Richard Hawke - Speak of the Devil

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"From first line to last, Speak of the Devil moves with a rare combination of intrigue and intensity. Its engine runs on high octane adrenalin. Richard Hawke delivers a winner." – Michael Connelly
***
It’s a beautiful Thanksgiving morning in New York City. Perfect day for a parade, and Fritz Malone just happens to have drifted up Central Park West to take a look at the floats. Across the crowd-filled street he sees a gunman on a low wall, taking aim with a shiny black Beretta. Seconds later, the air is filled with bullets and blood. Fritz isn’t one to stand around and watch. A child of Hell’s Kitchen and the bastard son of a beloved former police commissioner, Fritz is all too familiar with the city’s rougher side. As the gunman flees into the park, Fritz runs after him. What he doesn't know is that he is also running into one of the most shocking and treacherous episodes of his life. Though Fritz assumed that chasing down bad guys is perfectly legal, the cops hustle him from the scene and deliver him to the office of the current commissioner, who informs Fritz that someone dubbed “Nightmare” has been taunting the city’s leaders for weeks, warning of an imminent attack on the citizenry. What’s worse, Nightmare has already let the officials know that the parade gunman was a mere foot soldier and that there’s more carnage to come unless the city meets his impossible demands. The pols don’t dare share this information with anyone – not even the NYPD. What they need for this job is an outside man. And in Fritz they think they've got one. Racing against the tightest of clocks, Fritz finds himself confounded by Nightmare’s multiple masks and messengers. The killer is simultaneously everywhere and nowhere. But as Fritz’s frantic investigation takes him from a convent in the Bronx to a hookers’ haven in central Brooklyn, the story behind the story – complete with wicked secrets on both sides of the law – begins to emerge. As Fritz zeroes in on the terrible, gruesome truth, the killer retaliates by making things personal, forcing Fritz to grapple with his deepest fear: sometimes nightmares really do come true. In his brilliantly paced and stunningly original debut, Richard Hawke delivers a tale of flawed and unforgettable people operating at the ends of their ropes. It’s literary suspense that doesn’t let go until the last page.

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“One step in that direction and this one’s gone.” He pressed his pistol tighter against Margo’s head, then he indicated Charlie. “Him too. I’m sorry, Fritz. That’s how it has to go.”

Charlie muttered, “Bastard.”

Once more, I felt a shortness of breath. The edges of my vision were washing away as the scene in front of me seemed to be retreating. I was slipping into a tunnel-vision view of Margo and Tommy Carroll sitting a distant fifteen feet from me. Carroll was still speaking.

“What’s up with Cox? Level with me. Is he really alive?”

I shuffled forward a step. “He’s alive, Tommy. That’s on the level. And something tells me if he pulls through, he won’t be likely to keep his trap shut. Not if he thinks he can cut some sort of deal.”

“He’s… a bum.” It seemed to take all of the big man’s breath to get the sentence out.

“Maybe. But you know how prosecutors are. They’ll make deals with bums so long as the bum can give up a bigger bum.”

“Fuck you.”

“Sorry. Was that a little too close to home?” I inched forward.

“I’ll tell you who’s the bum in all this. Goddamn Marty Leavitt. He’s a sorry son of a bitch if ever there was one.”

“You already gave me this speech last night.”

“I didn’t tell you shit last night. That son of a bitch is a rapist. You were on to that, weren’t you, that nun thing? Damn smart-ass punk really fucking thought he’d gotten away with it. That stupid girl with her hundred stupid different stories… anyone with half a brain could tell she was protecting someone. There were at least four people questioned who told how she’d been mooning all over Leavitt. Big handsome ass hero, prosecuting her parents’ killer.” The police commissioner shook some of the sweat out of his eyes. He resembled an angry bear. “Who the hell prosecutes him when he goes off on this young girl and rapes her and beats her half to death? No one. He mauls this kid like a beast , then walks away. That’s just not right, Fritz. You know that’s not right.”

I moved forward. “What did you know about any of that, Tommy? Your beat wasn’t Brooklyn.”

Carroll scoffed. “I know people. I knew Tony DiMarco. He was the lead investigator. He met with me one night. He called me in. He was in a fix. He suspected it was Martin Leavitt who’d attacked that girl. He laid it out for me. He had the case.”

“Why didn’t he just have Leavitt arrested?”

“Get real, Fritz. Leavitt was already Mr. Big out there. You pull someone like that in, even if you’ve got the goods, you’re finished. You know what I’m saying. Leavitt had friends. A lot more friends than DiMarco. And Tony was six years from retirement. I gave him some pre-retirement advice. ‘Drop it. Let Leavitt walk. The bastard will come up short someday. A shadow like that can’t go away.’ Give Tony credit-he argued with me about it. But I finally convinced him.”

