Richard Hawke - Speak of the Devil

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"From first line to last, Speak of the Devil moves with a rare combination of intrigue and intensity. Its engine runs on high octane adrenalin. Richard Hawke delivers a winner." – Michael Connelly
***
It’s a beautiful Thanksgiving morning in New York City. Perfect day for a parade, and Fritz Malone just happens to have drifted up Central Park West to take a look at the floats. Across the crowd-filled street he sees a gunman on a low wall, taking aim with a shiny black Beretta. Seconds later, the air is filled with bullets and blood. Fritz isn’t one to stand around and watch. A child of Hell’s Kitchen and the bastard son of a beloved former police commissioner, Fritz is all too familiar with the city’s rougher side. As the gunman flees into the park, Fritz runs after him. What he doesn't know is that he is also running into one of the most shocking and treacherous episodes of his life. Though Fritz assumed that chasing down bad guys is perfectly legal, the cops hustle him from the scene and deliver him to the office of the current commissioner, who informs Fritz that someone dubbed “Nightmare” has been taunting the city’s leaders for weeks, warning of an imminent attack on the citizenry. What’s worse, Nightmare has already let the officials know that the parade gunman was a mere foot soldier and that there’s more carnage to come unless the city meets his impossible demands. The pols don’t dare share this information with anyone – not even the NYPD. What they need for this job is an outside man. And in Fritz they think they've got one. Racing against the tightest of clocks, Fritz finds himself confounded by Nightmare’s multiple masks and messengers. The killer is simultaneously everywhere and nowhere. But as Fritz’s frantic investigation takes him from a convent in the Bronx to a hookers’ haven in central Brooklyn, the story behind the story – complete with wicked secrets on both sides of the law – begins to emerge. As Fritz zeroes in on the terrible, gruesome truth, the killer retaliates by making things personal, forcing Fritz to grapple with his deepest fear: sometimes nightmares really do come true. In his brilliantly paced and stunningly original debut, Richard Hawke delivers a tale of flawed and unforgettable people operating at the ends of their ropes. It’s literary suspense that doesn’t let go until the last page.

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The elevator door started to close, and I reached out with my gun hand and stopped it. A loud, metallic voice sounded. “ Lay down your weapon !”

I did. I leaned down and skidded my accomplice across the floor. About ten feet. Just like Angel’s. I stepped out of the elevator with my hands raised.

A police helicopter was floating in the air just off the end of the pavilion. The pilot was jockeying his stick to keep the craft in place. The sharpshooter was still aiming his rifle into the pavilion. The man holding the bullhorn was leaning out the side window of the bubble.

I turned to look in the other direction. Several dozen people-Angel’s hostages-were moving forward as one. They all seemed to have forgotten how to walk normally.

40

THE PIER 17 PAVILION WAS FLOODED WITH POLICE. THE HOSTAGES were herded together and taken out as a group. Stretchers were brought in to remove the bodies of Cox, Angel Ramos and the food-court worker Ramos had shot, a young guy named Brian Vitrano. The top floor of the pavilion was cleared as quickly as possible so that the police bomb squad could come in and do their thing.

I was escorted out of the building and across the pier’s open area by a pair of humorless policemen. One of them was Patrick Noon. “Evening, Noon,” I’d said to him when he took hold of my good arm. He’d given me nothing back. Zero. Nada.

The setting sun on the far side of the island hit the buildings along the Brooklyn waterfront and fired up a thousand windows with hot, dazzling gold.

I was taken to a waiting ambulance, where my coat was peeled off and my arm was triaged. While I was being worked on, I caught the rumor that one of the three people who’d been taken off to NYU Downtown Hospital was still alive. I knew without question that it wasn’t Ramos. If there was a God who had a moment to spare for New York, I thought, it would be Brian Vitrano. He was our true hero du jour.

The EMS workers wrapped my arm in gauze and told me they would take me to the hospital to get some fresh blood.

Remy Sanchez was making his way over to me. He wasn’t happy. “You could have gotten all those people in there killed. I could have your license pulled for a stunt like that. What the hell happened in there?”

“Cox tried to take me out.”

“He tried to kill you?”

“I told you, Sanchez. He’s a baddie.” I corrected myself. “He was a baddie.”

Sanchez shook his head. “ Is . He’s still alive.”

My heart sank. And my head went light. I staggered, and an EMS guy grabbed hold of me. “He’s lost blood,” he said to Sanchez. “We’re going to take him in.”

