Richard Hawke - Cold Day in Hell

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In the stew and dazzle of New York City, savvy, irreverent Fritz Malone – who Susan Isaacs called “the perfect balance of noir P.I. and decent guy” – is embroiled in a string of grisly murders that drags him behind the lurid headlines into the tangled affairs of some the city’s most beautiful people and their ugly truths. When two women linked with charismatic late-night TV personality Marshall Fox are found brutally slain in Central Park, Fox becomes the prime suspect and is charged with the murders. At the tabloid trial, one of Fox’s ex-lovers, Robin Burrell, is called to testify – and is instantly thrust into the media’s harsh spotlight. Shaken by a subsequent onslaught of hate mail, Robin goes to Fritz Malone for help. Malone has barely begun to investigate when Robin is found sadistically murdered in her Upper West Side brownstone, hands and feet shackled and a shard of mirror protruding from her neck. But it’s another gory detail that confounds both Malone and Megan Lamb, the troubled NYPD detective officially assigned to the case. Though Fox is in custody the third victim’s right hand has been placed over her heart and pinned with a four-inch nail, just as in the killings he’s accused of. Is this a copycat murder, or is the wrong man on trial? Teaming up with Detective Lamb, Malone delves deeper into Fox’s past, unpeeling the layers of the media darling’s secret life and developing an ever-increasing list of suspects for Robin’s murder. When yet another body turns up in Central Park, the message is clear: Get too close to Fox and get ready to die. And Malone is getting too close. In Cold Day in Hell, Richard Hawke has again given readers a tale about the dark side of the big city, a thriller that moves with breakneck speed toward a conclusion that is as shocking as it is unforgettable.

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As he rose, he brought my legs up with him. I saw his face for just an instant. His cheeks were hot red. Frothy saliva was overflowing his mouth. Then my arms were pinwheeling, and my head whipped backward. I spotted the Huxley Envelope sign upside down across the river, then looked down at the bruise-colored films of ice along the shoreline below me. Ratface let out a powerful grunt.

I saw my feet. They were above me. Then they were below me. In the air. I was falling. The burning in my lungs this time was my own voice crying out into the cold air as the river ice rushed forward. The last thing I remember-funny-was my cell phone vibrating again. My world went black even before I hit.

Part 2

19

NIKKI ROSSMAN SLID down farther in the tub, to the point where the water was just touching her chin. She lifted her right foot and gently eased her big toe into the faucet so that it was snug and secure. She took a shallow breath and held it. She wanted to still the water completely. Her body appeared rubbery beneath the water, like something manufactured in a factory. Nikki recalled a movie she had seen a few years back, a high-tech Pinocchio-like story that had included a large workroom featuring thousands of white rubber torsos hooked on a seemingly endless hanging conveyor belt. The marble-white torsos had produced an inexplicably erotic feeling in Nikki. They were genderless. Breasts would later be added to some; to others, subtle six-pack stomachs and a solid rubber package where the legs came together. Nikki had wondered at the time why it was she found the torsos so disturbing and compelling. She had imagined lifting one of them off its hook and pressing it against her own body, embracing it with all her strength. In her imagination, the artificial torso had proved malleable, a pliant rubber that, in response to her own body’s warmth, would begin to conform to her contours, molding itself around her as she squeezed and squeezed and squeezed.

Nikki looked at her pale body rippling under the water. She was still amazed at the marvels of modern science. Or was it modern medicine? Both. Under the water, her slender legs zigzagged like some sort of cubist rendering. Her tiny waist appeared magnified and liquid. Her flat tummy undulated. Calories burned, calories avoided, a love affair with her gym, plus the lucky draw of petite genes. Now, still feeling so new after nearly six months, the beautiful, perfect swell of these fantastic marble-white breasts.

She touched one of them. Pliant. Just as promised. She pinched it, and then she stroked it and cupped it. Then again. Pinch, stroke, cup. Her lustrous hair floated on the surface of the water like an island of golden sand. With her other hand, she reached lower. The toe was snug in the faucet hole. It felt almost stuck there; she could imagine that it was. She lifted her free foot and set it against the tiled wall, as far up as she could manage. She flexed her toes as forcefully as she dared, backing off when she sensed the low flinch of her calf muscle wanting to cramp. The toe in the faucet really did feel stuck now.

He likes it when I can’t move. He likes it a lot.

