John Connolly - Bad Men

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Three hundred years ago, the settlers on the small Maine island of Sanctuary were betrayed by one of their own, and slaughtered. Now a band of killers has returned to Sanctuary to seek revenge on a young woman and her son, and the only people who stand in their way are a young rookie officer and the island’s resident policeman, the troubled giant known as Melancholy Joe Dupree. But Joe Dupree is no ordinary policeman. He is the guardian of the island’s secrets, the repository of its memories. He knows that Sanctuary has been steeped in violence, and that its ghosts will tolerate the shedding of innocent blood no longer. On Sanctuary, the hunters are about to become the hunted.

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“You think it’s interesting?”

“No. You got too much time on your hands, is what I think. You need to be doing something useful to keep your mind off shit like that. Just drive.”

“There was a time,” said Dexter, “when you thought I had a lot of interesting shit to say.”

“I thought you were deep. Then I got to know you.”

“You saying I’m not deep?”

“If you were a pool, little kids could paddle in you.”

“If you were a pool, little kids would piss in you.”

“Just drive, will you? The sooner we get to where we’re going, the sooner I can get away from your shallow black ass.”

But both men were smiling as Dexter tapped the gas, Moloch momentarily forgotten in the darkness behind them.

Shoot the women first: it was an axiom of antiterrorist units, quite literally a maxim to live by. The women were more fanatical. They had more to prove, and when they made a decision, they were less likely than their male peers to experience doubts or second thoughts about it. Women attempted suicide less frequently than men, but they were far more likely to follow the attempt through to its fatal conclusion. Similarly, when a woman picked up a gun and put her finger on the trigger, there was a good chance that someone’s body was about to be endowed with an extra hole.

If Willard was the most unpredictable of the little band of killers slowly making its way north, and Tell the most volatile, then Leonie was the most lethal. Braun was right to suspect as much, and Moloch, had he been asked, would have confirmed that his faith in her resolve was based entirely on the evidence of his own eyes. Leonie enjoyed power. Specifically, she enjoyed wielding the power of life and death, and had always done so. As a child, spiders and insects had briefly provoked her interest. They were simple to catch, and had enough easily detachable limbs to keep her amused in the clean little bedroom of the clean little unit that she shared with her mother in one of Philadelphia’s more desirable low-income housing projects. The young Leonie quickly tired of bugs, though, for there was no challenge to them. Similarly, unlike some of the boys who shared her environment, she did not enjoy tormenting cats and dogs. Instead, Leonie retreated into her own world, growing slowly quieter, a stillness creeping over her as she sat at her window and waited for the time when fantasy and reality might coalesce.

It was from that window that she watched as the slim black boy walked across the basketball court toward the one who called himself Ex. Ex had touched her once, while she was coming back from the store with an armful of groceries. She had been unable to move, fearful that she might drop the bag in her arms. It was the middle of the month, when money was always short for her momma, and so she had endured Ex’s touch, and the sour taste of his breath when he placed his mouth upon her own. Ex had grown bored when she did not respond, and called her some names that she did not understand. Secretly, her stillness had disturbed the young dealer, who found it unnerving the way her eyes had never left his, not even blinking while he fondled her. Since then, he had not approached her again, even as she matured into the fine-looking woman she would eventually become.

Now the boy was facing Ex, and Ex was saying something to him. Leonie felt her mouth grow dry. She pressed her fingers and face against the glass, a smear of breath pulsing, then fading, upon it.

She knew what the boy was about to do. She felt it from him, could see it in his stance.

Kill him, she thought. Kill him now.

And he did.

By the time Ex’s body hit the ground, the girl was running to the door of her apartment. She intercepted the boy on a patch of waste ground that led to the river. Already, she could hear sirens. The boy could hear them too. He looked scared.

“Give me the gun,” said Leonie.

The boy didn’t move. Instead, he just stared at the pretty girl with the thick black hair who stood before him. She was a year or two younger than he was, he guessed, but everything about her spoke of a maturity beyond his own.

“Give it to me,” she repeated. “They won’t search me.”

To their right, a patrol car made an arc into the project, spraying dirt and water from the rutted concrete. A second car came in from the left, effectively cutting off his exit. He couldn’t understand how they’d gotten there so fast.

Suddenly, the girl moved toward him, her hands slipping beneath his jacket as she hugged herself to him. She buried her face in his chest, then pulled back and kissed him on the cheek.

“Gotta run,” she said. “I’ll see you later, baby.”

And as the cops approached she skipped away across the dirt, the gun tucked into the waistband of her skirt, her shirt hiding the butt. He watched one of the cops glance at her, and saw her reward him with a little smile.

Then she was gone, and Dexter never saw the gun again.

But he saw the girl, and although that kiss was the only one she would ever give him, Dexter loved her, and he knew that she loved him too, in her way.

Still, he had never crossed her, and he never would. If it came down to it, he believed that she would kill him. She loved him more than she loved anyone else in the world, yet she would take his life if he failed her.

Dexter figured that, where Leonie was concerned, the rest of humanity didn’t stand a chance.

It was the absence of lights that alerted Karen Meyer. She heard the van pulling up outside her house, but no headlights matched its progress. Her first thought was that it was the cops coming, and she ran through a mental checklist as she climbed out of bed and pulled on a pair of jeans over her panties. The dummy passports and driving licenses were hidden in a panel behind her gas stove, accessible only by taking apart the oven from the inside, and she deliberately kept it thick with grease and food waste to discourage any possible search, even if it meant that the oven was rendered practically unusable as a result. Her inks, pens, and dyes were all in her studio, and were indistinguishable from the materials she used in her regular design work. Her cameras were an expensive Nikon, a cheaper Minolta, and a Canon digital. Again, she could argue that these were an essential part of her job, since she often had to take photos as part of her initial preparations. The last batch of material had gone out a few days before, and there was nothing on the slate. She figured that she was clean.

She had moved up to Norwich, Connecticut, to be close to her mother. Her mother had suffered a bad stroke that left her with impaired mobility, and Karen, as the only daughter in the family, had felt responsible for her. Karen’s brothers lived over on the West Coast, one in San Diego, the other in Tacoma, but they each sent money to boost the coverage offered by their mom’s insurance and to help Karen out, although, unofficially, Karen didn’t need their help because her sidelines were quite lucrative. Still, she wasn’t one to turn down free money, and the cash had helped her to rent the pretty house on Perry Avenue in which she now lived. Much as she loved her mom, she couldn’t live with the old woman, and her mom wanted to retain some degree of independence anyway. She had a panic button and a day nurse, and Karen was three minutes away from her. It was the perfect arrangement for all of them.

She looked out of the window and saw the van. It was black and comparatively clean-not so beat up that it might attract attention, and not so clean as to stand out.

There was no other vehicle in sight.

Not cops, she thought.

Her doorbell rang.

Not cops.

She went to her dresser and removed the gun from the drawer. It was a Smith & Wesson LadySmith auto, its grip designed for a smaller, woman’s hand. She had never fired it anywhere except on the range, but its presence in the house reassured her. Although Meyer made a point of no longer dealing with violent criminals, there was no telling what some people might do if they were desperate enough.

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