“Wait,” I said. I took a few calculated breaths, and the dizziness passed. I turned to Sanchez. “Cox was in it up to his teeth. He was in it with Ramos. They were a team, I’m convinced. There’s your baddest apple, Captain. If I were you, I’d contact the doctors at the hospital and tell them to leave Cox in the hallway for a few hours. Those things do happen, you know.”

Sanchez shook his head. “Something stank from the start,” he said. “A bad cop’ll cast a white shadow every time.”

A bright light hit me. There was a rumbling in the crowd, and suddenly Kelly Cole was standing in front of me, holding a microphone and pressing a hand to her ear to keep an earplug from falling out. She flashed me a quick look of recognition, then barked urgently into the microphone. “Jim, I’m here with the man who was inside the pavilion when the shooting rang out. Could you tell us what it was like in there?” She thrust the microphone into my face.

“I don’t remember a fucking thing,” I said.

She snapped the microphone back and gave me a withering look. The sentiment was clear. Fuck you, Malone . The crowd parted behind her, and Mayor Leavitt strolled onto the scene. He acknowledged me with a nod, then tugged his tie tight as Cole wheeled around. She shoved the microphone forward and asked the mayor if he had any comment. Of course he did, but his words didn’t register with me in any meaningful way. Leavitt stood in the harsh glare of the minicam and mouthed whatever it was he had to mouth. To me it was a silent movie starring Mr. Charisma. Mr. Bachelor Mayor.

I thought of Tommy Carroll’s rant against the mayor just the night before. It seemed several lifetimes ago. If there really was to be a battle between the two men, Carroll was lost. He was beaten. The man chattering away to the city of New York and beyond was too young, too smart, too smooth, too appealing. There are some people to whom nothing bad ever sticks. They can walk through a mountain of muck and emerge clean and rosy. Survival and success just seem to be their birthright.

I heard Cole asking the mayor, “And where is Commissioner Carroll, Mr. Mayor? It looks like practically every cop in the city is here. Where’s the commissioner?”

Leavitt addressed his answer directly to the camera. “Commissioner Carroll has been under a lot of strain lately. We all know it’s been a rough time for the police department. I’m sad to report as well that Tommy’s health hasn’t been all that good. He’s a proud man, and you’d never hear it from him. He always puts his job first.”

“Then where is he?”

The mayor paused. As he did, my cell phone rang. I snatched it from my pocket and flipped it open. “Malone. Hold on.”

I lowered the phone just as Martin Leavitt found the soulful expression he’d been looking for. He aimed it first at Kelly Cole, then at the camera. “I have no idea where the hell the commissioner is. He should certainly be here. Frankly, I’m a little concerned.”

I raised the phone to my ear. “Malone. What?”

“Fritz?”

It was Margo.

“Yeah. What’s up?”

For a moment I thought the shakiness was in the connection. Then I realized it was in Margo’s voice. She was sobbing. “Oh God, Fritz. He’s going to kill us. He’s going to kill us both!”

I crushed the phone in my hand. “ What ?”

“He’s going to kill us. Daddy and me. Oh God. Fritz. Whatever you do-”

The line went dead.

So did my heart.

Margo.

I took off running. I shoved the mayor out of my way, along with one of his security goons. The first several seconds, I was simply running blindly. He’s going to kill us both ! Then I focused. I sprinted through a gap between two police barricades and spotted Patrick Noon making his way over to a patrol car. I veered in his direction. Without thinking, I pulled my gun from my holster. Noon had no time to react.

“Get in!” I prodded the gun against his ribs. “Get in. There’s a murder under way in Queens. Let’s go!”

He paused.

Get in !” He got the point. I ran around to the passenger side as he slid in behind the wheel. “Sirens,” I barked, “The lights. Go, go, go!”

The officer frowned. He started up the car and put it in gear. “If this is bullshit, you’re in deep.”

“If you don’t drive, you’re in deep.”

He drove. Because of the mess at the pier, we couldn’t get onto the FDR until north of Chinatown. While Noon showed some good moves behind the wheel, I tried calling Margo. No answer. Same thing with Charlie’s number. I threw my phone onto the floor of the car. I’d sent her out there. How could I have been so perfectly stupid ? I should have gone directly to Margo’s after leaving her father’s and fetched Donna Bia’s phone myself. What was I thinking, involving her like that?

I looked out the window at the gray East River. Drown me. If anything happens to Margo or to Charlie, just drown me. Tie a rope around my leg and attach it to a car and send it off the Queensboro Bridge. I’d sent her there .

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