Jeffery Deaver - The Sleeping Doll

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Special Agent Kathryn Dance – introduced in The Cold Moon – stars in the latest thriller from New York Times bestselling author Jeffery Deaver. When Special Agent Kathryn Dance is sent to interrogate the convicted killer Daniel "Son of Manson" Pell as a suspect in a newly unearthed crime, she feels both trepidation and electrifying intrigue. Pell is serving a life sentence for brutal murders years earlier that mirrored those perpetrated by Charles Manson in the 1960s. But Pell and his cult members left behind a survivor who – because she was in bed hidden by her toys – was dubbed the Sleeping Doll. Pell has long been both reticent and unrepentant about the crime. But Dance sees an opportunity to pry a confession from him for the recent murder – and to learn more about the depraved mind of this career criminal. But when Dance's plan goes terribly wrong and Pell escapes, leaving behind a trail of dead and injured, she finds herself in charge of her first manhunt. As the idyllic Monterey Peninsula is paralyzed by the elusive killer, Dance turns to the past to find the truth about what Daniel Pell is really up to. She tracks down the now-teenage Sleeping Doll to learn what really happened that night, and arranges a reunion of three women who were in his cult at the time of the killings. The lies of the past and the evasions of the present boil up under the relentless probing of Kathryn Dance, but will the truth about Daniel Pell emerge in time to stop him from killing again?

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"Um."

She deduced he hadn't heard the expression.

"Move fast."

Chapter 14

"We're getting sand dabs."

"Okay," Jennie agreed. "What's that?"

"These little fish. Like anchovies, but they're not salty. We'll get sandwiches. I'm having two. You want two?"

"Just one, honey."

"Put vinegar on them. They have that at the tables."

Jennie and Pell were in Moss Landing, north of Monterey. On the land side was the massive Duke Power plant, its steam stacks soaring high into the air. Across the highway was a small spit of land, an island really, accessible only by bridge. On this strip of sandy soil were marine service companies, docks and the rambling, massive structure where Pell and Jennie now sat: Jack's Seafood. It had been in business for three-quarters of a century. John Steinbeck, Joseph Campbell and Henry Miller-as well as Monterey's most famous madam, Flora Woods-would sit around the stained, scarred tables, arguing, laughing and drinking till the place closed, and sometimes until much later.

Now Jack's was a commercial fishery, seafood market and cavernous restaurant, all rolled into one. The atmosphere was much less bohemian and volatile than in the forties and fifties, but in compensation the place had been featured on the Food Channel.

Pell remembered it from the days when the Family lived not far from here, in Seaside. The Family didn't go out to eat much, but he'd send Jimmy or Linda to buy sand dab sandwiches and fries and coleslaw. He just loved the food and he was real happy the restaurant hadn't closed up.

He had some business to take care of on the Peninsula but there'd be a little delay before he could proceed with that. Besides, he was starving and figured he could take a chance being out in public. The police wouldn't be looking for a happy tourist couple-especially here, since they believed he was halfway to Utah by now, according to the news story he'd heard on the radio, some pompous ass named Charles Overby making the announcement.

Jack's had an outdoor patio with a view of the fishing boats and the bay, but Pell wanted to stay inside and keep an eye on the door. Carefully avoiding the urge to adjust the uncomfortable automatic pistol in his back waistband, Pell sat down at the table, Jennie beside him. She pressed her knee against his.

Pell sipped his iced tea. He glanced at her and saw her watching a revolving carousel with tall cakes in it.

"You want dessert after the sand dabs?"

"No, honey. They don't look very good."

"They don't?" They didn't to him; Pell didn't have a sweet tooth. But they were some pretty damn big hunks of cake. Inside, in Capitola, you could bargain one piece for a whole carton of cigarettes.

"They're just sugar and white flour and flavorings. Corn syrup and cheap chocolate. They look good and they're sweet but they don't taste like anything."

"For your catering jobs, you wouldn't make those?"

"No, no, I'd never do that." Her voice was lively as she nodded toward the merry-go-round of pastry. "People eat a lot of that stuff because it's not satisfying, and they want more. I make a chocolate cake without any flour at all. It's chocolate, sugar, ground nuts, vanilla and egg yolks. Then I pour a little raspberry glaze on the top. You just need a few bites of that and you're happy."