Arching her back, she tilted her head to the point where the water lapped at the V of her hairline. Her torso rose while her hand stirred and wandered. Bathwater slapped rhythmically against the sides of the tub.

Half an hour later, Nikki got out of the tub. Rain was splattering against her window. She dried herself off and smoothed lotion over her arms, her thighs, her breasts. She removed the tags from the new plaid skirt and fastened it with the oversize safety pin around her waist. She modeled the purchase in the mirror, folding her arms over her breasts and swiveling this way and that, making the thin wool pleats swish. Do schoolgirls still wear these? she wondered. When he had asked her to buy it-giving specific details and insisting on giving her the money-he had told her precisely what he had in mind for the next time they got together.

And he had told her not to forget a change of clothes.

Nikki folded a loose cotton skirt into her bag. She chose the black V-neck pullover that she had decided not to throw out after the augmentation.

It had been one of her favorites. The nurse at the clinic had clued her in: “Don’t throw away the old stuff just yet, honey. It might find an all-new life.”

The nurse had been right. The black V-neck pullover was nice and tight. Even more of a favorite than before.

“Wicked,” she said to the mirror. Then she expertly applied her makeup, ruffled her damp hair-she was going to let it dry on its own into a tangled mane-and fastened the chain with the special pendant around her neck.

“Wicked,” she said again.

And off she went to die.

MEGAN LAMB SLAPPED a two-pound cut of flank steak onto her cutting board and went at it with her large knife. She recalled the old anti-drug campaign: This is your brain. This is your brain on drugs.

As she hacked at the meat with her too-dull knife, she reworked the slogan: This is your brain. This is Brian McKinney’s brain…on my cutting board!

A cord of bluish gristle required some sawing before Megan was able to sever the beef into two pieces. With a modified Psycho swing, she planted the knife into one of the pieces and let it remain there. She placed the other piece in a metal bowl of mustard and teriyaki marinade. The simple move triggered an image from several months before, not one that Megan welcomed. The image was that of Albert Stenborg’s brain being lifted from its skull casing and settled onto a metal pan to be weighed. Joe Gallo, among others (Josh, to be sure), had urged Megan not to attend the Swede’s autopsy, but she had ignored the pleas. She’d needed-or so she’d felt-to see the monster disassembled. She had hoped for some catharsis in hearing firsthand the medical examiner’s dispassionate litany of damages wrought by the hail of bullets from Megan’s service weapon. When the time came to extract the brain, Megan had inched closer to the table, determined to take a hard look. Only several hours later, seated in the dark corner of Klube’s, had she realized that the answers to why Albert Stenborg had been the man he’d been and done the things he’d done weren’t located in the spongy grayish pulp weighing three pounds, five ounces. For answers to those questions, the issue was more a matter of the monster’s heart and what it was about his life that had damaged that tender organ so horrifically. These were answers that would never come.

Megan glanced out her small kitchen window at the wedge of a river view her place afforded. The call was for heavy evening rain-a classic April dousing-but nothing had started yet. The low clouds gathered over the river were gray and milky, belly-lit from Manhattan ’s excessive wattage. Across the Hudson, a series of silent lightning flashes was illuminating the scant skyline of Hoboken. Staccato blasts making it look as if the small city were suffering through a bombardment.

MEGAN OPENED a bottle of pinot grigio and poured half a glass. As early as a month ago, she would have poured a second glass and set it on the coffee table in front of where Helen usually sat. Megan had had no clue she was in possession of such a maudlin streak, but life is about discovery, isn’t it? Sweet Helen. Megan went into the living room and looked at the framed photo on the bookshelf. It was the last photo that had been taken. Helen holding forth in this same room on New Year’s Eve, waving her champagne glass as she presented her laundry list of resolutions, angling for “the perfect year.” After Helen’s murder at the hands of Albert Stenborg, Megan had put the picture in the frame and tried out dozens of different locations around the apartment. None had satisfied her, and she had seriously considered taking it to the photo shop on Greenwich and having them make multiple copies so she could display Helen’s infectious laugh throughout the apartment. The shrink the department was sending her to didn’t think that was such a good idea. Megan had made the mistake-she thought of it as a mistake-of telling the shrink about her practice of pouring the extra glass of wine and placing it where Helen usually sat. The shrink hadn’t thought that was a good idea, either.

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