eyes focused on the bay. With the traffic jam, it would make more sense to steal a boat. She corralled several local officers, trotted across the highway, and they spent fifteen frantic minutes talking to the people on the shoreline, to see if Pell had stolen a vessel. Nobody reported seeing the couple, nor were any boats missing.

A waste of time.

Returning to the highway, Dance noticed a store across from the power plant, a shack selling souvenirs and candy. There was a CLOSED sign on the door but inside Dance believed she could see a woman's face, looking out.

Was Pell inside with her?

Dance gestured to a deputy, told him of her concern and together they stepped to the door. She rapped on it. No response.

Another knock, and slowly the door opened. A round woman with short curly hair glanced in alarm at their hands, resting on their guns, and asked breathlessly, "Yes?"

Eyes on the dim interior behind her, Dance asked, "Could you please step outside?"

"Um, sure."

"Is anyone else in there?"

"No. What-?"

The deputy pushed past her and flicked the lights on. Dance joined him. A fast search revealed that the tiny place was unoccupied.

Dance returned to the woman. "Sorry for the disturbance."

"No, that's okay. This's scary. Where did they go?"

"We've still searching. Did you see what happened?"

"No. I was inside. When I looked out there was the car burning. I kept thinking about the oil tank fire a few years ago. That was a bad one. Were you here for that?"

"I was. I could see it from Carmel."

"We knew it was empty, the tank. Or pretty much empty. But we were all freaked out. And those wires. Electricity can be pretty spooky."

"So you're closed?"

"Yeah. I was going to leave early anyway. Didn't know how long the highway would be closed. Not many tourists'd be interested in saltwater taffy with a power plant on fire across the highway."

"Imagine not. I'd like to ask why you wondered where they went."

"Oh, a dangerous man like that? I'd hope he'd get arrested as fast as possible."

"But you said 'they.' How did you know there were several people?"

A pause. "I-"

Dance gazed at her with a smile and but unwavering eyes. "You said you didn't see anything. You looked out only after you heard the siren."

"I think I talked to somebody about it. Outside."

I think…

A denial flag expression. Subconsciously the woman would feel she was giving an opinion, not a deceptive statement.

"Who told you?" Dance persisted.

"I didn't know them."

"A man or a woman?"

Another hesitation. "A girl, a woman. From out of state." Her head was turned away and she was rubbing her nose-an aversion/negation cluster.

"Where's your car?" Dance asked.

"My-?"

Eyes play an ambiguous role in kinesic analysis. There's the belief among some officers that if a suspect looks to his left under your gaze, it's a sign of lying. Dance knew that was just an old cops' tale; averting eyes-unlike turning the body or face away from the interrogator-has no correlation to deception; direction of eye gaze is too easily controlled.

But eyes are still very revealing.

As Dance was talking to the woman, she'd noticed her looking at a particular place in the parking lot. Every time she did, she displayed general stress indicators: shifting her weight, pressing her fingers together. Dance understood: Pell had stolen her car and said that he or the infamous partner would kill her family if she said anything. Just as with the Worldwide Express driver.

Dance sighed, upset. If the woman had come forward when they'd first arrived, they might have Pell by now.

Or if I hadn't blindly believed the CLOSED sign and knocked on the door sooner, she added to herself bitterly.

"I-" The woman started to cry.

"I understand. We'll make sure you're safe. What kind of car?"

"It's a dark blue Ford Focus. Three years old. There's a bumper sticker about global warming on it. And a dent in the-"