"Sounds pretty good." He thought it was repulsive. But she was telling him about herself, and you always encouraged people to do that. Get 'em drunk, let ' em ramble. Knowledge was a better weapon than a knife. "Is that what you do mostly? Work for bakeries?"

"Well, I like baking best, 'cause I have more control. I make everything myself. On the other food lines you have people prepping part of the dishes."

Control, he reflected. Interesting. He filed that fact away.

"Then sometimes I serve. You get tips when you serve."

"I'll bet you get good ones."

"I can, yeah. Depends."

"And you like it?…What're you laughing at?"

"Just…I don't know the last time anybody-I mean a boyfriend-asked me if I like my job… Anyway, sure, serving's fun. Sometimes I pretend I'm not just serving. I pretend it's my party, with my friends and family."

Outside the window a hungry seagull hovered over a piling, then landed clumsily, looking for scraps. Pell had forgotten how big they were.

Jennie continued, "It's like when I bake a cake, say, a wedding cake. Sometimes I just think it's the little happinesses that're all we can count on. You bake the best cake you can and people enjoy it. Oh, not forever. But what on earth makes you happy forever?"

Good point. "I'll never eat anybody's cake but yours."

She gave a laugh. "Oh, sure you will, sweetie. But I'm happy you said that. Thank you."

These few words had made her sound mature. Which meant, in control. Pell felt defensive. He didn't like it. He changed the subject. "Well, I hope you like your sand dabs. I love them. You want another iced tea?"

"No, I'm fine for now. Just sit close to me. That's what I want."

"Let's look over the maps."

She opened her bag and took them out. She unfolded one and Pell examined it, noticing how the layout of the Peninsula had changed in the past eight years. Then he paused, aware of a curious feeling within him. He couldn't quite figure out the sensation. Except that it was real nice.

Then he realized: he was free.

His confinement, eight years of being under someone else's control, was over, and he could now start his life over again. After finishing up his missions here, he'd leave for good and start another Family. Pell glanced around him, at the other patrons in the restaurant, noting several of them in particular: the teenage girl, two tables away, her silent parents hunched over their food, as if actually having a conversation would be torture. The girl, a bit plump, could be easily seduced away from home when she was alone in an arcade or Starbucks. It would take him two days, tops, to convince her it was safe to get into the van with him.

And at the counter, the young man of about twenty (he'd been denied a beer when he'd "forgotten" his ID). He was inked-silly tattoos, which he probably regretted-and wore shabby clothes, which, along with his meal of soup, suggested money problems. His eyes zipped around the restaurant, settling on every female older than sixteen or so. Pell knew exactly what it would take to sign the boy up in a matter of hours.

Pell noted too the young mother, single, if the naked ring finger told the truth. She sat slouching in a funk-man problems, of course. She was hardly aware of her baby in a stroller by her side. She never once looked down at the child, and good luck if it started crying; she'd lose patience fast. There was a story behind her defeated posture and resentful eyes, though Pell didn't care what it might be. The only message of interest to him was that her connection to the child was fragile. Pell knew that if he could lure the woman to join them, it wouldn't take much work to separate mother and child, and Pell would become an instant father.

He thought of the story his aunt Barbara had read him when he'd stayed with her in Bakersfield: the Pied Piper of Hamelin, the man who spirited away the children of a medieval German town, dancing as they followed, when the citizens refused to pay him for eliminating a rat infestation. The story had made a huge impression on Pell and stayed with him. As an adult he read more about the incident. The real facts were different from the Brothers Grimm and popular versions. There were probably no rats involved, no unpaid bills; a number of children simply disappeared from Hamelin and were never found again. The disappearance-and the parents' reportedly apathetic response-remained a mystery.

One explanation was that the children, infected with plague or a disease that induced dancelike spasms, were led out of town to die because the adults feared contagion. Another was that the Pied Piper organized a religious pilgrimage for children, who died on the road in some natural disaster or when they were caught in a military conflict.

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