“Why’d you do that, Tommy? That’s insane.”

Margo had closed her eyes. Carroll brought up his free arm and wiped more sweat from his face. “Fucking right it was insane. You think I don’t know that? Sometimes you’ve got to make the call. That’s what I did. I gave that punk a pass. I let him walk.” Carroll’s eyes narrowed. He ran his tongue across his dry lips. “But the bastard finally came up short, Fritz. Prick thinks he can throw me to the wolves and I’m just going to sit on my ass and take it?”

I got it.

“Jesus, Tommy… you? You sent him those letters?”

He nodded tersely. “Leavitt saw the suicide note. When he heard about the nun who’d offed herself in Prospect Park, he went through the pipeline to get a copy of her suicide note. Stupidest thing he could have done. No one goes through the pipeline without me hearing about it. Your old man taught me that one. Make everybody out there your ear.”

“What did Leavitt want with Margaret’s suicide note?”

“If you ask me, he just wanted to see if she screwed him over at the end.”

“She didn’t. The note was just babble.”

“Yeah. So was most of the crap in Nightmare’s notes. Just enough of the same kind of babble for Leavitt to know he was screwed if he didn’t do everything that was asked of him.”

“The note I saw didn’t mention anything about Margaret King.”

“Of course not. Wise up, Fritz. What you saw was a copy. Leavitt typed that one up. He left out the real good stuff.”

“Jesus, Tommy.”

Carroll gave a hard smile. “ I screwed that bastard over in the end. You think I’m letting a punk like that smear me? Hustle me out of office? I don’t fucking think so. Marty Leavitt’s not taking me down. That’s just not going to happen. End of story. Sorry, Fritz.”

You’re Nightmare,” I said. “For Christ’s sake, let’s start talking evil, Tommy. What the hell kind of twisted crap are you trying to get away with?”

“Forget it. I’m not nothing anymore.”

He released his grip on Margo and shoved her forward with so much force that she pitched onto the floor. Charlie jerked his chair around and I got exactly one step closer before Police Commissioner Tommy Carroll swiveled his gun, bit down on the end of the barrel and pulled the trigger. The roar was deafening. Charlie recoiled.

“Jesus Christ!”

Carroll slumped sideways. Margo continued along the carpet on her hands and knees. She reached me and rose up weightlessly from the floor as if she’d momentarily licked the pull of gravity. Her arms looped around my neck, and she buried her head under my chin.

“Fritz, Fritz, Fritz, Fritz…”

41

THE LITTLE GIRL IN THE BAGGAGE-CLAIM AREA LOOKED SO MUCH LIKE Shirley Temple that I did no fewer than three double takes. The mass of ringlets, the bright, intelligent eyes, the swollen-apple cheeks. She wore a short bell-shaped plaid dress and shiny black shoes, and I had no trouble imagining her hoofing it up the stairs to the arrivals hall with Bill “Bojangles” Robinson himself. Her mother was somewhat less glamorous. Around five foot four, she had her daughter’s cheeks, though to less cute effect. No ringlets, and her face was etched with anticipation. The two were each wearing an oversize button with the face of a young bristle-headed man posing in front of an American flag. As the passengers began descending the stairs into the baggage area, the mother reached into her purse and handed her daughter a small American flag on a stick. Little Shirley Temple began jumping up and down; she could barely contain herself.

Me, I was able to contain myself. Airports generally put me to sleep. I positioned myself behind the phalanx of limo drivers who stood holding handwritten signs for the arriving passengers. BENNETT. FISK. WELCH. DALY. I spotted a discarded sign sticking out of a nearby trash bin and fetched it on a whim. I asked one of the drivers if I could borrow his Magic Marker, and I scribbled DORIS DAY on the back of the sign. A few minutes later, a real Shirley appeared. I spotted her as she was coming down the stairs. She was walking alongside a young serviceman on a pair of crutches. I recognized his face. The two were laughing about something. The little girl darted forward, waving her flag and shrieking. The serviceman gave my mother a quick nod and hopped on one foot quickly down the rest of the stairs, letting his crutches drop to the side as he leaned down to scoop his daughter up into his arms.

My mother turned and spotted me. Her face opened in a frozen laugh. “Ha! Doris Day! In your dreams.”

I came forward and gave her a peck on the forehead. “Welcome home.”

“You’re cute, in your way, but where’s Rock Hudson?”

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