Steve Martini - Shadow of Power

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The Supreme Court is one of our most sacred – and secretive – public institutions. But sometimes secrets can lead to cover-ups with very deadly consequences.
Terry Scarborough is a legal scholar and provocateur who craves headline-making celebrity, but with his latest book he may have gone too far. In it he resurrects forgotten language in the U.S. Constitution – and hints at a missing letter of Thomas Jefferson's – that threatens to divide the nation.
Then, during a publicity tour, Scarborough is brutally murdered in a San Diego hotel room, and a young man with dark connections is charged. What looks like an open-and-shut case to most people doesn't to defense attorney Paul Madriani. He believes that there is much more to the case and that the defendant is a pawn caught in the middle, being scapegoated by circumstance.
As the trial spirals toward its conclusion, Madriani and his partner, Harry Hinds, race to find the missing Jefferson letter – and the secrets it holds about slavery and scandal at the time of our nation's founding and the very reason Scarborough was killed. Madriani's chase takes him from the tension-filled courtroom in California to the trail of a high court justice now suddenly in hiding and lays bare the soaring political stakes for a seat on the highest court, in a country divided, and under the shadow of power.

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Tuchio has each of the photographs marked for identification and immediately moves them into evidence.

“Any objection?” says Quinn.

We both know he will swat down anything I say, since we have argued this already, but for the record, possible appeal, it is necessary. “As to People’s Thirteen, the one photograph we object to based on Evidence Code section 352. That the prejudicial content so clearly outweighs any probative value.”

“Overruled,” says Quinn. “The items are admitted into evidence.”

Tuchio immediately moves that the jury be allowed to see them.

“So ordered,” says the judge.

The photos begin to circulate through the box. While this is happening, Tuchio poses a number of bland questions to Detrick-whether he or any of his officers searched other rooms in the suite, whether they found anything in those rooms, if he or any of his officers collected witness statements from any of the hotel employees-this without getting into any real details, nothing that might cause any juror to listen or take notes. He would read the phone book to them if he could. Tuchio wants nothing here that might distract from the photographs circulating through the jury box at this moment. Some of the jurors are looking at them wide-eyed and slack-jawed, the thought never having entered their minds that a hammer, a tool so common that most of them have at least one in their own homes, could do this to a human head. They will be looking at their toolboxes in the future with the same cautious glance they now aim over the top of the eight-by-ten glossies toward Carl, sitting next to me.

Finally, when he can’t dawdle any longer, Tuchio starts another line of questioning.

“Detective Detrick, have you ever had occasion to meet or personally talk to the defendant, Carl Arnsberg?”

“I have.”

“When was the first time you met him, if you can remember?”

“It was the day after the murder. The following morning, I believe.”

“Can you tell the jury why you met with the defendant?”

“In order to interview him.”

“Why?”

“We were in the process of questioning all the employees who were on duty at the Presidential Regis Hotel on the day of the murder, and information came to us that the defendant, Mr. Arnsberg-”

“Objection, Your Honor. Hearsay.”

Quinn looks up.

“We don’t even know what the witness is going to say, Your Honor.” Tuchio tries to edge in.

“May we approach the bench?” I want to get it away from the jury.

The judge waves us forward. He pushes the little button on the bench. This creates a tone barely audible to the human ear, but if we were to shout, people in the jury box as well as those in the audience would never hear a word.

“We know what the witness is going to say, Your Honor.” I talk before Tuchio can get a word in. “He’s going to tell the jury that Arnsberg ran, that he fled the scene, when in fact there’s no evidence of that at all.”

“He left work unannounced,” says Tuchio. “He didn’t tell his supervisor or anyone else why he was leaving or where he was going. And that’s why the police bumped him up on the list of employees to be interviewed. Pure and simple,” says Tuchio.

“That’s not why the prosecutor wants it in, Your Honor. He’s wants it to infer flight from the scene.”

“It is what it is,” says Quinn. “The jury will have to decide.”

“It’s also hearsay, Your Honor. The witness is testifying to information given to him by others-the hotel supervisor, for one-and he’s not on the stand.”

“Oh, he will be,” says Tuchio, “to testify that your man disappeared, didn’t say a word to any of the other employees, and that the last time anybody saw him was before the victim’s body was found by the maid and reported.”

“Overruled,” says Quinn.

Just like that we’re back out, the dead button switched off. The prosecutor puts the question to Detrick again.

“As I was saying, we were in the process of interviewing all the hotel employees who were on duty that day-”

“The day of the murder?” says Tuchio.

“Yes. And information came to our attention that the defendant, Mr. Arnsberg, had left work early that day, unannounced. He hadn’t told his supervisor or anyone else that he was leaving. So we wanted to interview him at the first opportunity.”

“And that opportunity was the following day?”

“Correct.”

“When you interviewed him the next day, where did that interview take place?”

“At the defendant’s apartment in downtown San Diego.”

“And did you ask him why he’d left work early the previous day?”

“I did.”

“And what did he say?”

“He said he wasn’t feeling well, so he went home.”

“But he didn’t tell his supervisor?”

“No.”

“Or anyone else he worked with?”

“Not that we’ve been able to locate.”

“Did you ask him why he didn’t tell his supervisor?”

“I never had the chance.”

“Why was that?”

“Because I received a phone call on my cell phone from headquarters that fingerprint evidence from the crime scene had been analyzed and that that evidence appeared to link the defendant, Mr. Arnsberg, to the crime.”

“What did you do then?”

“We took Mr. Arnsberg into custody.”

“You arrested him?”

“That’s right.”

Now Tuchio starts making repeated trips to the evidence cart and back to the witness on the stand. First comes a paper bag containing the plastic raincoat. Detrick identifies it, along with a bloodied towel from the hotel that the raincoat was wrapped in when police found it in the Dumpster near the hotel parking area.

Another trip, another paper bag, this one larger than the bag containing the hammer.

“After you arrested Mr. Arnsberg, did you at any time obtain a warrant to search the premises of his apartment, the location where you first questioned him?”

“One of my officers did.”

“And did you conduct a search pursuant to that warrant?”

“We did.”

“When did you conduct that search?”

“The same day. The day we arrested the defendant.”

“And did you find anything during the course of that search?”

“We found a pair of dark slacks that appeared to have a few small stains of what looked like dried blood. These appeared to be ground into the fabric near the knee and hip areas.”

“Can you tell the jury where you found these slacks?”

“In a clothes dryer in the basement of the apartment building where the defendant, Carl Arnsberg, lived.”

“So these slacks were being dried after being washed?”

“Objection. Calls for speculation.”

“Sustained,” says the judge.

Still, the point is made. Unless he was removing wrinkles, why would Arnsberg be drying a pair of slacks if he hadn’t washed them?

“But they were being dried?” Tuchio comes right back.

“They were already dry,” says Detrick. The machine was off, but it was still warm when we found the slacks inside.”

“Did you find anything else during your search?”

“We found a pair of dark Nike running shoes with rippled soles that appeared to have traces of blood in some of the grooves. There were also stains that looked like they could be blood on the outside of the upper part of the right shoe.”

“And where did you find these shoes?”

“They were on the kitchen counter near the sink.”

“Did you find anything else during the course of this search?”

“A small, hard-bristled brush and a can of cleanser,” says Detrick.

“Where did you find these?”

“On the sink right next to the shoes.”

This time Tuchio comes back from the evidence cart with an array of bags. One at a time, he hands them up to the witness, and they do the drill.

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